[1] West Coast Blues (Montgomery) - 4:41
[2] Summertime (Gershwin/Gershwin/Heyward) - 6:38
[3] Topsy (Battle/Durham) - 5:21
[4] Yours Is My Heart Alone (Lehar/Smith) - 4:43
[5] It's Only a Paper Moon (Arlen/Harburg/Rose) - 7:45
[6] My One and Only Love (Gershwin/Gershwin) - 7:18
[7] Reunion Blues (Jackson) - 8:29
[8] Watch What Happens (Gimbel/Legrand) - 3:24
[9] The More I See You (Gordon/Warren) - 5:05
[10] Honeysuckle Rose (Razaf/Waller) - 7:38
[11] Cakes' Blues (Brown) - 4:05
MICHAEL BISHOP - Engineer
ROBERT WOODS - Executive Producer
DONALD ELFMAN - Liner Notes
ANILDA CARRASQUILLO - Art Direction
RYAN HEWITT - Technical Assistance
BRIAN SOOY - Cover Design
Bassist's bassist Ray Brown is inspired and inspiring on Summertime,
which finds him in the company of his trio and guest guitarist Ulf
Wakenius. Whether it's the addition of Wakenius, new pianist Geoff
Keezer, or just the felicitous combination of peerless players and
dynamite material, this set easily eclipses Brown's preceding "Live at
Sculler's."
Ross Boissoneau
...[L]et's just admit that there are no young pianists who can stand
comparison to Wynton [Kelley], either for beautiful, true-blue solos or
perfect comping. This last deficit is glaring on this release, but the
discovery of Wakenius is a nice surprise.
Jazz Times
Ray Brown and Co Hit The Studio
This recording, made for Telarc Records in 1998, is the first including
Brown's new pianist, Geoff Keezer. Keezer brings another dimension to
this group and adds flair whilst increasing the groups depth. He is a
very talented young man and in my opinion, replaces Benny Green without
any loss what so ever. Guitarist Ulf Wakenius also guests on this
recording, producing a fine overall effort.
As with all telarc releases, the recording quality is crystal clear and
perfectly balanced. The material represented on this disc varies
considerably, from "West Coast Blues" to "Honeysuckle Rose". All of the
recordings on this release feature the band in top form. Very Rarely
will you hear better playing from ANY group in jazz. Take for example,
the Milt Jackson tune, "Reunion Blues", this is one of the finist jazz
recordings I have EVER heard, with no exceptions! The band swings hard
and produces a flattering result on every track. All of the tunes on
the disc are standards except for one Brown original, "Cakes Blues",
which is taken at mid-tempo.
Overall, this disc is yet another great addition to the credit of
master bassist, Ray Brown. The addition of Keezer to the group has
further strengthened an already strong lineup. In my opinion, this disc
falls just short of being classic, primarily due to the inclusion of a
couple of tunes that could have been replaced on the final release.
These tunes ("It's Only A Paper Moon" and "Topsy") are played
brilliantly, but somehow lack the effect of the other selections. This
minor complaint should not deter any jazz listener from obtaining this
disc. The music represented is of the highest possible standard and
comes recommended as part of any jazz library.
twinky@start.com.au from Canberra, Australia, June 16, 2000