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Fish: For Whom The Bells Toll!

 A l b u m   D e t a i l s


Label: Chocolate Frog Records
Released: 1993.06.01
Time:
 62:24 / 62:12
Category: Progressive Rock
Producer(s): Calum Malcolm
Rating:
Media type: CD double
Web address: www.fishheadsclub.com
Appears with: Marillion
Purchase date: 2012
Price in €: 1,00





 S o n g s ,   T r a c k s


CD 1

[1] Vigil in a Wilderness of Mirrors (Dick/Simmonds) - 9:08
[2] Credo (Dick/Simmonds/Boult/Usher) -  8:14
[3] Tongues (Dick/Simmonds/Usher/Boult) -  7:31
[4] Family Business (Dick/Simmonds/Lindes) -  6:16
[5] Incubus (Dick/Rothery/Kelly/Mosley/Trewavas) - 15:03
[6] The Company (Dick/Simmonds) - 9:19
[7] Shadowplay (Dick/Simmonds) - 6:50


CD 2

[8] Dear Friend (Dick/Boult/Simmonds) - 12:44
[9] Lucky (Dick/Boult/Simmonds) - 9:58
[10] Big Wedge (Dick/Simmonds) - 6:01
[11] Heart Of Lothian (Dick/Rothery/Kelly/Mosley/Trewavas) - 6:32
[12] Forgotten Sons (Dick/Rothery/Kelly/Mosley/Trewavas) - 9:48
[13] Fugazi (Dick/Rothery/Kelly/Mosley/Trewavas) - 5:24
        Recorded at Paris Olympia, 9th December 1991
[14] Internal Exile (Dick/Boult/Simmonds) - 5:34
[15] Market Square Heroes (Dick/Kelly/Minnett/Pointer/Rothery/Trewavas) - 6:56

 A r t i s t s ,   P e r s o n n e l


Fish - Lead Vocals

Mickey Simmonds - Bass, Backing Vocals
Kevin Wilkinson - Drums
Frank Usher - Guitar
Robin Boult - Guitar, Backing Vocals

Robin Ayling - Coordinator
Barbara Remut - Photography

 C o m m e n t s ,   N o t e s


2000 CD Chocolate Frog CFVP002CD

Subtitled "Edinburgh Playhouse New Years Eve '91".
Tracklisting taken from booklet, on back cover track 2-6 is written just "Fugazi".
Tracks 1-1 to 2-6 recorded live at Edinburgh Playhouse, 31st December 1991.
Tracks 2-7 & 2-8 recorded at Paris Olympia, 9th December 1991.



Fish was the unique voice and mastermind behind progressive rock legends Marillion and on this recording he is captured at his best live. 'For Whom the Bells Toll', is an amazing testament to Fish's special live magic which he conjures up so brilliantly. With sleevenotes written by Fish, the recording was straight to tape and was made on New Years Eve in 1991 at the Edinburgh Playhouse. The line up consisted of Fish (vocals), Frank Usher (Guitar), Robin Boult (Bass), David Paton (bass), Mickey Simmonds (keyboards) and Kevin Wilkinson (drums). David Paton played with Pilot and featured on Kate Bush's first two albums and has also worked with Rick Wakeman. Mickey Simmonds has worked with Mike Oldfield and Kevin Wilkinson has played with China Crisis and Squeeze. This CD was originally issued only to the fan club for mail order sale but is finally available to the retail record buying public. As an added bonus this double CD is priced as for a single which offers great music at great value.

Soundbite (Artist Shop newsletter), April 2001



Part of a series of official bootlegs produced in 1993 by Fish himself and bounced around from one label to another following his financial problems in the late '90s, For Whom the Bells Toll is not for the casual listener. On the other hand, dedicated fans rank it as one of the most worthwhile of these live albums. Recorded in late 1990, this concert is taken from the Internal Exile tour -- by far Fish's most documented period. But here's the trick: It was recorded on New Year's Eve in Edinburgh (remember, the man is Scottish!). This is one huge party: The singer is in quite a talkative mood, joking around as he keeps an eye on the clock to make sure the band is not stuck in the middle of a song when it strikes midnight. On-stage pranks and a hysterical Scottish accent don't get in the way of the performance itself, though. The band was at its peak, and if six weeks of touring began to take their toll on Fish's voice, he compensates with an extra dose of energy. The set list covers the key songs from Vigil in a Wilderness of Mirrors and Internal Exile, plus a few old Marillion cuts to spice things up: "Incubus," "Heart of Lothian," "Forgotten Sons," and "Market Square Heroes" -- the latter taken from a Paris show since the tape ran out before the Edinburgh encore. This one is for the fans wishing they'd been there. The sound quality is very good to excellent (it is a mixing board recording).

François Couture - AllMusic.com



Actually, I was not interested to purchase this CD. But, .. it's Fish man! It's an ex frontman from the band that I loved so much .. Marillion! So finally I purchased it. As this is an official bootleg, the cover is not good at all. Surprisingly - knowing well that this is a bootleg record - the quality of sound is really excellent. I sometime think that this is like an official live album of Fish. I'm really satisfied by the record quality. Let's have a look on the performance. It's recorded from Edinburgh Playhouse at New Year's Eve of 91. You know by the time Fish just released second album "Internal Exile". So you would find songs were taken from the first two albums plus some Marillion's.

The album starts with the opening track of debut album "Vigil In A Wilderness Of Mirrors". This track is performed better at this live version because it's much dynamic than the original studio version. The band that accompanies the show could emulate the studio version better. Fish could control his pitch during this emotive song. I have no problem at all with this version. In fact I'm very happy because this excellent song can be performed excellently - plus excellent live vibes from the crowd. At the end of the opening track Fish does some communication to end the song.

"Credo" (8:14) is basically not a good track as per my taste when I look at the studio version. But here Kevin Wilkinson plays the drums better than the studio version. Fish uses this song to communicate the crowd and makes them hot. I actually like the chorus line - especially the guitar part is stunning. After "Credo" Fish makes a conversation with the crowd with his Scott accent.

"Tongues" (7:31) is also taken from the second album "Internal Exile". It has specificity on singing style that spells nicely the title meaning. Fish' singing style emphasizes on the "tongue" control. I am amazed with the fact, again, that this track is better in live version - it's got better bass sound than the studio version. The band performs better than in the studio version. The song that actually does not attract me on the studio version but now with this live version I do enjoy well. I love the way Fish scream "Auuuummm. auuumm" backed with howling guitar sounds that accompany him.

"Family Business" (6:16) is really a great track from debut album and I do enjoy it very much - one of my favorite Fish tracks. After conversation with the crowd, the soft guitar sounds backed with bass guitar lines in spacey nuance enters the music. Fish enters his voice brilliantly. Again, I love this live version of catchy melody song.

Right after "Family Business" Fish does a lot of conversations with the audience before he finally sings "Incubus" from Marillion's second album "Fugazi" released in 1984. In general, actually I tend not to like Marillion's song being covered by other band including Fish and his band because the soul is different. Frank Usher's howling guitar is different than Rothery's guitar style. But for a change, I can enjoy this track as well even though I opt the original version. One thing needs to notice here is the piano work Mickey Simmonds is really good. The guitar solo is also enjoyable in a way that sounds like two players playing the guitar: Frank Usher and Robin Boult. The improvisations with different notes after vocal break at the end of the track is really stunning. It entertains me in a way that actually my preference is the original band plays this song. But it's okay because Fish band gives another version. The guitar solo deserves attention even though the soul of the music is far way from the original version.

"The Company" (9:19) is one of Fish great creation from his debut album. The music is completely great and also the lyric is so captivating. The vocal line is full of accentuation and the melody is catchy. As far as music style I don't think that Marillion has ever thought of making music such wonderful as The Company. The opening part in this version is not as good as studio but it's more dynamic in terms of vocal and, most importantly .. the crowd sing together with Fish. I like when the music interlude starts to roll in the middle of the track where the string section enters with some traditional notes - it's so beautiful! This is a song that I always repeat when I play the debut album CD. So powerful and uplifting! After this song Fish does his story telling again with the audience.

"Shadowplay" (6:50) is the opening track of Fish's second album "Internal Exile". Again, this is another favorite of mine because it has all the qualities of great Fish songs. It has powerful low register notes and vocal aggression by Fish. It starts beautifully with an ambient guitar sounds and keyboard followed wonderfully by a blast of music that combines vibraphones, drums, bass, guitar and keyboard make this song so energetic. Fish vocal enters with powerful accentuation. The chorus line "I saw your life as a shadowplay. In a trance I was held by the shadowplay. In the spell of the shadowplay. From Celtic Illumination. I see the Celtic Illumination. The Celtic". The part where Fish does his narration in the middle of the track is also very attractive. It pumps my adrenalin to run faster!

Disc Two starts with another Fish conversation, a story telling again. I don't know why "Shadowplay" is being repeated again at the start of Disc Two. It's probably to fill-up the disc space. "Dear Friend" (9:58) is a ballad from second album followed with "Lucky" (6:01) from the same album. The band retursn back to debut album with "Big Wedge" (6:32) which does not favor me.

"On the outskirt of nowhere on the ringroad of nowhere ." says Fish as the opening of "Heart Of Lothian" (5:25) followed by piano work by Mickey Simmonds. Again, soul-wise it's not as great as the one in "La Gazza Ladra" live set but it's okay for bringing memory backs to the past days of Marillion. "Forgotten Sons" (9:47) is also not better than the "Real to Reel" version but I enjoy Mickey Simmonds keyboard sounds and guitar solos by Usher and Boult. It's just another version of the best Marillion song I have ever known - that's why I keep putting "Peace on earth and mercy mild .." at the end of my review because this song is really a killer! The music interlude that so far has killed me is now delivered a bit different from Marillion, and it's still rocking! "For a second you'll be famous but labeled posthumous.."

The live album ends with "Internal Exile / Market Square Heroes" (11:42). Market Square Heroes is a regular encore in early Marillion's concerts.

Overall, this is an excellent live record of Fish solo with some songs of Marillion. I'd rather have Fish plays his solo albums than Marillion with his band. He should not look back his past days. He must have learned from Peter Gabriel who has never looked back his days with Genesis. Life moves on without Marillion! Keep on proggin'!

Peace on earth and mercy mild - GW

Gatot - Honorary Collaborator
progarchives.com
 

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