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Elvis Presley: 24 Karat Hits!

 A l b u m   D e t a i l s


Label: RCA Victor Records
Released: 1997.09.01
Time:
 61:06
Category: Pop/Rock
Producer(s): Felton Jarvis, Chips Moman
Rating:
Media type: CD
Web address: www.elvis.com
Appears with:
Purchase date: 2012
Price in €: 1,00





 S o n g s ,   T r a c k s


[1] Heartbreak Hotel (Hoyt Axton / Tommy Durden / Elvis Presley) - 2:12
[2] Love Me (Jerry Leiber / Mike Stoller) - 2:44
[3] Don't Be Cruel (Otis Blackwell / Elvis Presley) - 2:06
[4] Hound Dog (Jerry Leiber / Mike Stoller) - 2:18
[5] A Big Hunk O' Love (Aaron Schroeder / Sidney Wyche) - 2:46
[6] All Shook Up (Otis Blackwell / Elvis Presley) - 2:06
[7] (Let Me Be Your) Teddy Bear (Bernie Lowe / Kal Mann) - 1:50
[8] Jailhouse Rock (Jerry Leiber / Mike Stoller) - 2:37
[9] Wear My Ring Around Your Neck (Bert Carroll / Moody Russell) - 2:17
[10] Love Me Tender (Vera Matson / Elvis Presley) - 2:17
[11] Stuck On You (Leslie McFarland / Aaron Schroeder) - 2:24
[12] It's Now or Never (Wally Gold / Aaron Schroeder) - 3:20
[13] Are You Lonesome Tonight? (Lou Handman / Roy Turk) - 3:10
[14] Surrender (Doc Pomus / Mort Shuman) - 1:56
[15] (Marie's the Name) His Latest Flame (Doc Pomus / Mort Shuman) - 2:11
[16] Little Sister (Doc Pomus / Mort Shuman) - 2:37
[17] Can't Help Falling In Love (Luigi Creatore / Hugo Peretti / George David Weiss) - 3:07
[18] Good Luck Charm (Wally Gold / Aaron Schroeder) - 2:28
[19] She's Not You (Jerry Leiber / Doc Pomus / Mike Stoller) - 2:13
[20] Return To Sender (Otis Blackwell / Winfield Scott) - 2:13
[21] (You're the) Devil In Disguise (Bernie Baum / Bill Giant / Florence Kaye) - 2:23
[22] Crying In the Chapel (Artie Glenn) - 2:26
[23] In the Ghetto (Mac Davis) - 2:50
[24] Suspicious Minds (Mark James) - 4:35

 A r t i s t s ,   P e r s o n n e l


Elvis Presley - Vocals, Guitar

Chet Atkins - Acoustic Guitar, A&R
Scotty Moore - Guitar
Bill Black - Bass
Floyd Cramer - Piano
Shorty Long - Piano
D.J. Fontana - Drums

Jeannie Green - Background Vocals
Hoyt Hawkins - Background Vocals
Ginger Holladay - Background Vocals
Mary Holladay - Background Vocals
Hugh Jarrett - Background Vocals
Neal Matthews, Jr. - Background Vocals
Gordon Stoker - Background Vocals
Donna Thatcher - Background Vocals
Raymond Walker - Background Vocals
Susan Pilkinton - Background Vocals

Chips Moman - Engineer, Producer
Felton Jarvis - Producer
Bill Porter - Liner Note Source, Original Engineering
Thorne Nogar - Original Engineering
Lowell Kimbal - Engineer
Al Pachucki - Engineer
Murray Spivak - Engineer
George Marino - Mastering
Mike Leech - Arranger
Glen Spreen - Arranger
Steve Sholes - A&R
Ken Darby - Supervisor

 C o m m e n t s ,   N o t e s


Had Elvis Presley done nothing else but record "That's Alright, Mama," his place in pop music history would be secure. With his first regional hit, Presley fused rhythm and blues with country, put a handsome white face out front for audiences to see, and in so doing legitimized beat music for white audiences. It is no understatement to call Presley the chief catalyst of the rock-and-roll era. During the 1950s, Presley's records spent a collective 53 weeks in the number one chart position. Only the Beatles can boast similar sales success.

Presley's monumental accomplishments continued until his untimely death in 1977. After a stint in the Army, he spent a decade making profitable but forgettable movies. Then in 1968 he reestablished his artistic relevance with a spectacular television special and several great albums. During the last decade of his career, Presley's live show was the hottest ticket in America. A great singer first and last, Presley was equally adept at raunchy blues, lilting boogie, operatic pop, and country tear-jerkers.

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