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Bob Marley: Uprising

 A l b u m   D e t a i l s


Label: Island Records
Released: 1980.07.01
Time:
 36:06
Category: Reggae
Producer(s): See Artists ...
Rating: *********. (9/10)
Media type: CD
Web address: www.bobmarley.com
Appears with:
Purchase date: 2000.08.11
Price in €: 7,99



 S o n g s ,   T r a c k s


[1] Coming in from the Cold (B.Marley) - 4:31
[2] Real Situation (B.Marley) - 3:08
[3] Bad Card (B.Marley) - 2:48
[4] We and Dem (B.Marley) - 3:12
[5] Work (B.Marley) - 3:40
[6] Zion Train (B.Marley) - 3:34
[7] Pimpers Paradise (B.Marley) - 3:26
[8] Could You Be Loved (B.Marley) - 3:56
[9] Forever Loving Jah (B.Marley) - 3:51
[10] Redemption Song (B.Marley) - 3:47

 A r t i s t s ,   P e r s o n n e l


BOB MARLEY - lead vocal, rhythm & acoustic guitar, Producer

ASTON "Family Man" BARRETT - bass, piano, guitar and percussion, Producer
CARLTON "Carly" BARRETT - drums & percussion, Producer
TYRONE DOWNIE - keyboard, percussions & backing vocal, Producer
ALVIN "Seeco" PATTERSON - percussions, Producer
JUNIOR MARVIN - lead guitar, backing vocal, Producer
EARL "Wya" LINDO - keyboards, Producer
AL ANDERSON - lead guitar, Producer

I-Threes:
RITA MARLEY - Backing vocals
JUDY MOWATT - Backing vocals
MARCIA GRIFFITHS - Backing vocals

CHRIS BLACKWELL - Executive Producer, Mixing, Producer
ERROL BROWN - Engineer
BARRY DIAMENT - Remastering
ROB FRABONI - Remastering
NEVILLE GARRICK - Art Direction
ADRIAN BOOT - Photography

 C o m m e n t s ,   N o t e s


Lauter Bob-Marley-Klassiker und gut zu hören, Musik für jeden Nichturlauber und Fernwehsüchtigen!



The last album Marley released in his lifetime, this collection is one of his most impassioned, especially the acoustic folk song that closes it, "Redemption Song."

William Ruhlmann, All-Music Guide



Uprising was released in May 1980. It was an instant hit, which was followed by a major European tour that included the biggest shows in the band's history. Uprising was the last album released during Bob's lifetime. The closing track, "Redemption Song", was a fitting final statement in a career: a summation of all the themes and thughts that had created it.

Uprising was an inspirational work, intended to offer support to the assembled multitudes as they hastened to set their spiritual houses in order. The song titles said it all: "Coming In from the Cold," "We and Dem," "Real Situation," "Work," "Zion Train" and "Redemption Song," each a solemn acknowledgment that the campaign will be a long and grief-laden one.

www.bobmarley.com



Bob Marley doesn't necessarily break any new reggae ground with his and the Wailers' new release, and, in fact, he's been surpassed by many in terms of concept and production. But, this is his most consistently enjoyable record in some time. The theme of Marley's songs is, as usual, the supremacy of Jah and the Rasta way of life, and, as opposed to some of Marley's past work, his songs here reflect a consistently positive attitude rather than one of bitterness. Instead of railing against those by whom his people have been wronged, Marley is now concentrating solely on building with what he and his "Jah people" have, which is, basically, their spiritual life rather than political, material or financial power. Sure, Marley is still pointing fingers, but he's not condemning as much. However, he sometimes contradicts himself. For example, one cut, "We And Dem," ends with the chorus, "We no know how we and dem a go work this out," while the next track, "Work," begins with the line "We Jah people can make it work." In "Real Situation," he sings: "Well it seems like total destruction/The only solution/And there ain't no use/No one can stop them now." Later, "Redemption Song," the beautiful early Dylan-like number featuring only Marley on acoustic guitar and voice, finds him saying, "Have no fear for atomic energy/Cause none a them can stop the time." It would seem that Marley knows what he wants to say, that he wants to encourage people to stop relying on others and guide their own destinies, but that he always isn't clear about how to express himself. In any case, the music itself is joyous on Uprising, and the Wailers are as tight as they've ever been, even if they did not go forward very much this time around. It would be presumptuous to say that Marley has settled into a pattern, because this record is livelier than Survival, the group's last effort. Most important is that Marley hasn't sacrificed his goals or beliefs as his music becomes more commercially acceptable.

Jeff Tamarkin - Sep 27, 1982
CMJ New Music Report Issue: 1 - College Media Inc.



Last year's Survival found Bob Marley close to his peak, boldly appraising global black unity from a Rastafarian viewpoint with his most biting and uncompromised music in some time. Uprising is that landmark album's disquieting successor. The new record finds reggae's foremost poet-prophet in a contemplative and pessimistic mood, secure in his religious beliefs but concerned about a gloomy future. If Uprising doesn't snap one's head back (as Survival did), it certainly proves unnerving with its alternating moments of exaltation and introspection.

The current LP opens with "Coming In from the Cold," a glowing vocal performance that suggests limitless possibilities for the children of Jah. No sooner has Marley lifted us up than he brings us down with "Real Situation." a brooding meditation on international strife that implies the inevitability of Armageddon.

And so it goes: personal and philosophical ecstasy versus inescapable political and social dissolution. "Work" and "Forever Loving Jah" versus "We and Dem" and the blistering attack on Westernized womanhood, "Pimper's Paradise." A real triumph on such a ball of confusion as this earth, Marley seems to think, would be strictly spiritual: Babylon isn't ready to topple yet.

Though Marley's vision on Uprising is fairly dark, the sound is full and bright, tinged with a lightness similar to the air-headed pleasures of Kaya. As if to dispel the sporadically glowering mood, the singer essays a reggae-disco synthesis in "Could You Be Loved," complete with breathy backup vocals by the I-Threes.

In the end, however, Bob Marley leaves us with a stark testament: "Redemption Song," which he sings solo, accompanied only by his acoustic guitar. As the artist performs this folk ballad (with its aching cry of "Won't you help to sing, these songs of freedom/'Cause all I ever had, redemption songs," so reminiscent of the young Bob Dylan), one feels a man reaching out and grappling with the dreadful possibilities of liberation and disaster. Such a tour de force, like much of Uprising, is as moving as it is deeply troubling.

CHRIS MORRIS - RS 328
© Copyright 2001 RollingStone.com

 

 L y r i c s


Coming in from the cold

In this life, in this life, in this life,
In this, oh sweet life:
We're (we're coming in from the cold);
We're coming in (coming in), coming in (coming in),
coming in (coming in), coming in (coming in),
Coming in from the cold.

It's you - it's you - it's you I'm talkin' to -
Well, you (it's you) - you (it's you) - you I'm talking to now.
Why do you look so sad and forsaken?
When one door is closed, don't you know other is open?

Would you let the system make you kill your brotherman?
No, no, no, no, no, no! No, Dread, no!
Would you make the system make you kill your brotherman?
(No, Dread, no!)
Would you make the system get on top of your head again?
(No, Dread, no!)
Well, the biggest man you ever did see was - was just a baby.

In this life (in this life),
In this (in this life, oh sweet life):
Coming in from the cold;
We're coming in (coming in), coming in-a (coming in),
coming in (coming in), ooh! (coming in)
Coming in from the cold!

It's life (it's life), it's life (it's life), it's life (it's life):
it's - wa - well! - coming in from the cold!
We're coming in (coming in), coming in (coming in) -
ooh (coming in), hey! (coming in),
Coming in from the cold!

It's you - you - you I'm talking -
Well, yes, you, bilyabong! (it's you);
ew! - you I'm talking to now.
We-e-ell, why do you look so - look so - look so sad -
look so sad and forsaken?
Don't you know: When one door is closed - when one door is closed,
many more is open?

We-e-e-ell, would you let the system get on top of your head again?
No, no, no, no, no, no, no, no, no, Dread, no!
Would you let the system make you kill your brotherman?
No, Dread, no!
We-e-e-ell, would you make the system get on top of your head again?
(No, Dread, no!) No, no, no, no, no, no, no, no, no, no!
Well, the biggest - biggest man you ever - ever
Did-a see was-a - was-a once a baby.

In this life, in this life, in this life,
In this, oh, sweet life,
We're (coming in from the cold) from the cold!
We're coming in (coming in), coming in (coming in),
coming in (coming in), wo-o! Yea-ea-eah!
Coming in from the cold

We're coming in-a, coming in-a, coming in-a, coming in-a!
Yeah, yeah, yeah, yeah, yea-ea-ea-eah!
Coming in from the cold
Coming in (coming in), coming in (coming in) -
(coming in) (coming in)
(coming in) from the - from the cold! -


Real situation

Check out the real situation:
Nation war against nation.
Where did it all begin?
When will it end?
Well, it seems like: total destruction the only solution,
And there ain't no use: no one can stop them now.
Ain't no use: nobody can stop them now.

Give them an inch, they take a yard;
Give them a yard, they take a mile (ooh);
Once a man and twice a child
And everything is just for a while.
It seems like: total destruction the only solution,
And there ain't no use: no one can stop them now.
There ain't no use: no one can stop them now;
Ain't no use: no one can stop them now;
There ain't no use: no one can stop them now.

Check in the real situation (check it out, check it out):
Nation fight against nation
Where did it all begin? Wo-oo-o-o-oh!
Where will it end?
Well, it seems like: total destruction the only solution.
Mmm, no use: can't stop them;
W'ain't no use: ya can't stop them;
Ain't no use: no one can't stop them now;
Can't stop them now (no one can't stop them now).

There ain't no use: no one can't stop them now.
Everybody strugglin': ain't no use - ain't no use -
Ain't no use you even try;
Ain't no use: got to say 'bye-'bye!
Ain't no use! Ain't no - ain't no use: no one can stop them now
(No one can stop them now)


Bad card

You a-go tired fe see me face;
Can't get me out of the race.
Oh, man, you said I'm in your place
And then you draw bad cyard -
A-make you draw bad cyard,
And then you draw bad cyard.

Propaganda spreading over my name;
Say you wanna bring another life to shame.
Oh, man, you just a-playing a game
And then you draw bad cyard (draw bad cyard);
A-make you draw bad cyard (draw bad cyard);
A-make you draw bad cyard.

I want to disturb my neighbour,
'Cause I'm feelin' so right;
I want to turn up my disco,
Blow them to full watts tonight, eh! -
In a rub-a-dub style, in a rub-a-dub style,
In a rub-a-dub style, in a rub-a-dub style.

'Cause we guarding the palace so majestic;
Guarding the palace so realistic!

Them a-go tired to see we face (oh yeah!),
Me say them can't get we out of the race;
Oh, man, it's just a big disgrace.
The way you draw bad cyard (draw bad cyard);
The way you make wrong moves (make wrong moves);
The way you draw bad cyard (draw bad cyard);
A-make you draw bad cyard (draw bad cyard);
A-make you draw bad cyard -
In a rub-a-dub style, rub-a-dub style,
In a rub-a-dub style -


We and dem

We no know how we and dem a-go work this out, oy!
We no know how we and dem a-go work it out.

But someone will 'ave to pay
For the innocent blood
That they shed every day,
Oh, children, mark my word;
It's what the Bible say, yeah! yeah!

Oh, we no know how we and dem a-go work this out;
We no know how we and dem a-go work it out.

But in the beginning Jah created everythin' (oo-oo-oo-oo-ooh),
Givin' man dominion over all things.
But now it's too late,
You see, men has lost their faith (oo-oo-oo-oo-ooh), hey-ey-hey!
Eating up all the flesh from off the earth, eh!

We no know how we and dem a-go work this out (we no know);
We no know how we and dem a-go work this out (no, we don't know);
Dub-da-dub-da-dub!
Dub-a-dippidi-doop-de-doo!
Nim-a-nummany num-na-noo!
Num-a-nummana-num-da-nay!
Dippy-dippy-dippy: dip-de-dub-de-day!
Dip-a-dubbada-dub-da-day!

But I say: we no know how we and dem a-go work it out:
them a flesh and bone!
We no know how we and dem a-go work it out.

But we now have no friends
In-a high society, yea-a-eah!
We no have no friends;
Oh, mark my identity;
We no have no friends. Oh-oh! Yeah!

We no know how we and dem a-go work this out (no, we no know);
We no know how we and dem a-go work this out (we no know);
We no know how we and dem a-go work it out (no, we don't know);
(We no know how we and dem a-go work this out.) Rasta!
(We no know how we and dem a-go work this out.) Ilyabom!


Work

We, Jah people, can make it work;
Come together and make it work, yeah!
We can make it work;
We can make it work.

Five days to go: working for the next day;
Four days to go: working for the next day;
Say we got: three days to go now: working for the next day;
Two days to go (ooh): working for the next day, yeah.
Say we got: one day to go: working for the -
Every day is work - work - work - work!

We can make it work;
We can make it work.

[Short guitar break]

We, Jah people, can make it work;
Come together and make it work.
We can make it work;
We can make it work.

We got: five days to go work, oh! - working for the next day, eh!
Four days to go: working for the -
Three days to go now: working for the next day, yeah!
Two days to go: working for the next day
Say we got: one day to go now: working for -
Every day is work, wotcha-wa!
(Work!) I work in the mid-day sun;
(Work!) I work till the evening come!
(Work!) If ya ain't got nothing to do!
(Work!) Ooh-ooh-ooh-oo-oo-ooh!
(Work!)

[*Sleeve notes only:
We got some work for you.]


Zion train

Zion train is coming our way;
The Zion train is coming our way;
Oh, people, get on board! (you better get on board!)
Thank the Lord (praise Fari) -
I gotta catch a train, 'cause there is no other station;
Then you going in the same direction (ooh-ooh).

Zion's train is coming our way;
The Zion's train is coming our way.

Which man can save his brother's soul? (save your brother's soul)
Oh man, it's just self control. (oo-hoo-oo!)
Don't gain the world and lose your soul (just don't lose your soul)
Wisdom is better than silver and gold -
To the bridge (ooh-ooh!)

Oh, where there's a will,
There's always a way.
Where there's a will,
There's always a way (way, way, way, way),

Soul train is coming our way; er!
Zion train is coming our way.

Two thousand years of history (history)
Could not be wiped away so easily.
Two thousand years of history (Black history)
Could not be wiped so easily (could not be wiped so easily).

Oh, children, Zion train is comin' our way; get on board now!
They said the Zion train is comin' our way;
you got a ticket, so thank the Lord!
Zion's train is - Zion's train is - Zion's train is - Zion's train -
They said the soul train is coming our way;
They said the soul train is coming our way.


Pimper's paradise

She love to party, have a good time;
She looks so hearty, feeling fine;
She loves to smoke, sometime shiftin' coke;
She'll be laughin' when there ain't no joke.

A pimper's paradise: that's all she was now;
A pimper's paradise: that's all she was;
A pimper's paradise: that's all she was now;
Pimper's paradise: that's all she was.
(Every need got an ego to feed;
Every need got an ego to feed.)

She loves to model up in the latest fashion (oo-bee doo-be doo);
She's in the scramble and she moves with passion (oo-bee doo-be doo),
She's getting high, trying to fly the sky (oo-bee doo-be doo)!
Eh! Now she is bluesing when there ain't no blues.

Wo-o-o-oh! A pimper's paradise: that's all she was now;
A pimper's paradise: that's all she was, oh-ho-ho-ho-ho!
A pimper's paradise: that's all she was now;
A pimper's paradise: that's all she was.

(Every need got an ego to feed;
Every need got an ego to feed.)

Wo-ho-o-oh! A pimper's paradise: that's all she was now, wo-oo-o-oo! Wo-oh!
A pimper's paradise: that's all she was. We-e-e-ell-a!
A pimper's paradise: I'm sorry for the victim now;
Oh, now soon their (pimper's paradise) - soon their heads - soon their -
Soon their very heads will bow.
(Pimper's paradise) Don't lose track - don't lose track of yourself, oh no!
(Pimper's paradise) Don't be just a stock - a stock on the shelf -
stock on the shelf, oh-oh!
(Pimper's paradise) that's all she was now. Wo-oo-o-oo-o-oo ... -


Could you be loved

Could you be loved and be loved?
Could you be loved and be loved?

Don't let them fool ya,
Or even try to school ya! Oh, no!
We've got a mind of our own,
So go to hell if what you're thinking is not right!
Love would never leave us alone,
A-yin the darkness there must come out to light.

Could you be loved and be loved?
Could you be loved, wo now! - and be loved?

(The road of life is rocky and you may stumble too,
So while you point your fingers someone else is judging you)
Love your brotherman!
(Could you be - could you be - could you be loved?
Could you be - could you be loved?
Could you be - could you be - could you be loved?
Could you be - could you be loved?)

Don't let them change ya, oh! -
Or even rearrange ya! Oh, no!
We've got a life to live.
They say: only - only -
only the fittest of the fittest shall survive -
Stay alive! Eh!

Could you be loved and be loved?
Could you be loved, wo now! - and be loved?

(You ain't gonna miss your water until your well runs dry;
No matter how you treat him, the man will never be satisfied.)
Say something! (Could you be - could you be - could you be loved?
Could you be - could you be loved?)
Say something! Say something!
(Could you be - could you be - could you be loved?)
Say something! (Could you be - could you be loved?)
Say something! Say something! (Say something!)
Say something! Say something! (Could you be loved?)
Say something! Say something! Reggae, reggae!
Say something! Rockers, rockers!
Say something! Reggae, reggae!
Say something! Rockers, rockers!
Say something! (Could you be loved?)
Say something! Uh!
Say something! Come on!
Say something! (Could you be - could you be - could you be loved?)
Say something! (Could you be - could you be loved?)
Say something! (Could you be - could you be - could you be loved?)
Say something! (Could you be - could you be loved?)


Forever loving Jah

Wo-o-o-o! Ya-ya-ya-ya-ya-ya-ya! Woy-oh!
Yeah-yeah-yeah, yeah-yeah, yeah-yeah-yeah-yeah! Oh!
(We'll be forever loving Jah;
We'll be forever loving Jah!)

Some they say see them walking up the street;
They say we're going wrong to all the people we meet;
But-a we won't worry, we won't shed no tears:
We found a way to cast away the fears,
Forever, yeah!

(We'll be forever loving Jah) We'll be forever!
(We'll be forever loving Jah) Forever, yes, and forever!
(We'll be forever loving Jah) There'll be no end.

So, old man river, don't cry for me;
A-have got a running stream of love you see.
So, no matter what stages - oh stages -
Stages - stages they put us through,
We'll never be blue
No matter what rages, oh rages,
Changes - rages they put us through,
We'll never be blue:
We'll be forever, yeah!

(We'll be forever loving Jah) We'll be forever!
(We'll be forever loving Jah) Forever, and ever, yes, and forever!
(We'll be forever loving Jah) 'Cause there is no end.

'Cause only a fool lean upon -
Lean upon his own misunderstanding, oh ho, oh, yeah!
And then what has been hidden
From the wise and the prudent
Been revealed to the babe and the suckling
In everyt'ing, in every way, I say, yeah!

(We'll be forever loving Jah) We'll be forever!
(We'll be forever loving Jah)

'Cause just like a tree planted - planted by the rivers of water
That bringeth forth fruits - bringeth forth fruits in due season;
Everything in life got its purpose,
Find its reason in every season,
Forever, yeah!

(We'll be forever loving Jah) We'll be forever!
(We'll be forever loving Jah) On and on and on!
(We'll be forever loving Jah) We'll be forever, yes, yes -
we'll be forever.
(We'll be forever loving Jah)


Redemption song

Old pirates, yes, they rob I;
Sold I to the merchant ships,
Minutes after they took I
From the bottomless pit.
But my hand was made strong
By the 'and of the Almighty.
We forward in this generation
Triumphantly.
Won't you help to sing
These songs of freedom? -
'Cause all I ever have:
Redemption songs;
Redemption songs.

Emancipate yourselves from mental slavery;
None but ourselves can free our minds.
Have no fear for atomic energy,
'Cause none of them can stop the time.
How long shall they kill our prophets,
While we stand aside and look? Ooh!
Some say it's just a part of it:
We've got to fulfil de book.

Won't you help to sing
These songs of freedom? -
'Cause all I ever have:
Redemption songs;
Redemption songs;
Redemption songs.

[Guitar break]

Emancipate yourselves from mental slavery;
None but ourselves can free our mind.
Wo! Have no fear for atomic energy,
'Cause none of them-a can-a stop-a the time.
How long shall they kill our prophets,
While we stand aside and look?
Yes, some say it's just a part of it:
We've got to fulfil de book.
Won't you help to sing
Dese songs of freedom? -
'Cause all I ever had:
Redemption songs -
All I ever had:
Redemption songs:
These songs of freedom,
Songs of freedom.

 M P 3   S a m p l e s


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