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Okean Elzy / Океан Ельзи: Ya Na Nebi Buv / Янанебібув

 A l b u m   D e t a i l s


Label: Nova Records
Released: 2000
Time:
42:44
Category: Rock
Producer(s): Vitali Klimov, Evgen
Rating:
Media type: CD
Web address: www.okeanelzy.com
Appears with:
Purchase date: 2012
Price in €: 1,00





 S o n g s ,   T r a c k s


[1] Ya Na Nebi Buv / Янанебібув (Y.Hustochka/S.Vakarchuk) - 3:19
[2] Tvoi den / Той День (S.Vakarchuk) - 3:58
[3] Malo meni / Мало Мені (P.Gudimov/S.Vakarchuk) - 5:06
[4] Sosni / Сосни (S.Vakarchuk) - 4:31
[5] Kavachai / Кавачай (P.Gudimov/S.Vakarchuk) - 4:40
[6] Vipusti / Відпусти (S.Vakarchuk) - 3:52
[7] Africa / Африка (S.Vakarchuk) - 4:25
[8] Poyasni / Поясни (P.Gudimov) - 3:40
[9] Fialki / Фіалки (S.Vakarchuk) - 3:43
[10] Koli tebe nema / Коли Тебе Нема (Okean Elzy) - 3:18
[11] Etude / Етюд (Okean Elzy) - 2:21
              Bonus track:
[12] Tam, de nas nema / Там, Де Нас Нема (S.Vakarchuk) - 3:33

 A r t i s t s ,   P e r s o n n e l


Slava Vakarchuk - Vocals, Songwriter
Denis Glinin  - Drums
Youri Hustochka - Bass Guitar
Evgen - Electric Piano (Fender Rhodes) on [2-4,6,7], Keyboards on [4], Tambourine on [1,3], Producer, Mixing
Pablo Gudimov - Guitar, Mandolin, Backing Vocals

Igor "Kolbasa" Mel'hichuk - Acoustic Bass on [6]

String Quartet Napoleon:
Yakov Dushakov - Cello on [3,6]
Maxim Simich- Viola on [3,6]
Rostislav But - Violin on [3,6]
Sergei Mitrofanov - Violin on [3,6]

Vitali Klimov - Producer
Oleg Stupka - Engineer
Sergey Tovstoluzhski - Engineer
Vitali Telezin - Engineer (Strings), Mixing
Oboz D. S. - Sleeve Design
Igor Boyko - Management

 C o m m e n t s ,   N o t e s


I won't put on airs: I can't speak or read a word of Ukrainian. And I'd never heard of Okean Elzy ("Elza's Ocean") till I got a press release last month alerting me to their show on Sunday at the Riviera Theatre. The subject line of that e-mail referred to this group from Lviv simply as "Top Ukrainian band," which hardly seized my imagination. It's not even phrased properly to work as a hyperbole! But after a bit of research, I'm pretty confident that Okean Elzy are in fact the most popular rock band in Ukraine—which all but guarantees them a large, ecstatic audience in Chicago.

Okean Elzy appeared in a local Pepsi ad campaign in 2001, after the marketing company that Pepsi hired found the band to be the overwhelming choice of the under-21 demographic, named by nearly 90 percent of respondents. In 2005, front man Svyatoslav Vakarchuk (one of only two members who've stuck around since the band's founding in 1994) was designated a United Nations Development Program Goodwill Ambassador for Youth in Ukraine, a position he held for two years. And in December 2013, Okean Elzy played in Kiev for tens of thousands of people (or more accurately, near tens of thousands of people) during the Euromaidan protests that precipitated the February 2014 revolution.

The group has a strong activist bent, advocating for peace and democracy as well as other forms of self-determination. It's also intimately tied to youth culture not just in Ukraine but throughout the region. But despite its English-language website, Okean Elzy has almost no crossover audience in the States—I must've watched a dozen videos on the band's YouTube channel without seeing a single comment in English.

The most recent Okean Elzy album is 2013's Zemlya ("Earth"), but today's 12 O'Clock Track is a new video of an old favorite—the title track of the 2000 LP Ya Na Nebi Buv (I think it means "I was in heaven"). The dazzling live performance footage ought to give you some idea of the devotion these guys inspire from their fellow Ukrainians.

A headstrong but melancholy rock ballad, "Ya Na Nebi Buv" reminds me at times of something a Slavic Dire Straits might've done in the early 80s. It seems like a very easy song to get sentimental about—its combination of wistfulness and resignation (with the caveat that I don't know the lyrics) reminds me of the feeling I get reading Chekhov. (I happen to be in the middle of a collection of his short stories this week, and I just finished "The Kiss," so that's not as pretentious as it sounds.)

Philip Montoro, 02.26.15
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