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Dave Matthews Band: Live at Red Rocks 8.5.95

 A l b u m   D e t a i l s


Label: RCA Records
Released: 1997.10.28
Time:
 73:06 / 58:21
Category: Pop/Rock
Producer(s): See Artists ...
Rating: *********. (9/10)
Media type: CD Double
Web address: www.davematthewsband.com
Appears with: Boyd Tinsley
Purchase date: 2002.09.26
Price in €: 36,99



 S o n g s ,   T r a c k s


Disc one:
[1] Seek Up (D.Matthews) - 13:29
[2] Proudest Monkey (C.Beauford/S.Lessard/D.Matthews/L.Moore/B.Tinsley) - 7:04
[3] Satellite (D.Matthews) - 5:07
[4] Two Step (D.Matthews) - 9:21
[5] Best of What's Around (D.Matthews) - 6:18
[6] Recently (C.Beauford/S.Lessard/D.Matthews/L.Moore/B.Tinsley) - 6:12
[7] Lie in Our Graves (C.Beauford/S.Lessard/D.Matthews/L.Moore/B.Tinsley) - 8:19
[8] Dancing Nancies (D.Matthews) - 9:12
[9] Warehouse (D.Matthews) - 8:04

Disc two:
[1] Tripping Billies (D.Matthews) - 4:49
[2] Drive in, Drive Out (D.Matthews) - 6:20
[3] Lover Lay Down (D.Matthews) - 6:22
[4] Rhyme & Reason (D.Matthews) - 7:03
[5] #36 (C.Beauford/S.Lessard/D.Matthews/L.Moore/B.Tinsley) - 12:55
[6] Ants Marching (D.Matthews) - 6:54
[7] Typical Situation (D.Matthews) - 7:01
[8] All Along the Watchtower (B.Dylan) - 6:57

 A r t i s t s ,   P e r s o n n e l


The Dave Matthews Band:
DAVE MATTHEWS - Acoustic Guitar, Vocals
STEFAN LESSARD - Bass, Fretless Bass
LEROI MOORE - Alto & Baritone & Soprano & Tenor Saxophone, Flute, Whistle
BOYD TINSLEY - Electric Violin
CARTER BEAUFORD - Percussion, Drums, Background Vocals

TIM REYNOLDS - Acoustic & Electric Guitar

DAN HEALY - Engineer
JEFF THOMAS - Mixing
JOHN ALAGÍA - Mixing
DOUG DERRYBERRY - Mixing
TED JENSEN - Mastering
THANE KERNER - Design
SAM ERICKSON - Photography

 C o m m e n t s ,   N o t e s


1997 CD Bama Rags/RCA Records 67587



No other band in rock's history went to such great lengths to shut down bootleggers as the Dave Matthews Band. They shut down stores that sold live boots of Matthews concerts, and they shut down labels that pressed the bootlegs, essentially crippling the underground industry. That didn't stop the boots completely, however, and Matthews finally retalliated in the fall of 1997 with the double-disc Live at Red Rocks 8.15.95, the first in a series of official live albums from the band. To the outsider, this series might seem a little odd, since the group doesn't have an explicitly fanatical following like those of the Grateful Dead or Phish, but like those two bands, the Dave Matthews Band has a similar fondness for improvisation, which makes their live recordings desirable for dedicated fans. Live at Red Rocks 8.15.95 shouldn't disappoint fans already familiar with the band's loose-limbed, jazzy live show, but it should come as a revelation to listeners unacquainted with that aspect of Matthews. In fact, the record often sounds livelier and more energetic than its studio counterparts, and that alone makes it a necessary purchase for dedicated fans.

Stephen Thomas Erlewine - All-Music Guide, © 1992 - 2002 AEC One Stop Group, Inc.



Like a lot of his jam-band compatriots, Dave Matthews's personality can come off as muted in the studio, but really spreads out live--which makes this a must-have for fans who don't already have the bootleg, or nineteen more from the same period. But absent a hits sampler, Live at Red Rocks could also be the best Matthews album for more tentative listeners. It draws heavily from the Under the Table and Dreaming material, as well as from the then-upcoming Crash. "All Along the Watchtower," previously only available on an indie EP, ends the set.

Gavin McNett - Amazon.com essential recording



Der in Südafrika geborene Sänger und Gitarrist mit der Grunge-Rock-Stimme bietet ein Live-Set mit 17 Nummern. Dabei verschmelzen Rock, Folk und Blues zu einem zeitlosen Hörvergnügen. ** Musik.: 03-04

© Audio



Um ihre Fans vor überhöhten Preisen und der schlechten Qualität von Bootleg-CDs zu schützen, beschloß die Dave Matthews Band, eine ganze Reihe von Konzertmitschnitten selbst zu veröffentlichen. Etwa diesen hier vom August 1995 in der Nähe von Denver/Colorade. Mit einem Repertoire aus Songs quer durch alle Studioalben erweist sich die DMB als virtuose und improvisationsfreudige Formation. Allerdings überschreitet Matthews' Gesang bei aller Dynamik bisweilen die Grenze zum Manierismus.

© Stereoplay
 

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