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Hubert von Goisern: Inexil (Tibet)
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Label: |
BMG Records |
Released: |
1998 |
Time:
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51:02
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Category: |
World Music |
Producer(s): |
See Artists ... |
Rating: |
********.. (8/10) |
Media type: |
CD
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Web address: |
www.hubertvongoisern.com |
Appears with: |
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Purchase date: |
2001.01.05 |
Price in €: |
10,83 |
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[1] Yerketamu - 4:03
[2] Panchen Lama - 3:22
[3] Akupemba - 4:41
[4] Losar - 0:48
[5] Khamlu - 5:45
[6] Dream - 3:22
[7] Nyelu - 4:53
[8] Gendak-Re - 3:58
[9] Sugkyi Nyima - 6:38
[10] 10. März 1959 - 2:22
[11] Dawa - 0:57
[12] Dernchen Phama - 9:583
Incl. hidden track:
[13] See You In Lhasa
A
r t i s t s , P e r s o n n e l |
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Hubert von Goisern
C
o m m e n t s , N o t e s |
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Inexil, zweites Album mit Ausflügen in die ethnischen
Erfahrungen des Österreichers Hubert von Goisern, entstand in
Tibet in Kooperation mit dort geborenen Künstlern. Zusammen mit im
nordindischen Exil lebenden Tibetern erarbeitete Von Goisern zwölf
klassische Titel, die er mit Einflüssen aus der westlichen Musik,
etwa Drum & Bass oder Ambient-Loops, anreicherte. "Asien ist uns
Europäern kulturell ja völlig fremd", erklärte der
Salzburger seinen Ansatz. "Nach zwei Stunden tibetischer Musik hat
für mich alles gleich geklungen." Dennoch habe er eine
faszinierende Kraft gespürt, die von innen komme. Eine Kraft, die
man seinem Album großenteils anhört.
Michael Fuchs-Gamböck, Amazon.de
Von Goisern is an Austrian producer and traveller whose latest
works, Inexil and Gombe, are innovative and highly sophisticated forays
into Tibetan and African musics. Inexil features invigorating music and
production techniques that are resolutely modern, yet still reflective
of ancient traditions. The album effectively wipes out any stereotyped
notion that one could have about Tibetan music. The music sparkles with
originality and passion to the extent that the whole album has a
timeless quality to it. Gombe, which seems to have been inspired by
Goisern's meeting with Jane Goodall, explores a variety of African
music, much of which is performed by Goisern himself. Some tracks are
highly percussive, while others, such as one which includes his vocal
renditions of monkey chants, are playful. A few others are fusions of
Austrian and African sounds. The album doesn't quite reach the
transcendent heights of Inexil, but it is nonetheless a fascinating
impressionistic soundscape that reflects the musical richness of the
continent.
PEC, Dirty Linen
April 1, 1999
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