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B i o g r a p h y |
In 1968 Brian
May
and Tim Staffell, both students at London's Imperial College, decided
they wanted to form a group. Brian placed an advertisement on the
college notice board for a "Ginger Baker Type" drummer and a young
medical student called Roger Meddows
Taylor
auditioned, and got the job. They called the group SMILE. Smile were
signed to Mercury Records in 1969 and had their first experience of a
recording studio - Trident Studios - that year. Tim Staffell was at
Ealing College of Art with Freddie
Bulsara
and introduced him to the band. Freddie soon became a keen fan. Sadly,
in 1970 Smile decided to call it a day as nothing seemed to be
happening for them. Tim went off and joined a band called Humpy Bang.
Freddie left his band. Wreckage and joined up with Brian and Roger - it
had all begun.
Freddie changed his name by deed poll to Mercury, changed the band's name to
QUEEN and John Deacon
was asked to audition as their bass player after three temporary
bassists had been and gone. In February 1971 John was taken on as the
fourth member of Queen. The band rehearsed tirelessly and played
several small gigs at Imperial College, where they rehearsed, for close
friends. Then they were offered the chance to test a new recording
studio called De Lane Lea. In return for trying out new equipment they
could make free demo tapes, which they did. They had signed recording,
publishing and management contracts with Trident in 1972, and during
that year were paid just 60 pounds per week. Queen were given the "down
time" or out of hours studio time at Trident Studios, where they began
work on their first album.
In 1973 Trident and EMI signed a contract for a recording deal for
Queen, and July of that year saw the release of QUEEN, their first
album. The band were offered a big break, their first major tour as
support band to Mott The Hoople. It began in Leeds in November 1973,
and it was said by many people during that tour that Queen were "more
than just a support act...". QUEEN II was finally released in March
1974; it should have been earlier but their was a minor printing error
on the sleeve which the band insisted was corrected. They embarked on
their first headlining tour of Britain, starting in Blackpool in March
1974. In April 1974 the band undertook their first ever American tour,
as guests to Mott The Hoople. But in May of that year whilst on tour,
Brian collapsed with hepatitis and the band had to cancel the rest of
their dates. Work on their third album began without Brian and with a
lot of help from Roy Thomas Baker. Brian finally felt well enough to go
into the studio to record his guitar parts, although he was still quite
ill and spent much time between takes in the studio bathroom being very
sick! But eventually the album was finished and SHEER HEART ATTACK was
released in November 1974. It was a huge hit both sides of the Atlantic
as the world came to realise that Queen were a force to be reckoned
with.
In January 1975 Queen left for the USA on their first headlining tour.
Ticket sales were phenomenal, demand was so high that they had to add
more shows, doing two shows in one day at some venues, both shows being
sold out. Quite a few shows on that tour had to be cancelled as Freddie
had developed a severe throat problem. But he soldiered on and
performed as many as possible although doctors had advised him against
it. Also in January 1975 Queen engaged the services of lawyer Jim Beach
to negotiate them out of their Trident agreements, as Trident were no
longer being as supportive as they should have been and the band were
unhappy with the situation. Their first Canadian gig was in Edmonton on
April 2nd, where they were joined on stage by support act Kansas. April
1975 saw Queen set to pay their first ever visit to Japan. When they
arrived at the airport there were over three thousand fans their to
greet them, as Sheer Heart Attack was number one in Japan at the time.
In May 1975 Freddie was presented with an lvor Novello award by the
Songwriters Guild for Killer Queen.
Queen began work on their new album in June. Links with Trident were
finally to the bands great relief, severed in August and by September
Queen had signed with new management - enter John Reid. When the band
decided to release Bohemian Rhapsody in 1975 everyone told them it was
far too long and just would not be a hit at 5 minutes 55 seconds. But
Freddie gave a copy to his friend and London DJ Kenny Everett, telling
him it was for him personally and he must not play it on air. But of
course he did - fourteen times in two days! From then on every major
radio station played the song, in full. It was a colossal hit and
really established Queen as THE band of the era. The video for the
single, directed by Bruce Gowers using ideas from the band themselves,
was attributed as the one that began the whole "video craze". The
single stayed at number one in the UK for an amazing nine weeks. The
album was, at the time, one of the most expensive ever recorded, but
when A NIGHT AT THE OPERA was released in November 1975, it was a
massive hit and gave them their first platinum album award. Freddie had
designed a logo for the first Queen album which was reworked and used
as a cover for Night At The Opera. The now famous CREST features the
band's starsigns; two fairies for Virgo, a Crab for Cancer and two
lions for the two Lees. The launch party for the album was held at the
exclusive Opera Bar in London's Colosseum Theatre.
In January 1976 Freddie was presented with another lvor Novello award for Bohemian Rhapsody. Also in January the band set off on their third American tour, which took them all over America and continued until the end of March. They then flew directly to Japan, arriving yet again to a riotous reception. By this time all four Queen albums were in the UK top Twenty, which was an unheard of feat. They undertook an extensive tour of Japan and then flew to Australia. Their tour Down Under began at the Perth Entertainment Centre. They flew back into the UK to begin work on their next album, A Day At The Races. But recording was halted while the band undertook a short UK tour. On September 18th 1976 Queen decided they wanted to say thank you to their dedicated fans and so in true extravagant style they staged a huge, free concert in London's Hyde Park. The crowds were estimated at between 150 and 200 thousand people, the largest audience Queen had played to at that time, and to date still the highest ever attendance record for a concert in Hyde Park.
A DAY AT THE RACES was released in December 1976. The band all
attended a special horse race at Kempton Park to promote the album, and
in the "Day At The Races Stakes" a special race sponsored by EMI, they
all backed the same horse without telling each other, and it won! Five
days before it's release, the advance orders for Day At The Races were
in excess of half a million, the highest orders EMI had received for
any album. Four days into 1977 and Queen were jetting off to America to
rehearse for their forthcoming USA tour. They were on the road
constantly through January, February and most of March in the USA and
Canada. Roger decided, at the end of all that, to record a solo single,
which he paid for out of his own pocket. "I Wanna Testify" was released
in August. In May of 1977 Queen flew out to Stockholm to begin an
extensive European tour. Their concert at London's Earls Court featured
the famous "Crown" lighting rig. It was 54ft wide, 26ft tall and
weighed 5,000 pounds. It cost the band 250,000.
In October 1977 fan club members were asked, for the first time, to
take part in one of the bands videos. We Are The Champions was filmed
at the New London Theatre. After initial filming was finished the band
remained on stage and played an impromptu gig to say thanks to all the
fans who had turned up and worked so hard. In October 1977 the band
were presented with a Britannia Award for the Top British Single,
Bohemian Rhapsody of course. Queen released NEWS OF THE WORLD on
October 28th 1977. The cover was a drawing that Roger had seen by
science fiction artist Kelly Freas. Roger had asked him if he would
mind adapting his illustration for the cover and Freas readily agreed.
In November they were off to the USA again for rehearsals for their
forthcoming tour. For the first time, their finances enabled them to
charter a private plane for the tour - it made life on the road that
much more comfortable. The tour began on November 11th, their second
American tour in this year. They all arrived back in the UK just in
time to spend Christmas with their families. That Christmas, We Will
Rock You was knocked off the French number one slot after 12 weeks, by
We Are The Champions!
In February 1978 Queen decided they should set up their own
management structure. They parted company with John Reid - more
amicably than their split with Trident: this severance agreement was
actually signed in the back of Freddie's Rolls Royce during a break in
filming the video for We Will Rock You in the back garden of Roger's
Surrey house! A short tour of Europe began in April 1978, again in
Stockholm. In July the band started work on their new album, they
recorded it in Montreux and France - the first time they had recorded
outside of Great Britain. As publicity for the forthcoming single -
Bicycle Race - the band hired Wimbledon Stadium and fifty naked girls
had their own Bicycle Race! The original cover of the single featured
the naked rear of one of the girls, but due to public outcry in some
countries, panties had to be drawn on! More touring in the USA and
Canada began in October. November loth saw the release of JAZZ. The
sleeve was packaged to contain a fold out poster of the naked bike
race, but the Americans banned it from the actual sleeve and instead
inserted an application form so fans could send away for it! The launch
party for Jazz was held in New Orleans, and has since gone down in
history. The band hosted the party themselves in order to invite both
EMI, their European record company, and Elektra, their USA
representatives. It was the first time that both companies executives
had met, and they both ensured that ALL of their directors attended,
each to try and outnumber the other. The party was a completely over
the top affair featuring mud wrestlers, midgets, topless waitresses and
a host of other weird and wonderful characters.
The North American tour finished in late December and the band flew
back to the UK for Christmas. But they didn't get too much time to
rest, as by January 1979 they were off to Europe yet again. The tour
began in Hamburg. By March they were ensconced in Mountain Studios in
Montreux working on their "live" album. The band enjoyed the peace of
Montreux and liked the studio there, so they decided to buy it (the
studio, not the town!). When Freddie was asked by resident engineer
David Richards why they had bought it, and what they intended to do
with it, Freddie quipped "dump it in the lake dear!" The band flew out
to Japan for yet more touring in April 1979. In June they approached
the All England Lawn Tennis Club and asked if they could use the Centre
Court at Wimbledon (after the tournament of course) for a concert.
Permission was refused. The bands first live album LIVE KILLERS was
released in June 1979. It was an album released by very popular demand.
Queen were approached to write the musical score-for a science fiction
feature film called Flash Gordon. When the idea was first discussed
with producer Dino De Laurentiis, he simply asked "who are the
Queens?". The band agreed to work on the music, and began in June, in
Munich.
The end of 1979 found Queen embarking on The Crazy Tour. It included
such illustrious venues as Tiffany's in Purley, The Lewisham Odeon,
Alexandra Palace and finally The Hammersmith Odeon. They were one of
many bands who performed at the venue to raise money for the starving
people of Kampuchea. During that tour the bands tour manager, Gerry
Stickells, collapsed backstage and had to be rushed to hospital/ Gerry
had been with Queen on every tour since 1976 ( and has done every one
since). At the start of 1980 the band were working hard on their new
album The Game, it was the first album to use the electronic wizardry
of synthesizers. In June they were off to tour north American again.
Roger had also started work on his first solo album. THE GAME was
released in June 1980 and went five times platinum in Canada alone.
Another one Bites The Dust became the bands biggest ever worldwide
selling single. It became a huge "crossover" hit in the USA. topping
the charts in rock, soul and disco. The band received a Dick Clarke
award as best band, a top Billboard award for Top Crossover single, and
were nominated for various other awards including Grammy's Canadian
Juno's.
On December 8th 1980 the soundtrack album for FLASH GORDON was released. By the end of 1980 Queen had sold over 45,000,000 albums worldwide. In February 1981 after another Far East tour the band flew into Rio de Janeiro for the start of their first tour of South America. Queen were the first rock band to undertake a stadium tour of South America, paving the way for many more bands to follow. The band's equipment had to be flown in a privately hired Flying Tiger 747 cargo plane from Tokyo; the flight between Tokyo and Buenos Aires is the longest air route between capital cities in the world. Their first South American gig was Buenos Aires on February 28th 1981. They filled three more Argentinean World Cup Stadiums, playing 5 sold out stadium gigs in just eight days. They then played two nights at the massive Morumbi Stadium in Sao Paulo. On the first night 131,000 people attended, and Queen created rock history - it was the largest paying audience for a single band anywhere in the world. During those two nights at the Morumbi Stadium 251,000 people saw the Queen spectacle - that's a bigger audience than most bands can expect in their whole career! Every single one of Queen's albums was in the Top Ten in Argentina during their tour - a first for any band.
Whilst they were in Sao Paulo the band celebrated the fact that the
single Love Of My Life had been in the Sao Paulo singles chart for over
12 consecutive MONTHS! In April 1981 Roger released his first solo
album, titled FUN IN SPACE. Queen were back in South America, it was a
return trip being hailed as The Gluttons For Punishment Tour!
Unfortunately their last two Venezuelan gigs, in Caracas, had to be
cancelled as the ex president of the country had died. So the band
moved on to play Monterrey and Puebla, just outside Mexico City. Whilst
there the band's promoter. Jose Rota, was arrested and jailed - over
$25,000 bail money had to be paid to release him so the tour could
continue! GREATEST HITS, GREATEST FLIX and GREATEST PIX were released
simultaneously in October 1981. Greatest Hits, the album, entered the
charts as soon as it was released and has rarely been out of the
British charts since! Greatest Flix, the video, was the first real
collection of prorno videos released commercially by any band. Greatest
Pix, the book, was compiled by Jacques Lowe, who was President
Kennedy's personal photographer during his term of office. It was
Jacques personal selection of the greatest Queen pictures of the
previous decade.
The bands twelfth album, HOT SPACE, was released on May 21st 1982
whilst the band were in the middle of an extensive European tour. On
June 5th of that year they played the huge open air Milton Keynes Bowl.
The whole show was filmed by Tyne Tees Television under the direction
of Savin Taylor, to be shown on Channel Four's The Tube programme at a
later date. In September 1982 the Japanese record company Mercury
Records released an album called Gettin Smile - which was originally
thought to be a bootleg, but was proved to be the real Smile! In
December 1982 Queen made it into the Guiness Book Of Records as
Britains highest paid executives. In January 1983 Freddie began work on
a solo album and Roger began work on his second solo album. During the
early part of the year Brian had flown out to Los Angeles and gathered
together a few close friends In The Record Plant studios in that town.
Brian had some basic ideas to work on, but it was generally a lengthy
jam session. Brian had no intention of wasting the talents of Edward
Van Halen, Alan Grater, Phil Chen and Fred Mandel - and so kept the
tapes rolling throughout the whole session. The result was the mini
album STAR FLEET PROJECT which was released in October 1983.
Queen went back into the studios In August 1983 to start work on their
next album. Work commenced at The Record Plant in Los Angeles - the
first time they had recorded in America. After a number of months
recording switched from LA to Munich, a city that the band spent so
much time in during that recording session that they almost thought of
it as home! In February 1984 the band released their 13th album, THE
WORKS. Radio Ga Ga, taken from that album, became a worldwide hit,
reaching number one in 19 different countries. The video for the
single, directed by David Mallett, featured fan club members again. The
handclapping chorus became a favourite with live audiences all over the
world. Another single from The Works was I Want To Break Free - and
that had an even more outrageous video also featuring members of the
fan club. The band members dressed as female characters from popular
British soap opera "Coronation Street" - when asked "why?" Roger said
he had become bored with serious, epic videos and thought it was about
time they had some fun and proved they could still laugh at themselves.
MTV in America refused to show the video.
In June 1984 Roger released his second solo album, STRANGE FRONTIER.
Also in June a company called Guild Guitars launched a special copy of
Brian's home made Red Special guitar. It was called the BHM1 and Brian
had been closely involved in all aspects of It's production. Sadly,
about a year later Brian and Guild had some discussions about the
design of the instrument which resulted in Guild ceasing production. In
August Queen flew out to Belgium to start The Works tour. October saw
them in Bophuthatswana, South Africa. and a series of gigs at the
famous Sun City Superbowl. The gigs themselves were fraught with
problems, as Freddie had serious voice complications resulting in
cancellations. But the problems were mild compared to what the band
returned home to. Because of South Africas apartheid laws, their visit
caused much public outcry. The band defended their actions, saying that
they were a non-political band and that they had gone out to play music
for the people, no other reason. Queen's first ever full length video
was released in September 1984. We Will Rock You was filmed during the
bands 1981 Montreal Concerts. During September, Queen had no fewer than
nine albums in the UK top 200.
1985 was the year of Rock In Rio. It was billed as the biggest rock festival to be held anywhere in the world and Queen were headlining the event. The whole festival was recorded for broadcast throughout South America, but Queen were the only band to obtain the rights to release their performance on video - Live In Rio was released in May 1985. The band performed their first ever concert in New Zealand on April 13th 1985 at the Mount Smart Stadium in Auckland. The band were met outside their hotel on arrival by a group of chanting anti-apartheid demonstrators. Tony Hadley, lead singer with British band Spandau Ballet flew over from Australia, where his band were on tour, to see the Queen show - and was honoured to be asked to join Queen on stage for their encore.
Freddie's first solo album, MR BAD GUY, was released on April 29th,
whist the band were on tour in Australia. The gig in Melbourne had to
be played with no lighting rig at all, as the whole computer system
that controlled the lights had broken down. After an Australian tour
peppered with problems, not least being the incessant rain, the band
flew across to Japan. Their concert at the Tokyo Olympic Swimming Pool
was filmed by NHK to be shown on network Japanese TV.
July 13th 1985 was a day that went down in history, as the Live Aid
Global Jukebox took the world by storm from London's vast Wembley
Stadium and from Philadelphia in the USA. Queen were just one of a
multitude of top bands who all performed a 20 minute set. The World was
watching, and Queen were unanimously voted, by press and public alike,
as the band that stole the show. That event was a turning point for
Queen. They had decided sometime previously to take a break from each
other, but that day brought them all together with renewed vigour and
enthusiasm. One Vision was the first release to come form that new
inspiration. Queen were approached by Russell Mulcahy to record the
soundtrack for his first feature film, a fantasy tale about an immortal
Scotsman called Highlander. In an interview Mulcahy stated that Queen
had been the first band he thought of for the score.
In March 1986 John formed a new band called The Immortals to write
and record some music for a forthcoming film called Biggles. They
recorded just one track - No Turning Back, and the band folded. On June
2nd Queen released their 14th album, the soundtrack to Highlander
called A KIND OF MAGIC. The album entered the UK chart at number one
and remained in the top five for thirteen consecutive weeks.On June 7th
the Queen machine was in action again, as the band embarked on their
Magic Tour Of Europe. The first UK gig was Newcastles St James Park
football stadium. The band, and promoter Harvey Goldsmith, donated ALL
the proceeds from that concert to the International Save The Children
Fund. On July 11th the Queen Tornado, as Freddie had dubbed it, hit
London and two sold out shows at Wembley Stadium. During the set four
enormous inflatables, modelled on the characters from the Kind Of Magic
album, were released from amongst the audience into the night. The
second nights show was filmed by Tyne Tees, again directed by Gavin
Taylor, to be shown on TV at a later date.
When that concert was finally shown on TV, it became the first ever simulcast between Channel Four and the Independent Radio Network in Britain. This feat has never since been repeated, possibly because in order to achieve this, a satellite dish had to be delivered to every single independent radio station in the UK so they could receive the sound by satellite. On 27th July Queen made history again (something of a habit with this band) when they played the beautiful Nepstadion in Budapest, Hungary It was the first time a major rock band had played a stadium date in the Eastern Bloc, and it was completely sold out well in advance. The concert was filmed by the Hungarian State Film Agency, MAFILM. in connection with Queen films. They had to commandeer every 35mm camera in Hungary to film it!On August 9th the band flew by specially redecorated "Magic Helicopter" into Knebworth Park, Hertfordshire. for the final date on the Magic Tour. It was the biggest show on the tour with an estimated audience of over 120 thousand people. It caused one of the biggest traffic jams in history as everyone tried to arrive in plenty of time. Over ONE MILLION people saw Queen on that European tour - in excess of 400 thousand in the UK alone.
In November 1986 EMI records released the entire Queen catalogue on
Compact Disc - the first time an artistes complete collection had been
made available simultaneously. In December Queen's 15th album, and
their second live album, was released. LIVE MAGIC entered the UK chart
at number three. On 13th December the band's film "Live In Budapest"
opened in Budapest at 9 a.m., and proceeded to play to NINE sold out
houses in that one day. Seven completely full screenings were shown
each day for a week. During 1986, in the UK alone, Queen sold a
staggering 1,774,991 albums. On February 3rd 1987, Freddie released a
cover version of the great old Platters song "The Great Pretender". In
the video to accompany the song Freddie recreated many scenes from his
own and Queen videos. and actor Peter Straker, Roger Taylor and Freddie
all donned wigs and make up and "became" female backing singers. It was
an expensive video. One of Freddie's all time heroines was Spanish
opera diva Montserrat Caballe, and in March 1986 he met her in her home
city of Barcelona. An astonishing partnership was formed when
Montserrat agreed to record an album with Freddie. He penned a song
about Barcelona for her, and the two began to write and record the
album. Freddie and Montserrat appeared on stage together for the first
time in May 1987, at the Ibiza 92 Festival, held at the famous Ku Club
on the holiday island. They performed Barcelona.
In August 1987 Roger advertised for, auditioned and chose musicians
to form a new band, The Cross. He wanted a band he could write with
and, more importantly, tour with during Queens increasingly lengthy
"quiet" periods. The single "Barcelona" was released in Spain in
September 1987, and 10,000 copies were sold In just three hours. The
Spanish Olympic Committee adopted the song as the theme for the Olympic
Games, being held in the city in 1992, then decided against it, which
caused great anger amongst the fans. Rudi Dolezal and Hannes Rossacher,
an Austrian director/producer team, followed Queen all over Europe
during the Magic Tour, filming them on stage, backstage, resting,
playing and generally "touring". They then searched the archives for
footage of live shows, interviews and outtakes from videos. After that
they interviewed the band, their friends, their fans and other "stars".
Finally, in November 1987, a trilogy of documentary style videos was
released, called The Magic Years. The trilogy received numerous awards,
including the famous Silver Screen award In the USA (the biggest film
and TV festival in the world), and the IMMC award at the Montreux
Golden Rose TV Festival. Also during 1987 Queen were presented with a
prestigious Ivor Novello award for their "Outstanding Contribution To
British Music".
In January 1988 Queen went into the studios to start work on their next
album. On January 25th, The Cross released their debut album called
SHOVE IT. The Cross also embarked on their first European tour, playing
club and university dates throughout the UK, and clubs in Germany.
Freddie and Montserrat appeared together again on October 8th at the
huge La Nit event staged in Barcelona, which was held to celebrate the
arrival of the Olympic flag from Seoul. Freddie and Montserrat closed
the event, held in the presence of the King and Queen of Spain, with
Barcelona, The Golden Boy and How Can I Go On, tracks taken from their
forthcoming album. BARCELONA, the duet album from Freddie and
Montserrat was released on October 10th 1988. The launch party was a
typically extravagant affair held in the Crush Bar at the Covent Garden
Opera House - a fitting venue! On December 4th The Cross played a one
off gig at London's Hammersmith Palais, at a party held exclusively for
fan club members. Special guests on stage were Brian and John.
THE MIRACLE was released on May 22nd 1989 and entered the UK chart
at number one. It went on to became a massive worldwide success,
reaching number one in most European countries. To promote the release,
all four member of the band gathered in a Radio One studio and to be
interviewed by DJ Mike Reid - a scoop for him as the band had not given
a joint interview in many years. As it was the end of a decade, there
were numerous "Best Of The Eighties" programmes on TV, especially in
the UK. Queen were voted for, by the viewers of the Independent
Television and readers of it's magazine TV Times, as The Best Band Of
The Eighties. It was an accolade they were immensely pleased by, and
they all appeared together on the show to collect it. In late November
1989 Queen were already back in the studios working on their next
album. On February 18th 1990, Queen were honoured yet again when they
were recognised by the British Phonographic Industry (at last) and
presented with an award for their "Outstanding Contribution To British
Music".They all collected the award and went on to host a huge,
starstudded party at London's Groucho Club.
The Cross released their second album on March 26th called MAD BAD
AND DANGEROUS TO KNOW, a title taken from a quote used to describe the
eccentric Lord Byron! The Cross also undertook a short German tour.
Brian, meanwhile, wrote and produced the haunting music for a version
of Shakespears Maebeth, performed at London's Riverside Theatre. In
November 1990 Queen signed a major new recording deal in North America
with the Disney financed "Hollywood Records". Hollywood immediately
began the task of pushing Queen back up the popularity ladder, and
plans were laid to remaster and re-release the entire back catalogue on
CD. So far the collection had not been available on that format in the
USA. On December 7th The Cross played their only UK date for some time,
at London's Astoria Theatre, at yet another Queen Fan Club Party. Brian
joined them on stage for the encore.
On January 14th 1991 the band released the six and a half minute
long epic "Innuendo" as a single. It was a massive success, giving the
band their third UK number one single and ensuring them the number one
slot throughout Europe. The album, also called INNUENDO, was released
on February 4th and crashed straight into the UK chart at Number one,
and reached the top slot throughout Europe. In March 1991 The Cross
went into the studios to start work on their third album, BLUE ROCK.
The album was released in September on Elektrola in Germany only. Queen
went into studios in April to begin work on their next album. On May
30th 1991 Freddie filmed what was to become his final video for Queen,
with the haunting Days Of Our Lives. A version featuring Disney
animation was made for the USA. Brian organised the Rock section of the
Seville "Guitar Legends" festival, and amongst those chosen by Brian to
perform their music were Nuno Bettancourt, Stevie Vai, Joe Satriani and
Joe Walsh, to name but a few. The concerts were performed live in
October on the site of the Seville Expo 92 exhibition.
GREATEST HITS TWO was released in October 1991, a double album
featuring 17 tracks. They also repeated their earlier success by
releasing Greatest Flix II and Greatest Pix II, this time compiled by
Richard Gray. A special box was also release called Box Of Flix
containing Flix I & II plus four bonus tracks. Needless to say both
Hits II and Flix II were number one in their respective charts! On
November 23rd 1991 Freddie announced to the world that he had AIDS.
Just the next day his fight was over and he died peacefully at his
home, surrounded by family and friends. The world was in shock. Freddie
had kept his illness very private, and only those closest to him had
been aware of just how close to the end he really was. Fans from all
over the world sent flowers and cards and many travelled to London to
be outside Freddie's house. A quiet family cremation service was held
three days after his death, conducted in the Zoroastrian faith that
Freddie's parents followed so strictly.
In April, Brian had been commissioned by a London advertising agency
to write a piece of music for an advertising campaign for Ford cars.
The resulting track. Driven By You, was so good (and proved so popular)
that Brian released it as his first solo single on November 25th. It
made the top ten in the UK charts. As a tribute to Freddie, and to
raise funds for the Terrenes nigging Trust to continue the fight
against AIDS, as Freddie's last wishes had requested, Bohemian
Rhapsody/These Are The Days Of Our Lives was released as a double A
sided single. It entered the UK chart at number one, where it remained
for five weeks, raising over one MILLION pounds for the AIDS charity.
In December 1991, Queen had no fewer than 10 albums in the UK top 100.
In February 1992, the annual BRIT awards recognised Freddie with a
special posthumous award for "Outstanding Contribution To British
Music" and out of three Queen nominations, "Days Of Our Lives" won the
Best Single of 1991 award. At that awards ceremony, Roger and Brian
announced plans for a massive, open air concert at London's Wembley
Stadium to celebrate Freddie's life, and give him a send off to
remember. The tickets went on sale the next day , with no announcement
of who was going to play apart from Brian, Roger and John, and all
72,000 tickets sold out in just SIX hours. On Easter Monday, April 20th
1992, many of the worlds top stars joined Brian, Roger and John on
stage at Wernbley stadium to pay an emotional tribute to Freddie. The
stadium was packed to capacity and it was televised live to over one
billion people. In April 1992 Queen were awarded an Ivor Novello award
for Best Single with Days Of Our Lives, and Brian also won an award for
Driven By You for Best TV Commercial Music. September 1992 saw the
release of the long awaited Brian May album, called BACK TO THE LIGHT.
During 1993 Brian undertook a series of concerts throughout Europe and
the US to promote the album, including some support dates with Guns
n'Roses.
Prior to Christmas 1992 a double video of The Freddie Tribute
Concert was released, with all proceeds being donated to the Mercury
Phoenix Trust, a charity set up specifically to deal with the proceeds
from the concert and any subsequent fundraising. The money raised by
the trust is used to help those with HIV and AIDS. Freddie won a
posthumous Ivor Novello Award in 1993 for the number one hit single
"Living On My Own". Brian went on tour with The Brian May Band and
released a video of one show, the Brixton Academy, and a live album in
1994. Roger released his third solo album in September 1994, called
HAPPINESS. He promoted the album with a European tour. In November 1995
the tracks that Queen had begun way back in 1991 were completed by
Brian, Roger and John, and the long awaited MADE IN HEAVEN was released
worldwide. It was seen by many as the end of an era, as it was declared
this was the band's final album. In May 1997, Queen were awarded an
Ivor Novello award for the best song lyrically & musically for "Too
Much Love Will Kill you" .
On November 3rd 1997 QUEEN ROCKS album was released in the UK. It
includes the most well-known rock hits of the band. It also includes a
new song No-One But You (Only The Good Die Young) written by Brian and
dedicated to Freddie and everybody who died too young. On November 5th
Brian and Rover moved to Cologne for a press conference. On November
13th they were in Barcelona collecting a Gold Disc presented by EMI
Holland. No-One But You was released as a single on January 5th in the
UK. Plans are afoot for the release of archive videos and live
material. Brian and Roger are recording solo albums with plans for
tours to follow. A state of the art video game featuring Queen music is
in production, a major photographic exhibition featuring stunning shots
of Freddie is on a world tour. Queen are one of the most collectable
bands in the World, and their fan club is as strong as ever.
Queen will be around for a lot longer yet!
Official Homepage: www.queenonline.com
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