[1] Man on the Silver Mountain (R.Blackmore/R.J.Dio) - 4:37
[2] Self Portrait (R.Blackmore/R.J.Dio) - 3:12
[3] Black Sheep of the Family (S.Hammond) - 3:19
[4] Catch the Rainbow (R.Blackmore/R.J.Dio) - 6:36
[5] Snake Charmer (R.Blackmore/R.J.Dio) - 4:30
[6] The Temple of the King (R.Blackmore/R.J.Dio) - 4:42
[7] If You Don'T Like Rock & Roll (R.Blackmore/R.J.Dio) - 2:36
[8] Sixteenth Century Greensleeves (R.Blackmore/R.J.Dio) - 3:29
[9] Still I'm Sad (J.McCarty/P.Samwell-Smith) - 3:53
1975 CD Polydor 825089
1975 Polydor PD-6049
1975 LP Oyster 2001
1990 CD Polygram 825089
1990 CS Polygram 825089
1999 CD Polygram 547360
LP: Oyster Records / Polydor Records 2929 096 foc with lyrics, released
without foc in U.K. (1983), Canada, Germany (1981), Argentinia (1978)
CD: Polydor Records 825 089-2 lyrics to "Sixteen Century Greensleeves"
Recorded 20th February - 14th March 1975 at Musicland studios, Munich
Booklet credits J.S.Bach for inspiration
Perhaps the first example of "dragon-rock" — a style perfected by
bands like Iron Maiden and Dio in the early-to-mid-'80s — was
this rather pretentious 1975 collection from guitarist Ritchie
Blackmore's first post-Deep Purple project. Fittingly enough, a young
Ronnie James Dio provides the goblin-like frontman presence required by
the increasingly baroque Blackmore. The young Dio is at his best when
he fully gives in to his own and Blackmore's medieval fantasy leanings,
in hard-rocking tracks like "Sixteenth Century Greensleeves" and "Man
on the Silver Mountain." The dark, trudging doom-rock of
"Self-Portrait" most clearly showcases what they were capable of. The
album's ponderous lyrics are occasionally punctuated by poetic phrases
such as "crossbows in the firelight." Rainbow becomes a true
embarrassment when they try to lighten up and boogie down. "If You
Don't Like Rock and Roll" is really an abomination, a pale imitation of
second-rate radio-rockers like BTO. Although Ritchie Blackmore's
Rainbow provides a few listenable tracks, its primary value is
historical. Look to Rainbow's next album, Rising (1976), to grasp the
heavy metal potential that is only hinted at here.
David Kent-Abbott, All-Music Guide
Als Ritchie Blackmore Anfang 1975 sein erstes Soloalbum in den
Münchner Musicland Studios aufnahm, konnte noch niemand erahnen,
dass dies der erste gewichtige Schritt zu Blackmores insgeheim schon
lange geplantem Rückzug von Deep Purple darstellte. Nachdem die
letzten drei Konzerte Anfang April 1975 vorsorglich mitgeschnitten
wurden (zu hören auf Deep Purple: Made in Europe), verkündete
Blackmore seinen Ausstieg. Seine neue Band Rainbow (vorerst Ritchie
Blackmore`s Rainbow) bestand aus der US-Band ELF, die schon auf
etlichen Tourneen von Deep Purple als Vorband fungierten und die vom
früheren Purple Bassisten Roger Glover protegiert wurde.
Ausnahmegitarrist Blackmore übernahm sozusagen eine fertige Band,
nur der Gitarrist wurde durch ihn ersetzt. Blackmores Solodebüt
beinhaltete schon alles, was auf späteren Rainbow-Alben folgen
sollte: harte, prägnante Riffs, filigrane Soli, dunkle, mystische
Texte und die einzigartige Stimme von Ronnie James Dio. Songs wie "Man
On The Silver Mountain", "Catch The Rainbow", "Still I´m Sad" und
"Sixteenth Century Greensleeves" waren über Jahre hinweg fester
Bestandteil der Rainbow-Liveshows und gehören zu den absoluten
Klassikern der Band. Zu den weiteren Highlights des Albums zählen
das dramatische "Self Portrait" und das akustisch intonierte "Temple Of
The King". Ein wegweisendes Album, das jeder Blackmore-Fan sein Eigen
nennen muss.
Thomas Eckert, Amazon.de
After British maestro guitarist Ritchie Blackmore left DeepPurple in
1974, he recruited Purple Records signees Elf as his backing band. And
although Rainbow's 1975 debut was onlya hint of future greatness, the
album more than holds its own. Elf was led by dramatic metal vocalist
Ronnie James Dio, who seemed to connect with Blackmore in quite a
chemicalfashion. "Man on the Silver Mountain" is prime material, asis
the six-minute blues-metal classic "Catch the Rainbow". Dio's shining
vocals, shown to great effect here, have been emulated by hard rock
vocalists throughout the years. "The Temple of the King" is another
highlight, showcasing Blackmore's emotional guitar licks. "Sixteenth
Century Greensleeves"is the group's ode to mediaeval times. "Still I'm
Sad" is an instrumental jam that closes the album. Blackmore's
fretwork, while speedy, comes from the heart. Although Rainbow's
incarnations would change through the years, the drive and energy of
the original lineup holds a special place in hard rock history. A
worthy purchase for the connoisseurs of the genre.
I'm a wheel, I'm a wheel
I can roll, I can feel
And you can't stop me turning
Cause I'm the sun, I'm the sun
I can move, I can run
But you'll never stop me burning
Come down with fire
Lift my spirit higher
Someone's screaming my name
Come and make me holy again
I'm the man on the silver mountain
I'm the man on the silver mountain
I'm the day, I'm the day
I can show you the way
And look, I'm right beside you
I'm the night, I'm the night
I'm the dark and the light
With eyes that see inside you
Come down with fire
Lift my spirit higher
Someone's screaming my name
Come and make me holy again
I'm the man on the silver mountain
I'm the man on the silver mountain
Come down with fire
And lift my spirit higher
Someone's screaming my name
Come and make me holy again
Well, I can help you, you know I can
I'm the man on the silver mountain
I'm the man on the silver mountain
Just look at me and listen
I'm the man, the man, give you my hand
I'm the man on the silver mountain
Come down with fire
And lift your spirit higher
I'm the man on the mountain
The man on the silver mountain
I'm the night, the light
The black and the white
The man on the silver mountain
SELF PORTRAIT
Paint me your picture and hang it on the wall
Color it darkly, the lines must start to crawl
Down, down, down
Spin me around and around
Draw me away to the night from the day
Leave not a trace to be found
Down, down
Nothing is real but the way that I feel
And I feel like going down, down, down, down
Down, down, down, down, down
Paint me a picture of eyes that never see
With flashes of lightning that burn for only me
Hey hey hey
There's only the devil to pay
I'm ready to go
Pull me down from below
Give me a place I can lay
Hey hey
Nothing is real but the way that I feel
I feel like going down, down, down, down
Down, down, down, down
Hey hey
Nothing is real but the way that I feel
And I feel like going down
Down, down
Nothing is real but the way that I feel
And I feel like going down, down, down, down
Down, down, down, down
Down, down, down, down
Down
BLACK SHEEP OF THE FAMILY
I've got nothing in my head
Got a floor for a bed
The future's at the bottom of a tea cup
I got a half a pair of shoes
And no time to lose
I'm wondering when I'm going to wise up
So, fortune shine your light on me and my clothes
Cause we need some security
You get a little bad luck
And it grows and it grows
I'm the black sheep of the family
I've got half a pound of rice
A beard full of lice
A mission called retrogression
I've got pocket full of dust
And eating is a must
You want to make a good impression
So, fortune shine your light on me and my dog
Cause we need some security
While all the folks are living high up the hill
I'm the black sheep of the family
Don't talk to me about society
You got to pay the rules
Or pay the penalty
Because there's nothing to choose
Between a handful of blues
Double indemnity
The hour was wrong
And my shadow's getting long
My real life's a song, don't need much
But I've got an ache in my head
I wanna go to bed
Tomorrow I don't have to wake up, no
So wisdom shine your light on me and my knees
Cause it's true what they say about familiarity
There's nothing good this way
And it's true they say
I'm the black sheep of the family
Oh, my wisdom shine your light on me and my knees
It's true what they say about familiarity
There's nothing good this way
And it's true they say
I'm the black sheep of the family
Yeah, yeah
I'm the black sheep of the family
Just me and my dog, yeah, yeah
I'm the black sheep of the family
Yeah, yeah, yeah, yeah, yeah, yeah
I'm the black sheep of the family
You've got me on my knees
I'm the black sheep of the family
Yeah, yeah, yeah
CATCH THE RAINBOW
When evening falls
She'll run to me
Like whispered dreams
Your eyes can't see
Soft and warm
She'll touch my face
A bed of straw
Against the lace
We believed we'd catch the rainbow
Ride the wind to the sun
Sail away on ships of wonder
But life's not a wheel
With chains made of steel
So bless me
Come the dawn
Come the dawn
Come the dawn
Come the dawn
We believed we'd catch the rainbow
Ride the wind to the sun
And sail away on ships of wonder
But life's not a wheel
With chains made of steel
So bless me, oh bless me, bless me
Come the dawn
Come the dawn
Come the dawn
Come the dawn
SNAKE CHARMER
Old hollow eyes
Got no ties
Walking by the light of the moon
Hey shiny boots
With strings and flutes
Rising like a crazy balloon
Close your door
He's on the loose
Umm, here he comes
No hope for you, ooh
Snake charmer, we'll haunt you
So, hey mystery man
What's your plan
I've got to tell the world
To beware you don't care
He'll hypnotize you
And tell you lies
He's hiding at the top of the stairs
Close your door
He's on the move
I see him coming out
There's no hope for you, ooh
Snake charmer
Snake charmer
Get out
Hey fancy face
Got no place
Living from a hole in the ground
Old sparkle eyes
He never cries
One step ahead of the hounds
Close your door
He's on his way
He's coming out of the shadows now, now
No hope for you, ooh
Snake charmer
Snake charmer, now listen to me yeah
Hey hollow eyes
Got no ties
Oh shiny boots
Play your strings and flutes
Mystery man what's your plan
Fancy face, got no place
Snake charmer
He'll harm yer
Oh sparkle eyes
Got no ties
Oh shiny boots
Close your door
He's on the loose
Snake charmer
My mystery man what's your plan
I've got to tell the world to beware
You don't care
Hypnotized
THE TEMPLE OF THE KING
One day in the year of the fox
Came a time remembered well
When the strong young man of the rising sun
Heard the tolling of the great black bell
One day in the year of the fox
When the bell began to ring
Meant the time had cometh
For one to go
To the temple of the king
There in the middle of the circle he stands
Searching, seeking
With just one touch of his trembling hand
The answer will be found
Daylight waits while the old man sings
Heaven help me
And then like the rush of a thousand wings
It shines upon the one
And the day had just begun
One day in the year of the fox
Came a time remembered well
When the strong young man of the rising sun
Heard the tolling of the great black bell
One day in the year of the fox
When the bell began to sing
It meant the time had cometh
For one to go
To the temple of the king
There in the middle of the people
He stands
Seeing, feeling
With just a wave of a strong right hand
He's gone
To the temple of the king
Far from the circle at the edge of the world
He's hoping, wondering
Thinking back from the stories he's heard
Of what he's going to see
There in middle of the circle it lies
Heaven help me
Then all could see by the shine in his eyes
The answer had been found
Back with the people in the circle
He stands
Giving, feeling
With just one touch of a strong right hand
They know
Of the temple and the king
IF YOU DON'T LIKE ROCK 'N' ROLL
You'd never know there was some music playin'
Until you talked your way inside the door
And then a sound like rollin' thunder
Begins to push you right thru the floor
And there's a great white sign
With big black letters
That just about explains it all
If you don't like rock 'n' roll
Well, if you don't like rock 'n' roll
If you don't like rock 'n' roll
Then it's too late now
Well it's too late now
Hey hey
Of course there was the usual lady
And she was dressed the way the stories tell
So bein' cool I made a move to grab her
But you could see she read story well
And then she whipped out a card
With big black letters
That just about explained it all
Well if you don't like rock 'n' roll
If you don't like rock 'n' roll
Well if you don't like rock 'n' roll
Then you're too late now
Then you're too late now
Well, if you don't like rock 'n' roll
Well, if you don't like rock 'n' roll, yeah
If you don't like rock 'n' roll
Well it's too late nown
You're too late now
If you don't like rock 'n' roll
If you don't like my rock 'n' roll
Then you're too late now
Then you're too late now
Then you're too late, too late now
SIXTEENTH CENTURY GREENSLEEVES
It's only been an hour
Since he locked her in the tower
The time has come
He must be undone
By the morning
Many times before
The tyrant's opened up the door
Then someone cries
Still we close our eyes
Not again
Meet me when the sun is in the western skies
The fighting must begin before another someone dies
Cross bows in the fire light
Green sleeves waving
Madmen raving
Through the shattered night
Yeah yeah yeah
Flames are getting higher
Make it leap unto the spire
Draw bridge down
Cut it to the ground
We shall dance around the fire
No more night
We have seen the light
Let it shine on bright
Hang him higher, higher
Draw bridge down
Cut it to the ground
We shall dance all around the fire, around the fire
No more night
we've seen the light
let it shine on bright
Hang him higher, higher
Put the man on the fire
Draw bridge down
Cut it to the ground
We gotta dance around the fire, the fire, the fire