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Van der Graaf Generator: Second Generation (Scenes from 1972-1975)

 A l b u m   D e t a i l s


Label: Virgin Records
Released: 1986
Time:
 68:22
Category: Progressive Rock
Producer(s): Van der Graaf Generator
Rating:
Media type: CD
Web address: www.vandergraafgenerator.co.uk
Appears with: Peter Hammill, David Jackson
Purchase date: 1989
Price in €: 13,99





 S o n g s ,   T r a c k s


[1] The Undercover Man (Hammill) - 7:25
[2] Scorched Earth (Hammill/Jakson) - 9:46
[3] The Sleepwalkers (Hammill) - 10.32
[4] Pilgrims (Hammill/Jakson) - 7:12
[5] Still Life (Hammill) - 7:20
[6] When She Comes (Hammill) - 7:58
[7] The Siren Song (Hammill) - 6:04
[8] Cat's Eye/Yellow Fever [Running] (Hammill) - 5:20
[9] Wondering (Hammill/Banton) - 6:33

 A r t i s t s ,   P e r s o n n e l


Peter Hammil - Vocals, Guitars, Pianos, Producer
Hugh Banton - Organs, Bass Pedals and Guitars, Mellotron, Piano on [1]-[6] and [9], Producer
Guy Evans - Drums and Percussion, Producer
David Jackson - Saxes, Flute on [1]-[6] and [9], Producer
Graham Smith - Violin, Viola on [7],[8], Producer
Nic Poter - Bass  on [7],[8], Producer

 C o m m e n t s ,   N o t e s


All lyrics by Peter Hammill

Produced by Van der Graaf Generator except [7],[8] by Peter Hammill
© 1986 Virgin Records
 

 L y r i c s


The Undercover Man

Here at the glass - all the usual problems,
all the habitual farce.
You ask, in uncertain voice, what you should do
as if there were a choice
but to carry on miming the song
and hope that it all works out right.
Tonight it all seems so strange -
my spirit feels rigid,
my body deranged;
still that's only from one point of view
and we can't have illusion between me and you,
my constant friend, ever close at hand -
you and the undercover man.
I reflect: 'It's very strange to be going
through this change
with no idea of what it's all been about
except in the context of time...'
Oh, but I shirk it, I've half a mind
not to work it all out.
Is this madness just the recurring wave
of total emotion,
or a hide for the undercover man,
or a litany - all the signs are there
of fervent devotion -
or the cracking of the dam?

It's cracked; smashed and bursting over you,
there was no reason to expect such disaster.
Now, panicking, you burst for air,
drowning, you know you care
for nothing and no-one but yourself
and would deny even this hand which stretches out
towards you to help.
But would I leave you in this moment
of your trial?
Is it my fault that I'm here to see you crying?
These fantom figures all around
you should have told you,
you should have found out by now,
if you hadn't gone and tried to do it all by yourself.

Even now we are not lost: if you look out
at the night
you'll see the colours and the lights seem to say
people are not far away, at least in distance,
and it's only our own dumb resistance
that's making us stay.
When the madness comes, let it flood on down
and over me sweetly,
let it drown the parts of me weak and blessed
and damned,
let it slake my life, let it take my soul
and living completely,
let it be who I am.

There may not be time for us all to run
in tandem together -
the horizon calls with its parallel lines.
It may not be right for you to have and hold
in one way forever
and yet you still have time,
you still have time.


Scorched Earth

Just one crazy moment while the dice are cast,
he looks into the future and remembers
what is past,
wonders what he's doing on this battlefield,
shrugs to his shadow, impatient,
too proud yet to kneel.

In his wake he leaves scorched earth
and work in vain;
smoke drifts up behind him - he is free again,
free to run before the onslaught of a deadly foe,
leaving nothing fit for pillage,
hardly leaving home.
It's far too late to turn, unless it's to stone.
Charging madly forward, tracks across the snow,
wind screams madness to him, ever on he goes
leaving spoor to mark his passage,
trace his weary climb.
Cross the moor and make the headland -
stumbling, wayward, blind.
In the end his footprints extend as one single line.

This latest exponent of heresy is goaded
into an attack,
persuaded to charge at his enemy.
Too late, he knows it is, too late now
to turn back,
too soon by far to falter.
The past sits uneasily at his rear,
he's walking right into the trap,
surrounded, but striving through will and fear.
Ahead of him he knows there waits an ambuscade
but the dice slip through his fingers
and he's living from day to day,
carrying his world around upon his back,
leaving nothing behind but the tell-tale
of his track.

He will not be hostage, he will not be slave,
no snare of past can trap him,
though the future may.
Still he runs and burns behind him
in advanced retreat;
still his life remains unfettered -
he denies defeat.
It's far too late to turn, unless it's to stone.
Leave the past to burn - at least
that's been his own.

Scorched earth, that's all that's
left when he's done;
holding nothing but beholden to no-one,
claiming nothing, out of no false pride,
he survives.
Snow tracks are all that's left to be seen
of a man who entered the course of a dream,
claiming nothing but the life he's known
- this, at least, has been his own.


The Sleepwalkers

At night, this mindless army,
ranks unbroken by dissent,
is moved into action
and their pace does not relent.
In step, with great precision,
these dancers of the night
advance against the darkness -
how implacable their might!
Eyes undulled by moon,
their arms and legs akimbo,
they walk and live,
hoping soon to surface from this limbo.
Their minds, anticipating the dawn of the day,
shall never know what's waiting mere insight away
- too far, too soon.

Senses dimmed in semi-sentience,
only wheeling
through this plane,
only seeing fragmented images prematurely
curtailed by the brain,
but breathing, living,
knowing in some measure at least
the soul which roots the matter
of both Beauty and the Beast.
From what tooth or claw does murder spring,
from what flesh and blood does passion?
Both cut through the air with the pendulum's swing
in deadly but delicate fashion.
And every range of feeling is there in the dream
and every logic's reeling in the force of the scream
the senses sting.
And though I may be dreaming and reality stalls
I only know the meaning of sight and that's all
and that's nothing.

The columns of the night advance,
infectiously, their cryptic dance
gathers converts to the fold -
in time the whole raw world will pace
these same steps
on into the same bitter end.

Somnolent muster now the dancing dead
forsake the shelter of their secure beds,
awaken to a slumber whose depths they dread,
as if the ground they tread would give way
beneath the solemn weight of their conception.
I'd search the hidden corners of all this world,
make reason of the sensory whorl
if I only had time,
but soon the dream is ended.

Tonight, before you lay down
to the sweetness of your sleep
do you question your surrender
to the drop from Lover's Leap
or does the anaesthetic darkness
take hold on its very own?
Does your body rise in service
with not one dissenting groan?
These waking dreams of life and death
in the mirror are twisted and buckled,
lashes flicker, a catch of breath,
skin whitening at the knuckles.
The army of sleepwalkers shake their limbs
and are loose
and though I am a talker, I can phrase no excuse
not to rise again.
In the chorus of the night-time I belong
and I, like you, must dance to that moonlight song
and in the end I too must pay the cost
of this life.
If all is lost none is known
and how could we lose what we've never owned?
Oh, I'd search out every knowledge
that I could find,
unravel all the mysteries of mind,
if I only had time,
if I only had time,
but soon my time is ended.


Pilgrims

Sometimes you feel so far away,
distanced from all the action of the play,
unable to grasp significance,
marking the plot with diffident dismay,
stranded at centre stage,
scrabbling through your diary for a lost page:
unsure of the dream.
Kicking a stone across the beach,
aching for love and comfort out of reach:
the way ahead seems to be so bleak,
there's no-one with any friendship left to speak
or show any relation
between your present and future situations...
lost to the dream.
Away, away, away--look to the future day
for hope, some form of peace
within the growing storm.
I climb through the evening,
alive and believing
in time we shall all know our goals
and so, finally, home;
for now, all is secret -
though how could I speak it,
allow me the dream in my eye!
I've been waiting for such a long time
just to see it at last, all of the hands tightly clasped,
all of us pilgrims.

Walking in silence down the coast,
merely to journey - here hope is the most,
merely to know there is an end;
all of us - lovers, brothers, sisters, friends
hand in hand.
Shining footprints on the wet sand
lead to the dream.
The time has come, the tide has almost run
and drained the deep: I rise from lifelong sleep.
It seems such a long time
I've dreamed but now, awake,
I can see we are pilgrims and so
must walk this road,
unknown in our purpose,
alone, but not worthless,
and home ever calling us on.
We've been waiting here for so long,
all of our hands joined in hope,
holding the weight on the rope
all of us pilgrims.


Still Life

Citadel reverberates to a thousand voices, now dumb:
what have we become? What have we chosen to be?
Now, all history is reduced to the syllables of our name
- nothing can ever be the same:
now the Immortals are here.
At the time, it seemed a reasonable course
to harness all the force of life
without the threat of death,
but soon we found that boredom and inertia
are not negative, but all the law we know,
and dead are Will and words like survival.

Arrival at immunity from all age, all fear and all end...
Why do I pretend?
Our essence is distilled
and all familiar taste is now drained,
and though purity is maintained,
it leaves us sterile,
living through the millions of years,
a laugh as close as any tear....
Living, if you claim that all
that entails is
breathing, eating, defecating,
screwing, drinking,
spewing, sleeping, sinking ever down and down
and ultimately passing away time
which no longer has any meaning.

Take away the threat of death and all you're
left with is a round of make-believe;
marshal every sullen breath and though you're
ultimately bored by endless ecstasy
that's still the ring by which you hope to be engaged
to marry the girl who will give you forever
- that's crazy, and plainly
that simply is not enough.

What is the dullest and bluntest of pains,
such that my eyes never close without feeling it there?
What abject despair demands an end
to all things of infinity?
If we have gained, how do we now meet the cost?
What have we bargained, and what have we lost?
What have we relinquished, never even knowing
it was there?

What chance now of holding fast the line,
defying death and time
Everything we had is gone?
Everything we laboured for and favoured more
than earthly things reveals the hollow ring
of false hope and of false deliverance.

But now the nuptial bed is made,
the dowry has been paid,
the toothless, haggard features of Eternity
now welcome me between the sheets
to couple with her withered body--my wife. Hers forever,
hers forever,
hers forever
in still life.


When She Comes

Slow motion in the quiet of the room;
so potent is the smell of her perfume
that you think she's eternal,
that you think she is everything...
but no-one knows what she is.
Repentance for all you should have said;
her entrance seems to raise you from the dead
and you think she's really with you,
and you think that she'll always stay,
always ready to forgive you,
always ready to grant you her mercy
- but in her own way.
When she comes, she'll be a stranger;
struck dumb, you'll try to protest
as the drum beats out the danger...
too late, you should have noticed
that the lady with the skin so white,
like something out of Blake or Burne-Jones
always blocked out the light
and shadowed all you owned.

Still you think she's forever,
yesterday and tomorrow...
but no-one knows where she is.
Stillyou swear that you can win her
and your prayer is that she'll want you;
aware, once a saint, now you're a sinner
and your sins are going to haunt you
when the lady with her skin so white
like something out of Edgar Allen Poe
holds your hand so very tight
and you hope that she'll never let go.

Easy targets, easy crosswords, easy life:
these key margins leave you balanced on the knife,
bleeding darkly In the end it all comes down
to sleazy bargains.
That hidden key-you tried so hard to find it,
all you can conceive is the effort to be worthy.
Even now you need tobe reminded
that La Belle Dame is without mercy.
The lady with her skin so white
- you never did quite catch her name -
now she holds you in the night
and she'll never let go again,
she'll never let go again.


The Siren Song

Letters in pencil, some of them as heavy as lead,
as dated as carbon, as black as coal,
but burning as red.
Clues faintly stencilled: the message,
though leeched, is unbled,
as secret as marble - as young, as old,
as living, as dead.
And always that laugh
that comes as though it's from pain:
though I'm lashed to the mast
still it hammers round my brain.

Laughter in the backbone,
laughter impossibly wise,
that same laughter that comes
every time I flash on that look in your eyes
which whispers of a black zone
which'll mock all my credos as lies,
where all logic is done
and time will smash every theory I devise.
And the hour-glass is shattered
only by the magic of your touch
where nothing really matter....
No, Nothing matters very much!

So the siren song runs through the ages,
and it courses through my veins like champagne;
and with all the sweet kisses of addiction
it's calling me to break my bonds again.

Future memory exploding like shrapnel,
some splinters escape on my tongue,
some of them scar comprehension...
beneath the scab they burn,
but the wound becomes numbs.
And always the song draws me forward,
rejoicing in the search and the prayer,
bored with all but the mad,
the strange, the freak, the impossible dare.
Still your laugh chills my marrow
till I embrace it on my knees....
Oh, when the mast becomes a flagpole,
what becomes of me?
What becomes, oh, what becomes of me?


Cat's Eye / Yellow Fever (Running)

I was walking in the evening, I was
looking for something good, clean, fine,
pure, straight, but instead I found
the bunker wall and gate.

It was open: I was free. I gave a
token guarantee; though I later knew I
had promised more, with an I.O.U.
I could scarcely score my way... Oh!
But I herald Apocalypse anyway!
I was a prime believer in the faith
of 'I': yellow fever in the cat's eye.

And it's everything you
want, own,love, hate, touch, dream,
trust; and it's everything you need.

I got a heart like a rochet, I
was out of control, I'd cleaned out
my pockets for some luck to show...
really looking like a hopeless case,
I found it in my hand, it was
the Angry Ace. He wants to talk to
me, one on one, he wants to give
me his professional opinion...but
I'm running; I just can't wait,
I haven't got a moment to anticipate;
yes, I'm running, I just can't stop,
I've got to get to the bottom just to
get to the top, I've got the dark
alleys and the open skies, I got
the yellow fever from the cat's eye.

I'll let you know how it goes in the ninth life.


Wondering

I will arise:
in the depths, I will open my eyes;
as my breath almost fails me, survive.

Wait - there's something unclear,
there's soemthing I fear now drawing close.
Could it be you? Whose is that voice?
Is it now time to make a chice?
Ah - that irrational pain!
This ridiculous brain now bursts with joy.
Could it be me? Could it be now?
Should I begin to take my vows?

I will return:
as I live, as I breathe, as I burn
I swear I will come through,
with my hands stretching out in the dark,
with my eye pressed up tight to the glass,
wondering if it's all been true.

 M P 3   S a m p l e s


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