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Bill Frisell: Quartet

 A l b u m   D e t a i l s


Label: Elektra Nonesuch
Released: 1996
Time:
61:36
Category: Jazz, Post-Bop
Producer(s): Lee Townsend
Rating:
Media type: CD
Web address: www.billfrisell.com
Appears with:
Purchase date: 2016
Price in €: 1,00





 S o n g s ,   T r a c k s


[1] Tales From The Far Side (Frisell) - 6:27
[2] Twenty Years (Frisell) - 2:55
[3] Stand Up, Sit Down (Frisell) - 5:37
[4] Convict 13 (Frisell) - 5:36
[5] In Deep (Frisell) - 3:10
[6] Egg Radio (Frisell) - 4:31
[7] The Bacon Bunch (Frisell) - 4:26
[8] Prelude (Frisell/Miles) - 1:36
[9] Bob's Monsters (Frisell) - 8:44
[10] The Gallows (Frisell) - 6:14
[11] What? (Frisell) - 3:26
[12] Dead Ranch (Frisell) - 4:27
[13] Coffaro's Theme (Frisell) - 4:27

 A r t i s t s ,   P e r s o n n e l


Bill Frisell - Electric & Acoustic Guitars
Ron Miles - Trumpet, Piccolo Trumpet
Eyvind Kang - Violin, Tuba
Curtis Fowlkes - Trombone

Lee Townsend - Producer
Oliver DiCicco - Engineer
Christian Jones - Assistant Engineer
Judy Clapp - Mixing
John Burton - Assistant Mixing
Greg Calbi - Mastering
Terpstra Design - Design
Thomas Hart Benton - Cover Illustration "The Boy"
Sibila Savage - Photography

 C o m m e n t s ,   N o t e s


1996 CD Nonesuch - 7559-79401-2

Recorded at Möbius Music, San Francisco, California. Mixed at Bad Animals, Seattle, Washington. Mastered at Masterdisk, New York, New York

Much of the music here has been arranged for the quartet using themes originally written for film. Tracks 1, 5-7, 9, and 12 are from Tales from the Far Side, an animated television special created by Gary Larson. Tracks 3 and 13 are from the Italian film La Scuola directed by Daniele Luchetti. Tracks 4 and 10 were written for the Buster Keaton film Convict 13. All compositions by Bill Frisell except Track 8 by Bill Frisell and Ron Miles. Tracks 5 and 9 borrow from "Deep in the Heart of Texas."



Guitarist Bill Frisell’s music can rarely be classified as traditional jazz, and the band on Quartet is also a departure from the traditional jazz quartet—and from the musicians with whom he has worked on several previous projects. Dubbed a “masterpiece” by the New York Times, the album features Frisell on electric and acoustic guitar, Ron Miles on trumpet, Eyvind Kang on violin and tuba, and Curtis Fowlkes on trombone.

“It’s heavily weighted in favor of composition over improvisation,“ the New York Times states, “and his guitar—sometimes electric, sometimes acoustic, sometimes vague and airy, sometimes cold and hard—motors quietly in and out of the horns. He may be after blues seriousness or slapstick humor. But he’s always after grace and movement, and the album is an achievement, a profound mix of the old and the new.”

The instrumentation on Quartet evokes a distinct American regional flavor, incorporating melodic jazz and even country styles. The album includes short tunes for film, as well as several from Gary Larson’s CBS special Tales from the Far Side. Universally recognized for his dazzling technique and innovative style, and often noted for his sizzling, free form delivery, Frisell offers an album of original compositions that is defined by an organic compositional unity.

The Bill Frisell Quartet was formed in the spring of 1995, and has performed in San Francisco and Seattle and toured in Europe. “It’s so different from the traditional guitar-bass-drum thing, even though Joey Baron, Kermit Driscoll, and I never played like a typical jazz trio,” Frisell says. “This group, with violin and brass, can play an orchestral range of sounds. It’s gigantic.”

Frisell’s two 1995 Nonesuch recordings of soundtrack music for Buster Keaton films prompted the Oakland Tribune to call him “the most inventive and compelling guitarist to emerge in more than a decade. Bill Frisell has become a modem legend among guitar players.”

© 2016 Nonesuch Records



Guitarist Bill Frisell has become well-known for his eccentric and highly versatile style. Able to sound like Jim Hall, a heavy metal player, or a Nashville studio guitarist at a moment's notice, Frisell has created sounds on the guitar that have never been heard before. This CD uses a rather unusual instrumentation, a quartet comprised of Frisell, trumpeter Ron Miles, trombonist Curtis Fowlkes and Eyvind Kang, who doubles on violin and tuba. Ten of the 13 Frisell originals on the release were originally written for films (including one for Gary Larson, "Tales from the Far Side," and one for a Buster Keaton movie "Convict 13"), and the resulting music is tightly arranged yet spontaneous, episodic, and sometimes a bit nutty, but also strangely logical. Whether it be the old-timey theme to "Dead Ranch," the blues in "Convict 13," a few somber ballads, or hints at early Duke Ellington (particularly by Miles' wah-wah trumpet), this is a continually interesting, offbeat set.

Scott Yanow - All Music Guide



With his indelible, elastic tone, restless curiosity, and open-eared approach to music beyond the traditional corridors of jazz, guitarist Bill Frisell is among the most prolific and continually surprising improvisers alive. Quartet is built around a typically inventive, typically off-centered Frisell lineup including Ron Miles (trumpet, piccolo trumpet), Eyvind Kang (violin, tuba), and Curtis Fowlkes (trombone) who draw from a sonorous palette. By avoiding a conventional rhythm section and piano, Frisell and his confederates create a group sound with the intimacy of small jazz group while tapping the timbres of chamber music; the material (which includes pieces composed for a TV special built around friend Gary Larson's "Far Side" cartoons) is equally beyond category.

Sam Sutherland - Amazon.com



Quartet is the eighth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1996 and features performances by Frisell, Ron Miles, Curtis Fowlkes and Eyvind Kang. Tracks 1, 5, 6, 7, 9, and 12 are from Tales From the Far Side (1994), an animated television special created by Gary Larson. Tracks 3 and 13 are from the Italian film La scuola (1995) directed by Daniele Luchetti. Tracks 4 and 10 were written for the Buster Keaton film Convict 13 (1920).

The Allmusic review by Scott Yanow awarded the album 4 stars stating "This CD uses a rather unusual instrumentation, a quartet composed of Frisell, trumpeter Ron Miles, trombonist Curtis Fowlkes and Eyvind Kang, who doubles on violin and tuba. Ten of the 13 Frisell originals on the release were originally written for films (including one for Gary Larson, "Tales from the Far Side," and one for a Buster Keaton movie "Convict 13"), and the resulting music is tightly arranged yet spontaneous, episodic, and sometimes a bit nutty, but also strangely logical. Whether it be the old-timey theme to "Dead Ranch," the blues in "Convict 13," a few somber ballads, or hints at early Duke Ellington (particularly by Miles' wah-wah trumpet), this is a continually interesting, offbeat set."

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