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Space: Deliverance

 A l b u m   D e t a i l s


Label: Virgin Records
Released: 1977
Time:
 34:03
Category: Progressive Rock
Producer(s): Jean-Philippe Iliesco
Rating: ********** (10/10)
Media type: CD
Web address: www.space.tm.fr
Appears with:
Purchase date: 1999.06.14
Price in €: 14,99



 S o n g s ,   T r a c k s


[1] Prison (Didier Marouani / Didier Maurani, Paul Greedus) - 6:18
[2] Let me know the wonder (Didier Marouani / Didier Maurani) - 7:11
[3] Running in the city (Didier Marouani / Didier Maurani) - 4:14
[4] Air force (Didier Marouani / Didier Maurani) - 4:16
[5] Baby's paradise (Didier Marouani / Didier Maurani) - 5:25
[6] Deliverance (Didier Marouani / Didier Maurani, Paul Greedus) - 6:39

 A r t i s t s ,   P e r s o n n e l


Didier Marouani - "Korg" synthesizer, acoustic piano, Fender Rhodes, Hohner clavinet, Songs, Arrangement
Roland Romanelli - Arrangement

Madeline Bell - Vocals on [1] and [6]
Ray Cooper - Percussion
Joe Hammer - Drums

Jean-Philippe Iliesco - Producer
Patrick Faringeau - Recording and Remixing Engieer
Jean-Noel Bourdier - Production Coordination
Andre Perriat - Remastering
Jerome Corbier - Remastering
Hipgnosis - Sleeve Design, Photography
Franck Marouani - Inside Photos

 C o m m e n t s ,   N o t e s

1977 LP Virgin 7243 8 45479-2
1998 CD Virgin France 7243 8 45479-2 9

This recording was made with keyboards only - these includes "Korg" synthesizer, acoustic piano, Fender Rhodes, Hohner clavinet.



One of the most ambitious Euro-disco acts of the late 1970s was Space, which shouldn't be confused with the alternative rock band that recorded Spiders in 1996. By the time that Space was formed in the 1990s, the Euro-disco act heard on Deliverance had long since called it quits. Recorded in London and Paris in 1978, this conceptual, mostly instrumental LP employs a lot of futuristic sci-fi imagery and is quite high-tech for its time. Synthesizer-dominated instrumentals like "Air Force" and "Running in the City" give the impression that Jean-Philippe Iliesco, the album's producer, had been paying close attention to German innovators like Kraftwerk and Giorgio Moroder-and yet, Deliverance has a high-tech energy of its own. In the U.S., this record was ignored by radio programmers, but European dance clubs found that the album's faster material was great for moving bodies. At times, Deliverance ends up sounding like European movie music and fades into the background. But when Space hits its mark, Deliverance is both interesting and infectious.

Alex Henderson - All-Music Guide
 

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