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Phil Collins: Urban Renewal

 A l b u m   D e t a i l s

Artist: Phil Collins
Title: Urban Renewal
Released: 2001.04.30
Label: WEA Records
Time: 60:46
Producer(s): See Artists ...
Appears with: Genesis, Brand-X, Peter Gabriel, Steve Hackett, Mike Rutherford
Category: Pop / Rock
Rating: ********.. (8/10)
Media type: CD
Purchase date:  2001.08.08
Price in €: 14,99
Web address: www.philcollins.co.uk

 S o n g s ,   T r a c k s


[1] Ray J: Ray J Prelude (Ray J) - 0:40
[2] Brandy & Ray J: Another day in paradise (Phil Collins) - 4:32
[3] Ol' Dirty Bastard: Sussudio (Phil Collins) - 4:18
[4] Deborah Cox: Something happened on the way to heaven (Phil Collins, Daryl Stuermer) - 4:29
[5] Dane Bowers feat] Kelis: This must be love (Phil Collins) -
[6] Lil'Kim feat] Phil Collins: In the air tonite (Phil Collins) - 4:21
[7] Coko: Gotta hold over me (Dave Daniels) - 4:03
[8] Kelis: I don't care anymore (Phil Collins) - 3:48
[9] Joe: Can't turn back the years (Phil Collins) - 4:36
[10] Debelah Morgan: Do you remember (Phil Collins) - 4:09
[11] Montell Jordan: Against all odds (Phil Collins) - 4:16
[12] Changing Faces: One more night (Phil Collins) - 4:34
[13] TQ: All of my life (Phil Collins) - 4:26
[14] Brian McKnight: I wish it would rain down (Phil Collins) - 4:08
[15] Malik Pendleton: Take me home (Phil Collins) - 4:34

 A r t i s t s ,   P e r s o n n e l


Brandy and Ray J
Ol' Dirty Bastard
Deborah Cox
Dane Bowers featuring Kelis
Lil' Kim featuring Phil Collins
Joe
Changing Faces
Coko
Kelis
Debelah Morgan
Montell Jordan
TQ
Brian McKnight
Malik Pendleton

 C o m m e n t s ,   N o t e s


2001 CD WEA WEA-833



Liner Notes

Here's a quick test. Name three Phil Collins songs. Now sing the chorus'. Not too difficult is it? What is far more difficult than most people imagine, however, is writing songs, that, to coin a phrase, make the whole world sing. Phil Collins is one of those uniquely talented individuals who, throughout his thirty year career both with Genesis and as a solo artist has written an continual stream of classics that have happily flitted twixt the idioms of pop/rock and R&B and whose influence has been felt the world over. When it comes to the pen and piano combo few people can match the sheer quality and consistency of Collins. Quincy Jones once told me that a good song is one that can be sung by anyone and will sound as if it was always their song. He also said that a great song can make an average singer sound incredible but an average song cannot make an incredible singer sound like anything.
It's a testament to Collins' penmanship that the selection of his songs covered on this CD by contemporary R&B and hip-hop staples all sound as if they were penned specifically for them and whose performances showcase artists on the very top of their game.
However, perhaps more important is the fact that the artists featured on here were all admirers of Collins' work from the onset and willingly partook in this celebration with personal favourites in mind before they stepped into the recording studio.



"I'm a huge Phil Collins" fan states singer/songwriter Brian McKnight who interprets the soulful I Wish It Would Rain Down. "I think that the first time that I really wanted to actually go out and buy a Phil Collins album was when I saw Against All Odds (covered on here by Montell Jordan). That was my first real 'God, I've got to see what this guy's all about' and I went back and listened to everything. So just to be a part of this and show the actual respect that I have for the musician, the writer, for the singer. You know it's a great opportunity."

Brandy (and her brother Ray J), who have covered one of Collins' most cherished and respected hits, Another Day In Paradise, share McKnight's sentiments.
"It's great being involved for two reasons. Firstly because we're such big fans of Phil Collins and secondly because the message (in Another Day In Paradise, which is about homelessness) is incredible."

The genesis (excuse the pun) for this album came about when Collins' Hit & Run publishing company were inundated with requests by hip-hop and R&B artists to either sample or cover his songs (rappers DMX and Queen Pen are just some of the artists who have used Collins' material in recent years). A light bulb went off and when the initial idea was bandied about to artists, producers and managers the overwhelming thumbs up made the subsequent album a no brainer. Indeed, even whilst the album was being recording superstars Mariah Carey and Eminem both paid respect to Collins; Carey by undertaking her own cover of Against All Odds (which appeared on her CD, Rainbow and Eminem by mentioning In The Air Tonight (ironically covered on here by another rapper, Lil' Kim) on his worldwide smash Stan.

Collins, who, other than the obvious, had no input on this album and only heard it for the first time after it was completed is characteristically humbled by the attention paid to his work.
"I'm just very flattered that the artists and people who put it together had taken the time and energy to do this" he says. "What impressed me when I heard it was just what a high level of singing there is on there. I mean all the singers really sing their asses off! My main influence alongside the Beatles who were influenced by early R&B was Motown, Stax and Atlantic. Even though I'm white and from Middlesex there's a hint of that, I think that comes out in my music bit sounds different. I remember when I was working with the Earth, Wind & Fire guys (Collins used the EW&F horn section as part of his own band for many years and of course duetted with EW&F front man Philip Bailey on "Easy Lover" - completely reinterpreted on this album by former SWV lead singer Coko) and they heard my music and said, "hey man, this is like our stuff but it's kinda regal!" I think the boundaries go when you talk to musicians. There are only two types of music. Good and bad."

Additional production credits for "In The Air Tonight", "Sussudio", "This Must Be Love", "Easy Lover", and "One More Night" go to Boogieman, responsible for Bootsy Collins, Randy Crawford and many, many others.

Jeff Lorez (Blues & Soul magazine)




The Mighty Groove Of PHIL COLLINS

It all began with the astonished look on the face of the interviewer. When he asked the hiphop icon Ice-T who was his greatest musical influence in the 80's, he answered: "Phil Collins"! And without even the slightest hint of irony. On the contrary, in the R&B and hiphop scene, the man from Britain with the groove in his blood demands respect."I'm a Phil Collins fan" confessed Sean "Puffy" Combs, for example, in a '97 edition of Face magazine,"he's the man!" DMX, Coolio, Mil Troy and Queen Pam have sampled Phil Collins' songs, and Miriah Carey, The Isley Bros, and countless others have all asked to do cover versions of his work. Even Eminem, the badboy of the current hiphop scene, has rapped in his song "Stan", "You know that song by Phil Collins, 'In The Air Tonight', about that guy who coulda saved that other guy from drowning but didn't, then Phil saw it all, then at the show found him ... that's kinda how this is, you coulda rescued me from drowning...:"

It's a fact, in pop music today there's no other artist with more soul than Phil Collins. Lots of grooves, lots of emotion, and even the song structures are so full of soul that the only other genre you can compare it with is the black underground. Collins' version of the Supremes' hit, "Can't Hurry Love", his collaboration with the top R&B artists in the business and the extremely high quality of his songwriting, have granted Phil Collins true cult status in the black community. For many years now the requests for cover versions and sample clearances, as well as for personal cooperations with Phil Collins, have been mounting up both at Phil Collins' management's Hit & Run office and also at WEA Records Germany.

Because of these developments, the idea gradually took hold to undertake a sensational experiment - to produce a concept album which will combine on one album some of the best R&B and hiphop artists, along with black music producers, to show off the hits of the groovin'-est of all songwriters in R&B dress, represented exclusively worldwide by WEA Records in Germany.

And now the time has finally come. After three years of preparation, Hit & Run Music, WEA Records Germany and Atlantic Records are happy to announce the release of "Urban Renewal - Featuring The Songs of Phil Collins". It is indeed an album that will surpass all expectations, one in which the hottests artists, working together with the most prominent producers, deliver the most cult-worthy concept album imaginable.

Wu Tang's head rapper Ol' Dirty Bastard interprets "Sussudio", Lil' Kim sings the super hit "In The Air Tonight" in a duet with the master himself, and Brandy makes "Another Day In Paradise" shine, singing with her brother Ray J. for the first time. Kelis is also in there, along with Deborah Cox, Joe, Brian McKnight, Montell Jordan, Debelah Morgan and many others. To make it short and sweet: all the big-name R&B vocalists were enthusiastic about the idea of interpreting such songs as "One More Night", "This Must Be Love", "Easy Lover", "Something Happened On The Way To Heaven", "Against All Odds", "Separate Lives", and others.

In addition, the list of producers includes some of the best in the business: The Neptunes, Guy Roche, Joe, Justin Trugman, Shep Crawford, DJ Clark Kent, TQ, Malik Pendleton and other top-flight producers didn't let anything get in the way of their taking part in this project.



Phil Collins on "Urban Renewal":

"I'm very flattered", said Phil Collins. And as he says it, his mischievous grin turns into a radiant laugh. A few minutes previously, the just-turned 50 pop star had listened to the final version of "Urban Renewal" for the first time in a suite at the Hotel Beau Rivage, near his home on Lake Geneva. On the album are interpretations of some of his songs by stars from the R&B and hiphop scenes, from Li'l Kim to Brandy and from Ol' Dirty Bastard to Kelis. Collins is surprised, happy, and even flattered. "I'm my own sharpest critic. And I attach a lot of importances to all the bad reviews I've ever read about my music. This album should be a lesson to all my critics. That is would simply be just good songs which a lot of people like is not the point. When I listen to their album, it's almost as if I'm able to walk up straight again. Because not all of the artists who sing my songs on the album can be wrong." Absolutely not, since it has to do with some of the biggest names in black music and across so many different genres, from the hiphop of Wu Tang Clansman Ol' Dirty Bastard to the funk approach of Kelis, all the way to the gentle soul of Brandy, Coko, and Deborah Cox. And with producers like The Neptunes (Kelis and Noreaga), Montell Jordan, and the Boogieman (Deichkind and A-ha).

Whoever has to seriously examines the musical direction of "Urban Renewal" has not done their homework. Phil Collins calls Sonny Payne, the longstanding drummer of the Count Basie Big Band, his greatest influence in playing drums. When the question revolves around singing, names like Marvin Gaye and The Four Tops are mentioned. For the latter, he wrote and produced, in collaboration with Motown legend Lamont Dozier, the title song to the film, Buster. Along with Phil Balley, the lead singer of Earth, Wind & Fire, he developed a longstanding, friendly and professional relationship which, not least of all, produced "Easy Lover" and "Walkin' OnThe Chinese Wall". At the Super Bowl not long ago, he sang along with Tony Braxton and his own Phil Collins Big Band, to which names like George Duke, Nathan East, James Carter, Oleta Adams and Quincy Jones belonged. Maria Carey and the Isley Brothers have covered his songs, and hiphoppers from DMX and Coolio to Li'l Troy and Queen Pen have sampled them. Meantime Eminem mentions Phil Collins and "In The Air Tonight" in his hit song, "Stan". Last of all, Sean "Puffy" Combs confessed in an edition of The Face: "I'm a fan. Phil Collins is the man."

"Whatever happens, I'm sure that everyone is going to have their own opinion about whether the album was worth all the trouble. I'm just happy that someone was listening!" And with this laughter on his lips he adds: "I never listen to my own albums. But you can be sure I'm going to listen to this CD often and with the greatest pleasure."

Interview and text: Goetz Buehler, February 2001



Brandy and Ray J - "Another Day In Paradise"

With her debut album of the same name, Brandy, singer and actress, had already exploded into the hiphop and R&B scene in 1994, and in 1996, with "Missing You" from the soundtrack of Set It Off, she confirmed her success. With her roles in the sitcom Moesha and in the Disney TV production of Cinderella she has been working on her reputation as a true multi-talent. In 1998 she released her next successful album "Never Say Never". Brandy has been awarded platinum many times in the States, and worldwide is the most successful R&B vocalist of the last 20 years. In Europe her greatest success was probably her unforgettable duet with Monica which garnered a Grammy for "The Boy Is Mine", and which remained # 1 in the German singles charts for weeks and weeks, and achieved gold status. "Another Day In Paradise" has Brandy in a duet with her brother Ray J., and was produced by Guy Roche who also worked on "Never Say Never", and who played a major part as producer, programmer and arranger of Christina Aguilera's debut album.

Further remixes of the first single release of "Urban Renewal" came from the norvegian producerteam Stargate (En Vogue, Sisqo, Craig Davis), as well as Black Legend and Knee Deep, who worked on the track for house DJs.

"It's great being involved for two reasons. Firstly because we're such big fans of Phil Collins and secondly because the message (in Another Day In Paradise, which is about homelessness) is incredible."



Ol'Dirty Bastard -"Sussudio"

Ol' Dirty Bastard is the scandal-laden front rapper of the Wu Tang Clan, one of the most spectacular hiphop formations of the last 10 years. His solo debut, "Return of the 36 Chambers" (following up on the 1993 Wu Tang "Enter The Wu Tang-36 Chambers" debut album), was produced by Wu Tang Clan member Prince Rakeem. In 1999, his second solo album followed, "Nigga Please".

"Sussudio" originated under the hand of producer Justin Trugman, with additional work by Clark Kent and Boogieman. Justin Trugman has also produced albums for Heltah Skeltah, OGC and the original soundtrack of the film, "Scary Movie".


Deborah Cox - "Something Happened On The Way To Heaven"

Deborah Cox was discovered by Clive Davis right after her graduation from high school. By then she had already had a career of a few years as studio singer for TV commercials. Her debut "Deborah Cox" (1995) was produced with a few high-end names, namely Babyface, Dallas Austin and Keith Crouch. Her follow-up album "One Wish" came out in 1998 and contained among others the R&B chart topper "We Can't Be Friends". The '99 single "Nobody's Supposed To Be Here" held the leading spot in the Billboard Hot R&B singles charts for over 10 weeks, as well as the Hot R&B singles sales and the Hot R&B airplay charts, not to mention 8 weeks at # 2 on the Billboard Hot 100 and Hot 100 singles.

"Something Happened On The Way To Heaven" was produced by top producer Shep Crawford, who was also responsible for acts like Boyz II Men, 98°, and Tamia.

"I've always be a huge fan of Phil's music!"


Dane Bowers from Another Level - feat. Kelis "This Must Be Love"

Bobak Kianoush, Mark Baron, Dane Bowers and Wayne Williams make up the British R&B quartet, Another Level, whose singles, "Freak Me", and "Guess I Was A Fool" shot straight into the UK charts. In 1998 they were the support band on the Janet Jackson Tour, shortly before they released their own album, "Another Level". On "This Must Be Love", Dane Bowers joins up with the fascinating Kelis to deliver a touching duet with her.

The producer on "This Must Be Love" is no one less than Montell Jordan himself, who in 1995 had a worldwide hit of his own as vocalist on "This Is How We Do It".

"Phil Collins is a donk!. He's the man. I have a lot of respect for him."


Lil' Kim - "In The Air Tonight"

She is considered to be one of the toughest and above all sexiest rappers around. Lil' Kim, who spent her childhood as a street kid, made her debut on Junior M.A.F.I.A.'s first album, "Conspiracy", not least of all by means of support from Biggie Smalls aka Notorious B.I.G. She started her solo career with the release of her first album "Hard Core" on which Sean "Puffy" Combs, Jermaine Dupri and Prestige all made sizeable contributions. Her first single, "No Time", a duet with "Puffy" Combs went immediately to # 1. Last year she followed up with her long-awaited album "Notorious K.I.M.".

On "In The Air Tonight" Lil' Kim sings with Phil Collins himself. Production was taken over by Clark Kent who has made a name for himself for his work with Mary J. Blige, Sean "Puffy" Combs and Pete Rock.


Coko - "Easy Lover"

The singer Coko, alias Cheryl Gamble belonged to one of the most successful R&B formations, SWV, which had a decisive influence on the charts of the 90's. After the group broke up in 1998, Coko steered towards a solo career, releasing the single "Sunshine", and in 1999, the album "Hot Coko".

"Hey man, this is like our stuff but it's kinda regal!"


Kelis - "I Don`t Care Anymore"

Kelis comes from Harlem in New York and made her breakthrough in 1999 when she performed side by side and brilliantly with Ol' Dirty Bastard as his human beatbox on the track "Got Your Money". Her debut album "Kaleidoscope" was released in December of 2000 and was produced by The Neptunes who are also responsible for the sound on "I Don't Care Anymore". The Neptunes belong to the superstar faction of the U.S. producer scene. They established themselves in the shortest imaginable time as one of the most wanted production teams of the present day. Among their clients are Ol' Dirty Bastard, Mystikal, and Jay-Z, as well as Guru, Noreaga, and SWV. Among others, The Neptunes produced MC Lytes most successful album "Seven & Seven".


Joe - "Can`t Turn Back The Years"

With his debut album, "Everything", Joe Thomas' name exploded on the scene and was followed up a year later with "All That I Am" which went platinum. In 1998 Joe collaborated on the Mariah Carey single, "Thank God I Found You". His soundtrack contribution "I Wanna Know" for the film "The Wood" reached the top 5 on the R&B charts and prepared the foundation for Joe's new album, "My Name is Joe". Altogether Joe was nominated for four Grammys in 2001. He produced "Can't Turn Back The Years" himself.


Debelah Morgan - "Do You Remember"

The voice, ability and radiance of DEBELAH MORGAN leave no room for doubt: she is among the greatest R&B vocalists of the day. Her voice range comprises five octaves, and at the age of 8 she composed her first song, just before she started her own girl's choir. At 15 she was already entrusted as teacher for the gospel choir at the University of Arizona, as well as being awarded the prize for Miss Teen Black Arizona. Shortly thereafter she was awarded the silver medal of the NAACP internation music competition. In 1994 she released her debut album "Debelah", and in 1998 went on to release the follow up, "It's Not Over" on the Motown label, so rich in tradition. Her current Atlantic album, "Dance With Me", was recently released in Europe as well, peaking at # 53 in the charts. Her single of the same title had previously stormed into the charts, entering at # 14.

"Do You Remember" was produced and arranged by Giloh Morgan and DEBELAH MORGAN herself. On the album you'll find a remix by the renowned Stargate team.


Montell Jordan -"Against All Odds"

Songwriting, singing, producing - Montell Jordan is known in every musical quarter. He began his career in his hometown of L.A. at talent competitions, church choirs, and later in nightclubs. With his party hymn, "This Is How We Do It", he landed a number 1 hit in 1995, selling over a million copies. "More" (1996) and "Let's Ride" (1998) consolidated his reputation and in 1999 Jordan released his 4th album "Get It On Tonite". Altogether he has racked up four platinum singles and five gold awards. On "Against All Odds", Jordan collaborated with Shep Crawford on production.


Changing Faces - " One More Night"

Cassandra Lucas and Clarisse Rose are the Changing Faces. The New York duo combines soul and gospel with hiphop influences. R. Kelly wrote the singles "Stroke You Up" and "Foolin' Around" for them, both of which went into the top 10 on the R&B charts. Their debut "Changing Faces" went gold in the U.S., reaching # 1 on the charts. "All Day, All Night" (1997), their 2nd album, contained the single "G.H.E.T.T.O.U.T" which went to number 1 on the R&B charts and number 8 on the pop charts.

"One More Night" was produced by Guy Roche.


TQ - "All Of My Life"

His single "Westside" shot high into the charts a few months ago and went all the way to gold. TQ is the newcomer who has achieved a big reputation in practically no time at all. Born in Alabama and resettled in ghetto-city L.A., he presented raw street life scenarios on his debut album "The Second Coming" in 2000, which quickly gave his reputation high credibility among R&B artists. He produced "All Of My Life" himself.


Brian McKnight - "I Wish It Would Rain Down"

Brian McKnight, brother of Take 6 member, Claude, was able to land his first single "The Way Love Goes" on the Billboard charts at # 11. His debut album "Brian McKnight" came out in 1991. "Love Is", his duet with Vanessa Williams from the TV series "Beverly Hills 90210" made it to # 3 on the Billboard charts in 1992. Since then McKnight has been able to establish himself as an outstanding songwriter, multi-talented musician and producer of rank. In 1995 he released his 2nd album "I Remember You" and in 1997 came out with "Anytime", the album produced by Sean "Puffy" Combs. Following that in 1998 came "Bethlehem", his Christmas album, and he returned yet again in 1999 with "Back At One". He produced "I Wish It Would Rain Down" himself.

"I love the way he (Phil) bends and breaks the rules, but still makes it work."

"I'm a huge Phil Collins fan. I think that the first time that I really wanted to actually go out and buy a Phil Collins album was when I saw Against All Odds (covered on here by Montell Jordan). That was my first real 'God, I've got to see what this guy's all about' and I went back and listened to everything. So just to be a part of this and show the actual respect that I have for the musician, the writer, for the singer. You know it's a great opportunity."


Malik Pendleton - "Take Me Home"

New Jersey-born Malik Pendleton is an old hand in the songwriting game. He has written songs for 702, Diana Ross, George Benson and SWV, among others. His collaboration with Mary J. Blige on the track "Seven Days" for her album "Share My World" brought him the "Rhythm and Soul Music Award of the American Society of Composers, Authors and Publishers" in 1999. On his debut album, "Look Around", he worked with Me' Shell, Angie Stone, and Roots drummer Ahmir Thompson.

Pendleton also produced his cut, "Take Me Home", himself



Ich fühle mich geschmeichelt", sagt Phil Collins. Dabei zieht er die Mundwinkel vom verschmitzten Grinsen zum strahlenden Lachen. Vor wenigen Minuten hat der gerade 50jährige Popstar in einer Suite des Hotels Beau Rivage, nahe seines Hauses am Genfer See, zum ersten mal in voller Länge Urban Renewal gehört. Das Album, auf dem Stars aus R&B und Hip Hop, von Lil`Kim bis Brandy, vom Ol`Dirty Bastard bis zu Kelis, einige seiner Songs interpretieren. Collins ist überrascht, erfreut und eben geschmeichelt. "Ich bin mein schärfster Kritiker. Und ich messe all der negativen Kritik, die ich über meine Musik gelesen habe, eine Menge bei. Dieses Album ist auch so etwas, wie ein Denkzettel an meine Kritiker. Dass es auch einfach gute Songs sein könnten, die viele Leute mögen, kommt nicht in Frage. Wenn ich dieses Album höre, ist es fast so, als könne ich wieder aufrecht gehen. Denn nicht alle von den Künstlern, die darauf meine Songs singen, können völlig falsch liegen."



Die Idee ist nicht ganz neu und unglaublich wirkungsvoll: Man nehme einen Hit aus den achtziger Jahren, als die Zielgruppe sich noch in der Vorschule tummelte, und übergibt ihn einem erfahrenen Produzenten. Der steckt ihn darauf hin ins neueste Soundgewand; jetzt fehlt nur noch ein populärer Sangeskünstler am Mikrofon - fertig ist der Hit. Puff Daddy lässt grüßen.

Und wenn sich gerade jener Sean "Puffy" Combs und darüber hinaus noch Rap-Urgestein Ice-T als fanatische Phil Collins Fans outen, was läge da näher, als sich dessen Hits zu schnappen und oben genanntes Rezept ein weiteres Mal zur empfohlenen Anwendung zu bringen. Am Ende steht dann "Urban Renewal feat. The Songs Of Phil Collins", ein 15 Tracks umfassendes sog. Tribute-to-Album.

Das Line up lässt R'n'B Herzen sicher höher schlagen: Lil´Kim, Kelis, TQ, Coko, Ol'Dirty Bastard (ja wirklich, der exzellente Vollfreak aus Wu-town), Brandy J (in kongenialer Zusammenarbeit mit Bruder Ray) und eine Reihe weiterer Vertreter der Musik, die innerhalb der etwas jüngeren Hörerschaft gerne als Soul missgedeutet wird, kommen da zum Zuge. Dazu gesellen sich u.a. die Produzenten Guy Roche, Malik Templeton, Justin Trugman und Shep Crawford. Es sind also Profis am Werk.

Und so klingt "Urban Renewal " denn auch: sehr professionell. Alle Titel wurden konsequent zu R'n'B Songs gemorpht, die Produktion ist erstklassig, nichts stört die grenzenlose Harmonie. Die Beats grooven in bekannter Manier vor sich hin, die Stimmen sind glasklar. Je nach Bedarf wird vielstimmig gehaucht oder kehlig gegurrt. Das ganze Album folgt dem selben Flow. Das ist sicher seine größte Stärke.

Und seine große Schwäche. Das Lebenswerk Phil Collins' im R'n'B Format. Sonst noch was? Leider nicht. Es wird nicht einmal ansatzweise der Versuch unternommen, die Songs in irgendeiner Art und Weise zu interpretieren. It´s all the same. The same sauce. The soft sauce. Haben die Stücke, aus der Kehle ihres Schöpfers vernommen (auch wenn Phil nicht gerade als Mann der musikalischen Extreme gilt) alle einen eigenen Charakter, so hören wir auf "Urban Renewal" einen 15-teiligen R'n'B Song mit den Worten Mr. Collins'. Es gibt kein Ab. Und somit auch kein Auf. Alles plätschert auf einer Ebene. So kann halt keine Spannung entstehen.

Soll sie auch gar nicht. Hier sollen wohltemperierte, Mainstreamradio-taugliche Charthits generiert werden, was schon mit der ersten Auskopplung "Another Day In Paradise" gelang. Gratuliere. Als nächstes dürfte "In The Air Tonight" an der Reihe sein. Zumal es sich Mr. Collins nicht nehmen ließ, seinen Superhit im Duett mit Lil'Kim höchstselbst zu intonieren. Vielleicht macht auch "Against all Odds" oder "One More Night" das Rennen um die Ehre der zweiten Single. Mal sehen.

Summa summarum ergibt das einen musikalischen Schongang mit vokalem Weichspüler auf hohem produktionstechnischen Niveau. Für "Soulbrothers und - Sisters" ist dies sicher sehr o.k. und somit auch bedenkenlos zum Ankauf empfohlen. Was der altehrwürdige Phil Collins Fan empfinden mag, entzieht sich meiner Vorstellung. Vielleicht Ekel. Möglicherweise Verständnis oder gar Liebe? Fest steht jedenfalls: Der kleine Mann mit der Glatze hat von dem, was früher mal mit "Soul" umschrieben wurde, sehr viel mehr in die Wiege gelegt bekommen, als die gesamte Riege der auf "U.R." vertretenen Moneymaker.

Der Rest der Welt höre sich bitte in etwa einem halben Jahr das sanfte Geplätscher der seelenvollen Gelddruckmaschine beim Spaziergang durch den Supermarkt seines Vertrauens an. Sehr entspannend, gähn.

Latstark
www.laut.de



When you consider the major influences on hip-hop and R&B, George Clinton, James Brown and Roger Troutman probably come to mind a whole lot quicker than Phil Collins does. Phil still gets love from the streets, though -- so much love, in fact, that a tribute album was released in April on WEA Germany. Urban Renewal Featuring the Songs of Phil Collins includes hip-hop and R&B artists such as Kelis, Joe, Brian McKnight and Ol' Dirty Bastard (rambling incoherently over a synthesized version of "Sussudio") rendering Collins' most famous tunes.

The album was conceived, a source close to the project said, because Collins has had to field so many requests from hip-hop and R&B acts over the years -- including DMX, who integrated part of "In the Air Tonight" into "I Can Feel It" -- wishing to sample his records. Although his sampled voice appears on one track, Collins had nothing to do with the album other than to give it his blessing.

Urban Renewal's first single is a duet consisting of Brandy and her brother, Ray J, covering "Another Day in Paradise." The song's video, which depicts the siblings as two angels documenting the plight of a homeless woman begging for money to buy shoes, has already hit airwaves abroad.

Lil' Kim has the next single off the album with "In the Air Tonight." Kim will shoot the video next week, according to a source close to the project. In it, Kim will weave a story about payback, rhyming "Drop top rollin', diamonds on my neck, Bentley ballin', me and ni---- getting high all day, straight to the top 'cause we on our way; coming for y'all, comin' for y'all, I got something for y'all," at which point Collins' sampled voice provides the song's hook.

WEA has no plans to release the record or its videos in the United States, the source said, but it may reach other international markets.

Shaheem Reid - May 31, 2001
© Copyright 1999/2000 MTV Networks, a division of Viacom International Inc. All rights reserved.



Für manche ist R'n'B einfach ein Weichspüler und was für den einen der R'n'B, ist für den anderen die Musik von Phil Collins. Die Zeiten, in denen er sich mit Genesis progressiv Art Rock auf die Fahnen geschrieben hatte, gehören schon lange der Vergangenheit an. Und was passiert, wenn R'n'B- und HipHop-Stars sich an die Songs des Superstar heranwagen? Weichspüler + Weichspüler = Weichspüler hoch zwei? Mitnichten. "Urban Renewal - The Songs Of Phil Collins" hält einige wirklich fette Interpretationen bereit.

Klar, Songs wie "Another Day In Paradise" klingen auch bei Brandy und Ray J ultra-soft und dass sich Montell Jordan "Against All Odds" ausgesucht hat, liegt nahe, denn der Sänger ist ja auch sonst eher Fachmann für Schmusiges. Nebenbei sei bemerkt, dass der Song in seinen Händen wirklich besser aufgehoben ist als in denen einer Mariah Carey... Auch Brian McKnight greift zielsicher in die Balladenschublade und zog sich "I Wish It Could Rain Down" an Land, ein Song, der weniger schmalzig als im Original gelingt, dafür aber auch etwas beliebiger klingt.

Wenig gemeinsam mit dem schnellen Original hat auch "Sussudio" von Ol' Dirty Bastard: Funk bis zum Abwinken und lässige Raps lassen den Song in komplett neuem Gewand erscheinen.Absolutes Highlight des Albums: "In The Air Tonight", dass Samples des Altmeisters verwendet, aber von Lil' Kim frech bearbeitet wurde.

Die Balladen weichen teilweise nicht großartig vom Original ab und so gilt für einige Cover, was allgemein an Tributealben kritisiert wird: Warum ein gelungenes Original in ähnlicher Weise interpretieren? Besser wird es dadurch nicht...Trotzdem: "Urban Renewal - The Songs Of Phil Collins" verfügt über einige interessante Tracks, die mit weichgespülten Weichspülern nicht gemeinsam haben...

SoundChannel.de



Man mag zu Phil Collins stehen, wie man will. Aber dass er in seiner Karriere eine Vielzahl unvergesslicher Hits im Spannungsfeld zwischen Pop und Soul geschrieben hat, die auch heute noch jedes Kind im Schlaf mitsummen kann, ist nicht von der Hand zu weisen. Was lag also näher, als einige der besten Künstler aus den Bereichen Soul, R&B und HipHop zu bitten, einmal ihre Interpretationen dieser Songs vorzulegen. Das Ergebnis ist mehr als überzeugend. Die Bandbreite reicht von Brandy's und Ray J's Version von "Another Day In Paradise", der ersten Singleauskopplung, über Ol' Dirty Bastards (Wu-Tang Clan) Interpretation von "Sussudio" bis zu Lil' Kim, die mit freundlicher Unterstützung vom Meister selbst dessen größten Hit, "In The Air Tonight", in ein zeitgemäßes Gewand kleidet. Weitere Highlights steuern außerdem Kelis mit dem unwiderstehlich groovenden "I Don't Care Anymore", Joe mit einer einfühlsam gesungenen Version von "Can't Turn Back The Years" und natürlich Montell Jordan mit dem wunderschön arrangierten "Against All Odds" bei. In der Vergangenheit konnten viele ähnlich gelagerte Tribute-Alben den hohen Erwartungen nicht gerecht werden. Urban Renewal ist in jeder Hinsicht eine gelungene Ausnahme dieser Regel.

Norbert Schiegl, Amazon.de



"Urban Renewal" is an ode to Phil Collins, one of the best-loved vocalists in the world. The album features amongst the most talented artists in the R&B and hip-hop world - Brandy, Lil’ Kim, Brian McKnight, Debelah Morgan, Ol’Dirty Bastard and others - collaborating to cover Collins' greatest hits.

The album has been in the making for three years and reflects Phil Collins’ attitude of not confining his music to one specific genre. It is an album which not only appeals to avid Phil Collins fans but also to lovers of R&B and hip-hop.



What must be stressed from the outset is that the songs on this album shouldn’t be compared to Collins’ versions – they are quality tracks in its own right.

“Urban Renewal” kicks off with Collins’ “Another Day In Paradise” from his 1989 album “But Seriously.” This version is done by the smoky-voiced Brandy and her brother Ray J. They pull out all the stops and the result is a familiar track done R&B style, which has already received a huge amount of airplay.

Track three “Sussudio” off Collins’ 1982 “Hello I Must Be Going” is one of the highlights on the album, simply because it’s Ol’Dirty Bastard at his best. He lets out a full-blown rap attack holding nothing back, in a track which must at least be played four or five times to get the full effect.

Track four “Something Happened On The Way To Heaven” off the “Serious Hits…Live!” album is done by soul diva Deborah Cox in a slow and moving rendition. Track five “This Must Be Love” performed by Dane Bowers (from Another Level) featuring rage-filled Kelis is also a cover that gives a whole new sound to this groundbreaking mix.

“In The Air Tonight”, track six, must be the best track on the album. This Collins’ classic is covered by bad girl Lil’ Kim and is nothing short of out-of-this-world. It’s the only track on the album featuring Collins himself and the result is a combination that simply cannot go without recognition. The collaboration of these two, both top performers in their own genres, produces a song that is a true classic. It begins a lot like the original with Phil doing his ‘I-can-feel-it-coming-in-the-air-tonight-thing’ but then does a total 360 degree flip when Lil’ Kim blows up, holding nothing back as usual.

Other tracks on the album include “Against All Odds” by Montell Jordan, "I Wish It Would Rain Down” by Brain McKnight, “One More Night” by Changing Faces, “Can’t Turn Back The Years” performed by Joe and “Do You Remember” by Irish bombshell Debelah Morgan

If you like at least one Phil Collins’ song or one of the artists featured on this album then this you should check out this album. The exquisite line-up speaks for itself and you might just find that one listen is not enough.

by Lameez Abrahams
AfricasGateway.com Freelance Journalist



"Urban Renewal" is an ode to Phil Collins, one of the best-loved vocalists in the world. The album features amongst the most talented artists in the R&B and hip-hop world - Brandy, Lil’ Kim, Brian McKnight, Debelah Morgan, Ol’Dirty Bastard and others - collaborating to cover Collins' greatest hits.

The album has been in the making for three years and reflects Phil Collins’ attitude of not confining his music to one specific genre. It is an album which not only appeals to avid Phil Collins fans but also to lovers of R&B and hip-hop.

What must be stressed from the outset is that the songs on this album shouldn’t be compared to Collins’ versions – they are quality tracks in its own right.

“Urban Renewal” kicks off with Collins’ “Another Day In Paradise” from his 1989 album “But Seriously.” This version is done by the smoky-voiced Brandy and her brother Ray J. They pull out all the stops and the result is a familiar track done R&B style, which has already received a huge amount of airplay.

Track three “Sussudio” off Collins’ 1982 “Hello I Must Be Going” is one of the highlights on the album, simply because it’s Ol’Dirty Bastard at his best. He lets out a full-blown rap attack holding nothing back, in a track which must at least be played four or five times to get the full effect.

Track four “Something Happened On The Way To Heaven” off the “Serious Hits…Live!” album is done by soul diva Deborah Cox in a slow and moving rendition. Track five “This Must Be Love” performed by Dane Bowers (from Another Level) featuring rage-filled Kelis is also a cover that gives a whole new sound to this groundbreaking mix.

“In The Air Tonight”, track six, must be the best track on the album. This Collins’ classic is covered by bad girl Lil’ Kim and is nothing short of out-of-this-world. It’s the only track on the album featuring Collins himself and the result is a combination that simply cannot go without recognition. The collaboration of these two, both top performers in their own genres, produces a song that is a true classic. It begins a lot like the original with Phil doing his ‘I-can-feel-it-coming-in-the-air-tonight-thing’ but then does a total 360 degree flip when Lil’ Kim blows up, holding nothing back as usual.

Other tracks on the album include “Against All Odds” by Montell Jordan, "I Wish It Would Rain Down” by Brain McKnight, “One More Night” by Changing Faces, “Can’t Turn Back The Years” performed by Joe and “Do You Remember” by Irish bombshell Debelah Morgan

If you like at least one Phil Collins’ song or one of the artists featured on this album then this you should check out this album. The exquisite line-up speaks for itself and you might just find that one listen is not enough.

reviewed by Lameez Abrahams2001 CD WEA WEA-833

Liner Notes

Here's a quick test. Name three Phil Collins songs. Now sing the chorus'. Not too difficult is it? What is far more difficult than most people imagine, however, is writing songs, that, to coin a phrase, make the whole world sing. Phil Collins is one of those uniquely talented individuals who, throughout his thirty year career both with Genesis and as a solo artist has written an continual stream of classics that have happily flitted twixt the idioms of pop/rock and R&B and whose influence has been felt the world over. When it comes to the pen and piano combo few people can match the sheer quality and consistency of Collins. Quincy Jones once told me that a good song is one that can be sung by anyone and will sound as if it was always their song. He also said that a great song can make an average singer sound incredible but an average song cannot make an incredible singer sound like anything.
It's a testament to Collins' penmanship that the selection of his songs covered on this CD by contemporary R&B and hip-hop staples all sound as if they were penned specifically for them and whose performances showcase artists on the very top of their game.
However, perhaps more important is the fact that the artists featured on here were all admirers of Collins' work from the onset and willingly partook in this celebration with personal favourites in mind before they stepped into the recording studio.

"I'm a huge Phil Collins" fan states singer/songwriter Brian McKnight who interprets the soulful I Wish It Would Rain Down. "I think that the first time that I really wanted to actually go out and buy a Phil Collins album was when I saw Against All Odds (covered on here by Montell Jordan). That was my first real 'God, I've got to see what this guy's all about' and I went back and listened to everything. So just to be a part of this and show the actual respect that I have for the musician, the writer, for the singer. You know it's a great opportunity."

Brandy (and her brother Ray J), who have covered one of Collins' most cherished and respected hits, Another Day In Paradise, share McKnight's sentiments.
"It's great being involved for two reasons. Firstly because we're such big fans of Phil Collins and secondly because the message (in Another Day In Paradise, which is about homelessness) is incredible."

The genesis (excuse the pun) for this album came about when Collins' Hit & Run publishing company were inundated with requests by hip-hop and R&B artists to either sample or cover his songs (rappers DMX and Queen Pen are just some of the artists who have used Collins' material in recent years). A light bulb went off and when the initial idea was bandied about to artists, producers and managers the overwhelming thumbs up made the subsequent album a no brainer. Indeed, even whilst the album was being recording superstars Mariah Carey and Eminem both paid respect to Collins; Carey by undertaking her own cover of Against All Odds (which appeared on her CD, Rainbow and Eminem by mentioning In The Air Tonight (ironically covered on here by another rapper, Lil' Kim) on his worldwide smash Stan.

Collins, who, other than the obvious, had no input on this album and only heard it for the first time after it was completed is characteristically humbled by the attention paid to his work.
"I'm just very flattered that the artists and people who put it together had taken the time and energy to do this" he says. "What impressed me when I heard it was just what a high level of singing there is on there. I mean all the singers really sing their asses off! My main influence alongside the Beatles who were influenced by early R&B was Motown, Stax and Atlantic. Even though I'm white and from Middlesex there's a hint of that, I think that comes out in my music bit sounds different. I remember when I was working with the Earth, Wind & Fire guys (Collins used the EW&F horn section as part of his own band for many years and of course duetted with EW&F front man Philip Bailey on "Easy Lover" - completely reinterpreted on this album by former SWV lead singer Coko) and they heard my music and said, "hey man, this is like our stuff but it's kinda regal!" I think the boundaries go when you talk to musicians. There are only two types of music. Good and bad."

Additional production credits for "In The Air Tonight", "Sussudio", "This Must Be Love", "Easy Lover", and "One More Night" go to Boogieman, responsible for Bootsy Collins, Randy Crawford and many, many others.

Jeff Lorez (Blues & Soul magazine)



The Mighty Groove Of PHIL COLLINS

It all began with the astonished look on the face of the interviewer. When he asked the hiphop icon Ice-T who was his greatest musical influence in the 80's, he answered: "Phil Collins"! And without even the slightest hint of irony. On the contrary, in the R&B and hiphop scene, the man from Britain with the groove in his blood demands respect."I'm a Phil Collins fan" confessed Sean "Puffy" Combs, for example, in a '97 edition of Face magazine,"he's the man!" DMX, Coolio, Mil Troy and Queen Pam have sampled Phil Collins' songs, and Miriah Carey, The Isley Bros, and countless others have all asked to do cover versions of his work. Even Eminem, the badboy of the current hiphop scene, has rapped in his song "Stan", "You know that song by Phil Collins, 'In The Air Tonight', about that guy who coulda saved that other guy from drowning but didn't, then Phil saw it all, then at the show found him ... that's kinda how this is, you coulda rescued me from drowning...:"

It's a fact, in pop music today there's no other artist with more soul than Phil Collins. Lots of grooves, lots of emotion, and even the song structures are so full of soul that the only other genre you can compare it with is the black underground. Collins' version of the Supremes' hit, "Can't Hurry Love", his collaboration with the top R&B artists in the business and the extremely high quality of his songwriting, have granted Phil Collins true cult status in the black community. For many years now the requests for cover versions and sample clearances, as well as for personal cooperations with Phil Collins, have been mounting up both at Phil Collins' management's Hit & Run office and also at WEA Records Germany.

Because of these developments, the idea gradually took hold to undertake a sensational experiment - to produce a concept album which will combine on one album some of the best R&B and hiphop artists, along with black music producers, to show off the hits of the groovin'-est of all songwriters in R&B dress, represented exclusively worldwide by WEA Records in Germany.

And now the time has finally come. After three years of preparation, Hit & Run Music, WEA Records Germany and Atlantic Records are happy to announce the release of "Urban Renewal - Featuring The Songs of Phil Collins". It is indeed an album that will surpass all expectations, one in which the hottests artists, working together with the most prominent producers, deliver the most cult-worthy concept album imaginable.

Wu Tang's head rapper Ol' Dirty Bastard interprets "Sussudio", Lil' Kim sings the super hit "In The Air Tonight" in a duet with the master himself, and Brandy makes "Another Day In Paradise" shine, singing with her brother Ray J. for the first time. Kelis is also in there, along with Deborah Cox, Joe, Brian McKnight, Montell Jordan, Debelah Morgan and many others. To make it short and sweet: all the big-name R&B vocalists were enthusiastic about the idea of interpreting such songs as "One More Night", "This Must Be Love", "Easy Lover", "Something Happened On The Way To Heaven", "Against All Odds", "Separate Lives", and others.

In addition, the list of producers includes some of the best in the business: The Neptunes, Guy Roche, Joe, Justin Trugman, Shep Crawford, DJ Clark Kent, TQ, Malik Pendleton and other top-flight producers didn't let anything get in the way of their taking part in this project.



Phil Collins on "Urban Renewal":

"I'm very flattered", said Phil Collins. And as he says it, his mischievous grin turns into a radiant laugh. A few minutes previously, the just-turned 50 pop star had listened to the final version of "Urban Renewal" for the first time in a suite at the Hotel Beau Rivage, near his home on Lake Geneva. On the album are interpretations of some of his songs by stars from the R&B and hiphop scenes, from Li'l Kim to Brandy and from Ol' Dirty Bastard to Kelis. Collins is surprised, happy, and even flattered. "I'm my own sharpest critic. And I attach a lot of importances to all the bad reviews I've ever read about my music. This album should be a lesson to all my critics. That is would simply be just good songs which a lot of people like is not the point. When I listen to their album, it's almost as if I'm able to walk up straight again. Because not all of the artists who sing my songs on the album can be wrong." Absolutely not, since it has to do with some of the biggest names in black music and across so many different genres, from the hiphop of Wu Tang Clansman Ol' Dirty Bastard to the funk approach of Kelis, all the way to the gentle soul of Brandy, Coko, and Deborah Cox. And with producers like The Neptunes (Kelis and Noreaga), Montell Jordan, and the Boogieman (Deichkind and A-ha).

Whoever has to seriously examines the musical direction of "Urban Renewal" has not done their homework. Phil Collins calls Sonny Payne, the longstanding drummer of the Count Basie Big Band, his greatest influence in playing drums. When the question revolves around singing, names like Marvin Gaye and The Four Tops are mentioned. For the latter, he wrote and produced, in collaboration with Motown legend Lamont Dozier, the title song to the film, Buster. Along with Phil Balley, the lead singer of Earth, Wind & Fire, he developed a longstanding, friendly and professional relationship which, not least of all, produced "Easy Lover" and "Walkin' OnThe Chinese Wall". At the Super Bowl not long ago, he sang along with Tony Braxton and his own Phil Collins Big Band, to which names like George Duke, Nathan East, James Carter, Oleta Adams and Quincy Jones belonged. Maria Carey and the Isley Brothers have covered his songs, and hiphoppers from DMX and Coolio to Li'l Troy and Queen Pen have sampled them. Meantime Eminem mentions Phil Collins and "In The Air Tonight" in his hit song, "Stan". Last of all, Sean "Puffy" Combs confessed in an edition of The Face: "I'm a fan. Phil Collins is the man."

"Whatever happens, I'm sure that everyone is going to have their own opinion about whether the album was worth all the trouble. I'm just happy that someone was listening!" And with this laughter on his lips he adds: "I never listen to my own albums. But you can be sure I'm going to listen to this CD often and with the greatest pleasure."

Interview and text: Goetz Buehler, February 2001



Brandy and Ray J - "Another Day In Paradise"

With her debut album of the same name, Brandy, singer and actress, had already exploded into the hiphop and R&B scene in 1994, and in 1996, with "Missing You" from the soundtrack of Set It Off, she confirmed her success. With her roles in the sitcom Moesha and in the Disney TV production of Cinderella she has been working on her reputation as a true multi-talent. In 1998 she released her next successful album "Never Say Never". Brandy has been awarded platinum many times in the States, and worldwide is the most successful R&B vocalist of the last 20 years. In Europe her greatest success was probably her unforgettable duet with Monica which garnered a Grammy for "The Boy Is Mine", and which remained # 1 in the German singles charts for weeks and weeks, and achieved gold status. "Another Day In Paradise" has Brandy in a duet with her brother Ray J., and was produced by Guy Roche who also worked on "Never Say Never", and who played a major part as producer, programmer and arranger of Christina Aguilera's debut album.

Further remixes of the first single release of "Urban Renewal" came from the norvegian producerteam Stargate (En Vogue, Sisqo, Craig Davis), as well as Black Legend and Knee Deep, who worked on the track for house DJs.

"It's great being involved for two reasons. Firstly because we're such big fans of Phil Collins and secondly because the message (in Another Day In Paradise, which is about homelessness) is incredible."


Ol'Dirty Bastard -"Sussudio"

Ol' Dirty Bastard is the scandal-laden front rapper of the Wu Tang Clan, one of the most spectacular hiphop formations of the last 10 years. His solo debut, "Return of the 36 Chambers" (following up on the 1993 Wu Tang "Enter The Wu Tang-36 Chambers" debut album), was produced by Wu Tang Clan member Prince Rakeem. In 1999, his second solo album followed, "Nigga Please".

"Sussudio" originated under the hand of producer Justin Trugman, with additional work by Clark Kent and Boogieman. Justin Trugman has also produced albums for Heltah Skeltah, OGC and the original soundtrack of the film, "Scary Movie".


Deborah Cox - "Something Happened On The Way To Heaven"

Deborah Cox was discovered by Clive Davis right after her graduation from high school. By then she had already had a career of a few years as studio singer for TV commercials. Her debut "Deborah Cox" (1995) was produced with a few high-end names, namely Babyface, Dallas Austin and Keith Crouch. Her follow-up album "One Wish" came out in 1998 and contained among others the R&B chart topper "We Can't Be Friends". The '99 single "Nobody's Supposed To Be Here" held the leading spot in the Billboard Hot R&B singles charts for over 10 weeks, as well as the Hot R&B singles sales and the Hot R&B airplay charts, not to mention 8 weeks at # 2 on the Billboard Hot 100 and Hot 100 singles.

"Something Happened On The Way To Heaven" was produced by top producer Shep Crawford, who was also responsible for acts like Boyz II Men, 98°, and Tamia.

"I've always be a huge fan of Phil's music!"


Dane Bowers from Another Level - feat. Kelis "This Must Be Love"

Bobak Kianoush, Mark Baron, Dane Bowers and Wayne Williams make up the British R&B quartet, Another Level, whose singles, "Freak Me", and "Guess I Was A Fool" shot straight into the UK charts. In 1998 they were the support band on the Janet Jackson Tour, shortly before they released their own album, "Another Level". On "This Must Be Love", Dane Bowers joins up with the fascinating Kelis to deliver a touching duet with her.

The producer on "This Must Be Love" is no one less than Montell Jordan himself, who in 1995 had a worldwide hit of his own as vocalist on "This Is How We Do It".

"Phil Collins is a donk!. He's the man. I have a lot of respect for him."


Lil' Kim - "In The Air Tonight"

She is considered to be one of the toughest and above all sexiest rappers around. Lil' Kim, who spent her childhood as a street kid, made her debut on Junior M.A.F.I.A.'s first album, "Conspiracy", not least of all by means of support from Biggie Smalls aka Notorious B.I.G. She started her solo career with the release of her first album "Hard Core" on which Sean "Puffy" Combs, Jermaine Dupri and Prestige all made sizeable contributions. Her first single, "No Time", a duet with "Puffy" Combs went immediately to # 1. Last year she followed up with her long-awaited album "Notorious K.I.M.".

On "In The Air Tonight" Lil' Kim sings with Phil Collins himself. Production was taken over by Clark Kent who has made a name for himself for his work with Mary J. Blige, Sean "Puffy" Combs and Pete Rock.


Coko - "Easy Lover"

The singer Coko, alias Cheryl Gamble belonged to one of the most successful R&B formations, SWV, which had a decisive influence on the charts of the 90's. After the group broke up in 1998, Coko steered towards a solo career, releasing the single "Sunshine", and in 1999, the album "Hot Coko".

"Hey man, this is like our stuff but it's kinda regal!"


Kelis - "I Don`t Care Anymore"

Kelis comes from Harlem in New York and made her breakthrough in 1999 when she performed side by side and brilliantly with Ol' Dirty Bastard as his human beatbox on the track "Got Your Money". Her debut album "Kaleidoscope" was released in December of 2000 and was produced by The Neptunes who are also responsible for the sound on "I Don't Care Anymore". The Neptunes belong to the superstar faction of the U.S. producer scene. They established themselves in the shortest imaginable time as one of the most wanted production teams of the present day. Among their clients are Ol' Dirty Bastard, Mystikal, and Jay-Z, as well as Guru, Noreaga, and SWV. Among others, The Neptunes produced MC Lytes most successful album "Seven & Seven".


Joe - "Can`t Turn Back The Years"

With his debut album, "Everything", Joe Thomas' name exploded on the scene and was followed up a year later with "All That I Am" which went platinum. In 1998 Joe collaborated on the Mariah Carey single, "Thank God I Found You". His soundtrack contribution "I Wanna Know" for the film "The Wood" reached the top 5 on the R&B charts and prepared the foundation for Joe's new album, "My Name is Joe". Altogether Joe was nominated for four Grammys in 2001. He produced "Can't Turn Back The Years" himself.


Debelah Morgan - "Do You Remember"

The voice, ability and radiance of DEBELAH MORGAN leave no room for doubt: she is among the greatest R&B vocalists of the day. Her voice range comprises five octaves, and at the age of 8 she composed her first song, just before she started her own girl's choir. At 15 she was already entrusted as teacher for the gospel choir at the University of Arizona, as well as being awarded the prize for Miss Teen Black Arizona. Shortly thereafter she was awarded the silver medal of the NAACP internation music competition. In 1994 she released her debut album "Debelah", and in 1998 went on to release the follow up, "It's Not Over" on the Motown label, so rich in tradition. Her current Atlantic album, "Dance With Me", was recently released in Europe as well, peaking at # 53 in the charts. Her single of the same title had previously stormed into the charts, entering at # 14.

"Do You Remember" was produced and arranged by Giloh Morgan and DEBELAH MORGAN herself. On the album you'll find a remix by the renowned Stargate team.


Montell Jordan -"Against All Odds"

Songwriting, singing, producing - Montell Jordan is known in every musical quarter. He began his career in his hometown of L.A. at talent competitions, church choirs, and later in nightclubs. With his party hymn, "This Is How We Do It", he landed a number 1 hit in 1995, selling over a million copies. "More" (1996) and "Let's Ride" (1998) consolidated his reputation and in 1999 Jordan released his 4th album "Get It On Tonite". Altogether he has racked up four platinum singles and five gold awards. On "Against All Odds", Jordan collaborated with Shep Crawford on production.


Changing Faces - " One More Night"

Cassandra Lucas and Clarisse Rose are the Changing Faces. The New York duo combines soul and gospel with hiphop influences. R. Kelly wrote the singles "Stroke You Up" and "Foolin' Around" for them, both of which went into the top 10 on the R&B charts. Their debut "Changing Faces" went gold in the U.S., reaching # 1 on the charts. "All Day, All Night" (1997), their 2nd album, contained the single "G.H.E.T.T.O.U.T" which went to number 1 on the R&B charts and number 8 on the pop charts.

"One More Night" was produced by Guy Roche.


TQ - "All Of My Life"

His single "Westside" shot high into the charts a few months ago and went all the way to gold. TQ is the newcomer who has achieved a big reputation in practically no time at all. Born in Alabama and resettled in ghetto-city L.A., he presented raw street life scenarios on his debut album "The Second Coming" in 2000, which quickly gave his reputation high credibility among R&B artists. He produced "All Of My Life" himself.


Brian McKnight - "I Wish It Would Rain Down"

Brian McKnight, brother of Take 6 member, Claude, was able to land his first single "The Way Love Goes" on the Billboard charts at # 11. His debut album "Brian McKnight" came out in 1991. "Love Is", his duet with Vanessa Williams from the TV series "Beverly Hills 90210" made it to # 3 on the Billboard charts in 1992. Since then McKnight has been able to establish himself as an outstanding songwriter, multi-talented musician and producer of rank. In 1995 he released his 2nd album "I Remember You" and in 1997 came out with "Anytime", the album produced by Sean "Puffy" Combs. Following that in 1998 came "Bethlehem", his Christmas album, and he returned yet again in 1999 with "Back At One". He produced "I Wish It Would Rain Down" himself.

"I love the way he (Phil) bends and breaks the rules, but still makes it work."

"I'm a huge Phil Collins fan. I think that the first time that I really wanted to actually go out and buy a Phil Collins album was when I saw Against All Odds (covered on here by Montell Jordan). That was my first real 'God, I've got to see what this guy's all about' and I went back and listened to everything. So just to be a part of this and show the actual respect that I have for the musician, the writer, for the singer. You know it's a great opportunity."


Malik Pendleton - "Take Me Home"

New Jersey-born Malik Pendleton is an old hand in the songwriting game. He has written songs for 702, Diana Ross, George Benson and SWV, among others. His collaboration with Mary J. Blige on the track "Seven Days" for her album "Share My World" brought him the "Rhythm and Soul Music Award of the American Society of Composers, Authors and Publishers" in 1999. On his debut album, "Look Around", he worked with Me' Shell, Angie Stone, and Roots drummer Ahmir Thompson.

Pendleton also produced his cut, "Take Me Home", himself



Ich fühle mich geschmeichelt", sagt Phil Collins. Dabei zieht er die Mundwinkel vom verschmitzten Grinsen zum strahlenden Lachen. Vor wenigen Minuten hat der gerade 50jährige Popstar in einer Suite des Hotels Beau Rivage, nahe seines Hauses am Genfer See, zum ersten mal in voller Länge Urban Renewal gehört. Das Album, auf dem Stars aus R&B und Hip Hop, von Lil`Kim bis Brandy, vom Ol`Dirty Bastard bis zu Kelis, einige seiner Songs interpretieren. Collins ist überrascht, erfreut und eben geschmeichelt. "Ich bin mein schärfster Kritiker. Und ich messe all der negativen Kritik, die ich über meine Musik gelesen habe, eine Menge bei. Dieses Album ist auch so etwas, wie ein Denkzettel an meine Kritiker. Dass es auch einfach gute Songs sein könnten, die viele Leute mögen, kommt nicht in Frage. Wenn ich dieses Album höre, ist es fast so, als könne ich wieder aufrecht gehen. Denn nicht alle von den Künstlern, die darauf meine Songs singen, können völlig falsch liegen."



Die Idee ist nicht ganz neu und unglaublich wirkungsvoll: Man nehme einen Hit aus den achtziger Jahren, als die Zielgruppe sich noch in der Vorschule tummelte, und übergibt ihn einem erfahrenen Produzenten. Der steckt ihn darauf hin ins neueste Soundgewand; jetzt fehlt nur noch ein populärer Sangeskünstler am Mikrofon - fertig ist der Hit. Puff Daddy lässt grüßen.

Und wenn sich gerade jener Sean "Puffy" Combs und darüber hinaus noch Rap-Urgestein Ice-T als fanatische Phil Collins Fans outen, was läge da näher, als sich dessen Hits zu schnappen und oben genanntes Rezept ein weiteres Mal zur empfohlenen Anwendung zu bringen. Am Ende steht dann "Urban Renewal feat. The Songs Of Phil Collins", ein 15 Tracks umfassendes sog. Tribute-to-Album.

Das Line up lässt R'n'B Herzen sicher höher schlagen: Lil´Kim, Kelis, TQ, Coko, Ol'Dirty Bastard (ja wirklich, der exzellente Vollfreak aus Wu-town), Brandy J (in kongenialer Zusammenarbeit mit Bruder Ray) und eine Reihe weiterer Vertreter der Musik, die innerhalb der etwas jüngeren Hörerschaft gerne als Soul missgedeutet wird, kommen da zum Zuge. Dazu gesellen sich u.a. die Produzenten Guy Roche, Malik Templeton, Justin Trugman und Shep Crawford. Es sind also Profis am Werk.

Und so klingt "Urban Renewal " denn auch: sehr professionell. Alle Titel wurden konsequent zu R'n'B Songs gemorpht, die Produktion ist erstklassig, nichts stört die grenzenlose Harmonie. Die Beats grooven in bekannter Manier vor sich hin, die Stimmen sind glasklar. Je nach Bedarf wird vielstimmig gehaucht oder kehlig gegurrt. Das ganze Album folgt dem selben Flow. Das ist sicher seine größte Stärke.

Und seine große Schwäche. Das Lebenswerk Phil Collins' im R'n'B Format. Sonst noch was? Leider nicht. Es wird nicht einmal ansatzweise der Versuch unternommen, die Songs in irgendeiner Art und Weise zu interpretieren. It´s all the same. The same sauce. The soft sauce. Haben die Stücke, aus der Kehle ihres Schöpfers vernommen (auch wenn Phil nicht gerade als Mann der musikalischen Extreme gilt) alle einen eigenen Charakter, so hören wir auf "Urban Renewal" einen 15-teiligen R'n'B Song mit den Worten Mr. Collins'. Es gibt kein Ab. Und somit auch kein Auf. Alles plätschert auf einer Ebene. So kann halt keine Spannung entstehen.

Soll sie auch gar nicht. Hier sollen wohltemperierte, Mainstreamradio-taugliche Charthits generiert werden, was schon mit der ersten Auskopplung "Another Day In Paradise" gelang. Gratuliere. Als nächstes dürfte "In The Air Tonight" an der Reihe sein. Zumal es sich Mr. Collins nicht nehmen ließ, seinen Superhit im Duett mit Lil'Kim höchstselbst zu intonieren. Vielleicht macht auch "Against all Odds" oder "One More Night" das Rennen um die Ehre der zweiten Single. Mal sehen.

Summa summarum ergibt das einen musikalischen Schongang mit vokalem Weichspüler auf hohem produktionstechnischen Niveau. Für "Soulbrothers und - Sisters" ist dies sicher sehr o.k. und somit auch bedenkenlos zum Ankauf empfohlen. Was der altehrwürdige Phil Collins Fan empfinden mag, entzieht sich meiner Vorstellung. Vielleicht Ekel. Möglicherweise Verständnis oder gar Liebe? Fest steht jedenfalls: Der kleine Mann mit der Glatze hat von dem, was früher mal mit "Soul" umschrieben wurde, sehr viel mehr in die Wiege gelegt bekommen, als die gesamte Riege der auf "U.R." vertretenen Moneymaker.

Der Rest der Welt höre sich bitte in etwa einem halben Jahr das sanfte Geplätscher der seelenvollen Gelddruckmaschine beim Spaziergang durch den Supermarkt seines Vertrauens an. Sehr entspannend, gähn.

Latstark
www.laut.de



When you consider the major influences on hip-hop and R&B, George Clinton, James Brown and Roger Troutman probably come to mind a whole lot quicker than Phil Collins does. Phil still gets love from the streets, though -- so much love, in fact, that a tribute album was released in April on WEA Germany. Urban Renewal Featuring the Songs of Phil Collins includes hip-hop and R&B artists such as Kelis, Joe, Brian McKnight and Ol' Dirty Bastard (rambling incoherently over a synthesized version of "Sussudio") rendering Collins' most famous tunes.

The album was conceived, a source close to the project said, because Collins has had to field so many requests from hip-hop and R&B acts over the years -- including DMX, who integrated part of "In the Air Tonight" into "I Can Feel It" -- wishing to sample his records. Although his sampled voice appears on one track, Collins had nothing to do with the album other than to give it his blessing.

Urban Renewal's first single is a duet consisting of Brandy and her brother, Ray J, covering "Another Day in Paradise." The song's video, which depicts the siblings as two angels documenting the plight of a homeless woman begging for money to buy shoes, has already hit airwaves abroad.

Lil' Kim has the next single off the album with "In the Air Tonight." Kim will shoot the video next week, according to a source close to the project. In it, Kim will weave a story about payback, rhyming "Drop top rollin', diamonds on my neck, Bentley ballin', me and ni---- getting high all day, straight to the top 'cause we on our way; coming for y'all, comin' for y'all, I got something for y'all," at which point Collins' sampled voice provides the song's hook.

WEA has no plans to release the record or its videos in the United States, the source said, but it may reach other international markets.

Shaheem Reid - May 31, 2001
© Copyright 1999/2000 MTV Networks, a division of Viacom International Inc. All rights reserved.



Für manche ist R'n'B einfach ein Weichspüler und was für den einen der R'n'B, ist für den anderen die Musik von Phil Collins. Die Zeiten, in denen er sich mit Genesis progressiv Art Rock auf die Fahnen geschrieben hatte, gehören schon lange der Vergangenheit an. Und was passiert, wenn R'n'B- und HipHop-Stars sich an die Songs des Superstar heranwagen? Weichspüler + Weichspüler = Weichspüler hoch zwei? Mitnichten. "Urban Renewal - The Songs Of Phil Collins" hält einige wirklich fette Interpretationen bereit.

Klar, Songs wie "Another Day In Paradise" klingen auch bei Brandy und Ray J ultra-soft und dass sich Montell Jordan "Against All Odds" ausgesucht hat, liegt nahe, denn der Sänger ist ja auch sonst eher Fachmann für Schmusiges. Nebenbei sei bemerkt, dass der Song in seinen Händen wirklich besser aufgehoben ist als in denen einer Mariah Carey... Auch Brian McKnight greift zielsicher in die Balladenschublade und zog sich "I Wish It Could Rain Down" an Land, ein Song, der weniger schmalzig als im Original gelingt, dafür aber auch etwas beliebiger klingt.

Wenig gemeinsam mit dem schnellen Original hat auch "Sussudio" von Ol' Dirty Bastard: Funk bis zum Abwinken und lässige Raps lassen den Song in komplett neuem Gewand erscheinen.Absolutes Highlight des Albums: "In The Air Tonight", dass Samples des Altmeisters verwendet, aber von Lil' Kim frech bearbeitet wurde.

Die Balladen weichen teilweise nicht großartig vom Original ab und so gilt für einige Cover, was allgemein an Tributealben kritisiert wird: Warum ein gelungenes Original in ähnlicher Weise interpretieren? Besser wird es dadurch nicht...Trotzdem: "Urban Renewal - The Songs Of Phil Collins" verfügt über einige interessante Tracks, die mit weichgespülten Weichspülern nicht gemeinsam haben...

SoundChannel.de



Man mag zu Phil Collins stehen, wie man will. Aber dass er in seiner Karriere eine Vielzahl unvergesslicher Hits im Spannungsfeld zwischen Pop und Soul geschrieben hat, die auch heute noch jedes Kind im Schlaf mitsummen kann, ist nicht von der Hand zu weisen. Was lag also näher, als einige der besten Künstler aus den Bereichen Soul, R&B und HipHop zu bitten, einmal ihre Interpretationen dieser Songs vorzulegen. Das Ergebnis ist mehr als überzeugend. Die Bandbreite reicht von Brandy's und Ray J's Version von "Another Day In Paradise", der ersten Singleauskopplung, über Ol' Dirty Bastards (Wu-Tang Clan) Interpretation von "Sussudio" bis zu Lil' Kim, die mit freundlicher Unterstützung vom Meister selbst dessen größten Hit, "In The Air Tonight", in ein zeitgemäßes Gewand kleidet. Weitere Highlights steuern außerdem Kelis mit dem unwiderstehlich groovenden "I Don't Care Anymore", Joe mit einer einfühlsam gesungenen Version von "Can't Turn Back The Years" und natürlich Montell Jordan mit dem wunderschön arrangierten "Against All Odds" bei. In der Vergangenheit konnten viele ähnlich gelagerte Tribute-Alben den hohen Erwartungen nicht gerecht werden. Urban Renewal ist in jeder Hinsicht eine gelungene Ausnahme dieser Regel.

Norbert Schiegl, Amazon.de



"Urban Renewal" is an ode to Phil Collins, one of the best-loved vocalists in the world. The album features amongst the most talented artists in the R&B and hip-hop world - Brandy, Lil’ Kim, Brian McKnight, Debelah Morgan, Ol’Dirty Bastard and others - collaborating to cover Collins' greatest hits.

The album has been in the making for three years and reflects Phil Collins’ attitude of not confining his music to one specific genre. It is an album which not only appeals to avid Phil Collins fans but also to lovers of R&B and hip-hop.



What must be stressed from the outset is that the songs on this album shouldn’t be compared to Collins’ versions – they are quality tracks in its own right.

“Urban Renewal” kicks off with Collins’ “Another Day In Paradise” from his 1989 album “But Seriously.” This version is done by the smoky-voiced Brandy and her brother Ray J. They pull out all the stops and the result is a familiar track done R&B style, which has already received a huge amount of airplay.

Track three “Sussudio” off Collins’ 1982 “Hello I Must Be Going” is one of the highlights on the album, simply because it’s Ol’Dirty Bastard at his best. He lets out a full-blown rap attack holding nothing back, in a track which must at least be played four or five times to get the full effect.

Track four “Something Happened On The Way To Heaven” off the “Serious Hits…Live!” album is done by soul diva Deborah Cox in a slow and moving rendition. Track five “This Must Be Love” performed by Dane Bowers (from Another Level) featuring rage-filled Kelis is also a cover that gives a whole new sound to this groundbreaking mix.

“In The Air Tonight”, track six, must be the best track on the album. This Collins’ classic is covered by bad girl Lil’ Kim and is nothing short of out-of-this-world. It’s the only track on the album featuring Collins himself and the result is a combination that simply cannot go without recognition. The collaboration of these two, both top performers in their own genres, produces a song that is a true classic. It begins a lot like the original with Phil doing his ‘I-can-feel-it-coming-in-the-air-tonight-thing’ but then does a total 360 degree flip when Lil’ Kim blows up, holding nothing back as usual.

Other tracks on the album include “Against All Odds” by Montell Jordan, "I Wish It Would Rain Down” by Brain McKnight, “One More Night” by Changing Faces, “Can’t Turn Back The Years” performed by Joe and “Do You Remember” by Irish bombshell Debelah Morgan

If you like at least one Phil Collins’ song or one of the artists featured on this album then this you should check out this album. The exquisite line-up speaks for itself and you might just find that one listen is not enough.

by Lameez Abrahams
AfricasGateway.com Freelance Journalist



"Urban Renewal" is an ode to Phil Collins, one of the best-loved vocalists in the world. The album features amongst the most talented artists in the R&B and hip-hop world - Brandy, Lil’ Kim, Brian McKnight, Debelah Morgan, Ol’Dirty Bastard and others - collaborating to cover Collins' greatest hits.

The album has been in the making for three years and reflects Phil Collins’ attitude of not confining his music to one specific genre. It is an album which not only appeals to avid Phil Collins fans but also to lovers of R&B and hip-hop.

What must be stressed from the outset is that the songs on this album shouldn’t be compared to Collins’ versions – they are quality tracks in its own right.

“Urban Renewal” kicks off with Collins’ “Another Day In Paradise” from his 1989 album “But Seriously.” This version is done by the smoky-voiced Brandy and her brother Ray J. They pull out all the stops and the result is a familiar track done R&B style, which has already received a huge amount of airplay.

Track three “Sussudio” off Collins’ 1982 “Hello I Must Be Going” is one of the highlights on the album, simply because it’s Ol’Dirty Bastard at his best. He lets out a full-blown rap attack holding nothing back, in a track which must at least be played four or five times to get the full effect.

Track four “Something Happened On The Way To Heaven” off the “Serious Hits…Live!” album is done by soul diva Deborah Cox in a slow and moving rendition. Track five “This Must Be Love” performed by Dane Bowers (from Another Level) featuring rage-filled Kelis is also a cover that gives a whole new sound to this groundbreaking mix.

“In The Air Tonight”, track six, must be the best track on the album. This Collins’ classic is covered by bad girl Lil’ Kim and is nothing short of out-of-this-world. It’s the only track on the album featuring Collins himself and the result is a combination that simply cannot go without recognition. The collaboration of these two, both top performers in their own genres, produces a song that is a true classic. It begins a lot like the original with Phil doing his ‘I-can-feel-it-coming-in-the-air-tonight-thing’ but then does a total 360 degree flip when Lil’ Kim blows up, holding nothing back as usual.

Other tracks on the album include “Against All Odds” by Montell Jordan, "I Wish It Would Rain Down” by Brain McKnight, “One More Night” by Changing Faces, “Can’t Turn Back The Years” performed by Joe and “Do You Remember” by Irish bombshell Debelah Morgan

If you like at least one Phil Collins’ song or one of the artists featured on this album then this you should check out this album. The exquisite line-up speaks for itself and you might just find that one listen is not enough.

reviewed by Lameez Abrahams



What does Phil Collins really need as he sits in his villa as a tax exile counting all his money? That is when he isn’t suing his ex-backing musicians for earning too much from his old albums. I know! A tribute album full of top R&B and Hip-Hop artists singing his old songs. That should add a few extra zeros to the end of his bank balance. That seems to me to be the only real reason for this album, as I thought you normally had to be dead to have a tribute album dedicated to you.
Having said that, the album itself ain’t bad. Love him or hate him you have to say the geezer has written a decent tune or two! And some big names contribute to this record. The first single is a Brandy and Ray J version of "Another Day in Paradise". They don’t take it anywhere radically different but it’s a guaranteed hit. In fact most of Phil’s slower or ballad track’s slip quite easily into the R&B format. So efforts by Changing Faces, Joe, Deborah Cox and Montell Jordan, though not blowing you away sound OK.

Kelis reverts back to her aggressive "I Hate You" style on her version of "I Don’t Care Anymore". And Lil Kim does what she does on "In the Air Tonight". Debelah Morgan and Brian McKnight both do themselves proud with their contributions. But the highlight for me is Ol’ Dirty Bastard’s interpretation of "Sussudio", he does what you should do with a cover - he takes it somewhere new and makes it work. So it’s definitely worth a listen. I just hope that all the artists on this album have read the small print on their agreements, cause Phil will probably sue them in a couple of years for over payment of royalties!

Review by Livingstone Red



What does Phil Collins really need as he sits in his villa as a tax exile counting all his money? That is when he isn’t suing his ex-backing musicians for earning too much from his old albums. I know! A tribute album full of top R&B and Hip-Hop artists singing his old songs. That should add a few extra zeros to the end of his bank balance. That seems to me to be the only real reason for this album, as I thought you normally had to be dead to have a tribute album dedicated to you.
Having said that, the album itself ain’t bad. Love him or hate him you have to say the geezer has written a decent tune or two! And some big names contribute to this record. The first single is a Brandy and Ray J version of "Another Day in Paradise". They don’t take it anywhere radically different but it’s a guaranteed hit. In fact most of Phil’s slower or ballad track’s slip quite easily into the R&B format. So efforts by Changing Faces, Joe, Deborah Cox and Montell Jordan, though not blowing you away sound OK.

Kelis reverts back to her aggressive "I Hate You" style on her version of "I Don’t Care Anymore". And Lil Kim does what she does on "In the Air Tonight". Debelah Morgan and Brian McKnight both do themselves proud with their contributions. But the highlight for me is Ol’ Dirty Bastard’s interpretation of "Sussudio", he does what you should do with a cover - he takes it somewhere new and makes it work. So it’s definitely worth a listen. I just hope that all the artists on this album have read the small print on their agreements, cause Phil will probably sue them in a couple of years for over payment of royalties!

Review by Livingstone Red

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