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Chris Rea: Blue Guitars - CD3 Louisiana & New Orleans

 A l b u m   D e t a i l s


Label: Jazzee Blue Records
Released: 2005.10.17
Time:
 61:48
Category: Blues
Producer(s): Chris Rea, Andy Wilman
Rating:
Media type: CD
Web address: www.chrisrea.com
Appears with:
Purchase date: 2012
Price in €: 1,00





 S o n g s ,   T r a c k s


[1] Two Days Missing Down The Viper Room (Ch.Rea) - 2.56
[2] Who Cares If I Do (Ch.Rea) - 4.23
[3] What Made Me Love You (Ch.Rea) - 3.16
[4] You Got Dixie (Ch.Rea) - 4.41
[5] One Night With You (Ch.Rea) - 5.29
[6] Talking 'bout New Orleans (Ch.Rea) - 5.27
[7] Le Fleur De La Vie (Ch.Rea) - 3.13
[8] Catfish Girl (Ch.Rea) - 3.50
[9] Only A Fool Plays By The Rules (Ch.Rea) - 4.00
[10] Baby Come Home (Ch.Rea) - 3.30
[11] Dance Avec Moi (Ch.Rea) - 3.15
[12] L'ete Eternal (Ch.Rea) - 3.31

 A r t i s t s ,   P e r s o n n e l


Chris Rea - Electric Guitar, Piano, Harmonica, Dobro, Mandolin, Banjo, Slide Guitar, Bass, Calimba, Balafon, Vibraphone, Hammond Organ, Percussion, Drums, Producer, Paintings

Robert Ahwai - Guitar
Sylvin Marc - Bass
Gerry O'Connor - Banjo
Ed Hession - Accordion
Martin Ditcham - Drums
Richard Williams - Narrator

Andy Wilman - Producer
John Knowles - Executive Producer
Edward Mcdonald - Recording Engineer
Douglas Dreger - Mixing
Aiden Farrell - Editing
Chris Rodmell - Editing
Robert Payton - Director
Janina Stamps - Production Coordination
Jon Tricklebank - Art Direction, Design
Mark Edwards - Liner Notes
Stuart Epps - Photography

 C o m m e n t s ,   N o t e s


Blue Guitars is the twenty-first studio album by English singer-songwriter Chris Rea, released on October 14, 2005. It's the Blues album consisting of eleven CDs, one DVD and a full colour book, including paintings by the artist, liner notes and song lyrics. The album is an ambitious project with the 137 songs recorded over the course of 1½ years with a work schedule - according to Chris Rea himself - of twelve hours a day, seven days a week. Initially the project was inspired by Bill Wyman's "Blues Odyssey" and can be called an "odyssey" in its own right, for depicting a journey through the various epochs of Blues Music, starting at its African origins and finishing with modern-time Blues from the 60s and 70s. Subsequently the eleven CDs are titled the following: "Beginnings", "Country Blues", "Louisiana & New Orleans", "Electric Memphis Blues", "Texas Blues", "Chicago Blues", "Blues Ballads", "Gospel Soul Blues & Motown", "Celtic & Irish Blues", "Latin Blues" and "60s & 70s".

The collection is the fifth and last release in a line of Blues recordings Chris Rea has made since recovering from a serious disease at the turn of the millennium and promising himself a return to his Bluesy roots in the event that he survived. According to Rea "Blue Guitars" will be his last solo effort; however, he will continue to release albums as a member of the band "Memphis Fireflies".

The eleven separate records which comprise "Blue Guitars" could as well stand on their own; in combination, however, they provide a journey through the different epochs of the Blues, showing the various components that have been added to the original African Blues over time, the changes in instrumentation, style, lyrical expression and thematic implications. Thereby Chris Rea and his band imitate the various styles and lyrical topics, creating an instantly recognisable atmosphere on each record, with the first few songs usually setting up the direction in which the record is going and then developing to various styles within the field of each record.

The Blues presented on this record may be "The Blues" to many.[who?] When the originally African and South-influenced Blues were brought to Louisiana, New Orleans, the Mississippi Delta, new instruments were added—clarinet, brass, piano, mandolins, accordions - and along with the banjo mingled into an interesting mix, which would be known as New Orleans, Swamp, Cajun or Riverboat Blues. The basics for directions like Jazz, Swing and even Rock & Roll were laid during this time and a distinctive, instantly recognizable sound was created, which would imminently be associated with the Blues.
 

 L y r i c s


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 M P 3   S a m p l e s


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