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Rick Wakeman: Lisztomania

 A l b u m   D e t a i l s


Label: A&M Records
Released: 1975.11.09
Time:
 32:12
Category: Progressive Rock, Soundtrack
Producer(s): Rick Wakeman
Rating:
Media type: CD
Web address: www.rwcc.com
Appears with: Yes
Purchase date: 2012
Price in €: 1,00





 S o n g s ,   T r a c k s


[1] Rienzi/Chopsticks Fantasia (Wagner/Liszt) - 4:20
[2] Love's Dream (Liszt/Daltrey) - 4:25
[3] Dante Period (Liszt) - 2:05
[4] Orpheus Song (Liszt/Benson/Daltrey) - 3:10
[5] Hell (Liszt/Forsythe) - 1:59
[6] Hibernation (Wakeman) - 1:11
[7] Excelsior Song (Liszt/Wakeman/Russell) - 2:32
[8] Master Race (Wagner) - 0:45
[9] Rape, Pillage and Clap (Wagner) - 3:09
[10] Funerailles (Liszt/Benson) - 3:48
[11] Free Song [Hungarian Rhapsody] (Liszt) - 1:57
[12] Peace At Last (Liszt/Benson/Daltrey) - 2:59

 A r t i s t s ,   P e r s o n n e l


Rick Wakeman - Keyboards, Synthesizers, Producer

The English Rock Ensemble
The National Philharmonic Orchestra
David Wilde - Liszt Piano Music Performer

Roger Daltrey - Vocals on [2,4,10,12]
Linda Lewis - Vocals on [5]
Paul Nicholas - Vocals on [7]

Bill Curbishley - Executive-Producer
Brian Lane - Executive-Producer
Roland Young - Art Direction
Junie Osaki - Design

 C o m m e n t s ,   N o t e s


Recorded with the Island Mobile/Rak Mobile, mixed at Island Studios & Olympic Studios, London.



Lisztomania is a 1975 progressive rock soundtrack album by Rick Wakeman for Ken Russell's film Lisztomania, a biography of Franz Liszt. Some tracks feature The Who's Roger Daltrey singing lead vocals. The album was later upgraded as The Real Lisztomania by Wakeman because he was dissatisfied with the original release.

When Allmusic rated the album they said: The soundtrack to Ken Russell's movie provided Wakeman with a canvas upon which to work his magic (or do his damage—it depends upon one's attitude) upon the music of Franz Liszt and, to a lesser degree, Richard Wagner. Actually, much of what is here is more substantial than the material on Journey or Myths and Legends, which can be attributed largely to the composers' contributions.



The soundtrack to Ken Russell's movie provided Wakeman with a canvas upon which to work his magic (or do his damage - it depends upon one's attitude) upon the music of Franz Liszt and, to a lesser degree, Richard Wagner. Actually, much of what is here is more substantial than the material on Journey or Myths and Legends, which can be attributed largely to the composers' contributions.

Bruce Eder - All Music Guide
 

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