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Gioachino Rossini: Il barbiere di Siviglia

 A l b u m   D e t a i l s


Label: Opera d'Oro Grand Tier
Released: 1964
Time:
 71:24 / 72:01
Category: Classical, Opera
Producer(s): See Artists ...
Rating:
Media type: CD double
Web address: www.fondazionerossini.org
Appears with:
Purchase date: 2012
Price in €: 1,00





 S o n g s ,   T r a c k s


CD1:

[1] Sinfonia (Act One Scene One) - 7:22
[2] Piano, Pianissimo - Fiorello (Act One Scene One) - 2:58
[3] Ecco Ridente In Cielo - Conte (Act One Scene One) - 4:40
[4] Ehi, Fiorello? - Conte (Act One Scene One) - 1:04
[5] Mille Grazie, Mio Signore - Coro (Act One Scene One) - 2:28
[6] Largo Al Factotum Della Citta - Figaro (Act One Scene One) - 5:24
[7] Ah! Ah! Che Bella Vita!... - Figaro (Act One Scene One) - 3:54
[8] Se Il Mio Nome Saper Voi Bramate - Conte (Act One Scene One) - 2:41
[9] Oh Cielo! Nella Stanza Convien - Conte, Figaro (Act One Scene One) - 1:15
[10] All'idea Di Quel Metallo - Figaro (Act One Scene One) - 4:59
[11] Dunque... - All'opra - Conte, Figaro (Act One Scene One) - 3:44
[12] Una Voce Poco Fa - Rosina (Act One Scene Two) - 1:58
[13] Io Sono Docile - Rosina (Act One Scene Two) - 3:29
[14] Si, Si, la Vincerno -Rosina (Act One Scene Two) - 5:00
[15] La Calunnia e un Venticello - Don Basilio (Act One Scene Two) - 5:18
[16] Ah! Che Ne Dite? - Don Basilio (Act One Scene Two) - 3:32
[17] Dunque Io Son... Tu Non M'inganni - Rosina (Act One Scene Two) - 5:21
[18] Ora Mi Sento Meglio - Rosina (Act One Scene Two) - 1:41
[19] A un Dottor Della Mia Sorte - Don Bartolo (Act One Scene Two) - 5:22


CD2:

[1] Finora In Questa Camera - Berta (Act One Scene Two) - 0:41
[2] Ehi Di Casa... - Conte (Act One Scene Two) - 8:34
[3] Che Cosa Accade, Signori Miei? - Figaro (Act One Scene Two) - 2:33
[4] Fermi Tutti. Niun Si Muova... - Coro (Act One Scene Two) - 5:15
[5] Mi Par D'esser Con la Testa - Tutti (Act One Scene Two) - 4:36
[6] Ma Vedi Il Mio Destino! - Don Bartolo (Act Two) - 1:09
[7] Pace e Gioia - Conte (Act Two) - 2:28
[8] Insomma, Mio Signore - Don Bartolo (Act Two) - 3:16
[9] Contro un Cor Che Accende Amore - Rosina (Act Two) - 3:04
[10] Cara Immagine Ridente - Rosina (Act Two) - 2:11
[11] Bella Voce, Bravissima - Conte (Act Two) - 0:45
[12] Quando Mi Sei Vicina - Don Bartolo (Act Two) - 1:16
[13] Bravo, Signor Barbiere - Don Bartolo (Act Two) - 3:13
[14] Don Basilio! - Rosina (Act Two) - 7:06
[15] Orsu, Signor Don Bartolo... - Figaro (Act Two) - 2:31
[16] Ah! Bricconi, Birbanti! - Don Bartolo (Act Two) - 1:48
[17] Che Vecchio Sospettoso! - Berta (Act Two) - 0:26
[18] Il Vecchiotto Cerca Moglie - Berta (Act Two) - 6:03
[19] Temporale (Act Two) - 3:17
[20] Alfin, Eccoci Que - Figaro (Act Two) - 1:12
[21] Ah! Qual Colpo Inaspettato... - Rosina (Act Two) - 3:50
[22] Ah! Cospetto! Che Ho Veduto! - Zitti, Zitti, Piano, Piano - Figaro, Rosina, Conte (Act Two) - 2:03
[23] Ah, Disgraziati Noi! Come Si Fa' - Figaro (Act Two) - 1:14
[24] Fermi Tutti. Eccoli Qua - Don Bartolo (Act Two) - 1:17
[25] Di Si Felice Innesto - Figaro, Tutti (Act Two) - 1:30

 A r t i s t s ,   P e r s o n n e l


Virgilio Carbonari - Baritone
Carlo Forti - Bass
Carlo Badioli - Bass
Luigi Alva - Voice
Sesto Bruscantini - Baritone
Fiorenza Cossotto - Mezzo Soprano
Nicolai Ghiaurov - Bass
Stefania Malagú - Mezzo Soprano

Santini, Gabriele - Conductor
Orchestra Teatro alla Scala Milano - Orchestra

 C o m m e n t s ,   N o t e s


"This performance was recorded live at La Scala on January 20, 1964. Gabriele Santini - who would pass away toward the end of that year - brings the authority of a life saturated in this repertoire to his pacing. Sesto Bruscantini hams up Figaro's sense of self-regard, nicely matching the other big voices on hand: Nicolai Ghiaurov is a positively thunderous Basilio who all but brings the house down, while the underrated Carlo Badioli is alone worth the price of admission for his hilariously characterized Bartolo. Alva brings wonderful variety to the role, encompassing its lovesickness in his serenades as well as the swagger of the soldier and the unctuousness of the music teacher - the two fake identities Figaro plots out for him."

Thomas May - All Music Guide



“[Ghiaurov has] the most beautiful of bass voices heard since the Second World War.”

Gramophone
 

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