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Paco de Lucía: Flamenco Virtuoso

 A l b u m   D e t a i l s


Label: Jazzclub Records
Released: 2008.11.27
Time:
66:16
Category: Flamenco
Producer(s): Paco de Lucía
Rating:
Media type: CD
Web address: www.pacodelucia.org
Appears with: Al Di Meola, John McLaughlin
Purchase date: 2012
Price in €: 1,00





 S o n g s ,   T r a c k s


[1] Zorongo Gitano (Federico García Lorca) - 2:59
[2] Malagueña (Ernesto Casadi Lecuona) - 3:52
[3] Punta Umbria (Francisco Sánchez, José Torregrosa) - 3:24
[4] Gitanos Trianeros (Francisco Sánchez, José Torregrosa) - 3:42
[5] Llanto A Cadiz (Francisco Sánchez, José Torregrosa) - 3:29
[6] Tomo Y Obligo (Carlos Gardel, Manuel Romero) - 2:11
[7] Guajiras De Lucia (Paco de Lucía) - 3:22
[8] Panaderos Flamencos (Esteban Delgado) - 2:37
[9] El Tempul (Paco de Lucía) - 3:28
[10] Taconeo Gitano (Francisco Sánchez) - 3:02
[11] Plaza De San Juan (José Torregrosa, Paco de Lucía) - 3:45
[12] Entre Dos Aguas (José Torregrosa, Paco de Lucía) - 4:16
[13] Rio Ancho (Francisco Sánchez, Paco de Lucía) - 4:30
[14] Palenque (Paco de Lucía) - 4:54
[15] Solo Quiero Caminar (Paco de Lucía, Pepe de Lucía) - 6:16
[16] Gloria Al Niño Ricardo (Paco de Lucía) - 5:08
[17] Luzia (Paco de Lucía) - 5:39

 A r t i s t s ,   P e r s o n n e l


Paco de Lucía - Acoustic Guitar, Vocals on [17], Clapping on [14]

Ramón de Algeciras - 2nd Acoustic Guitar on [6,10,12-15], Clapping on [14]
Carles Benavent - Bass on [14,15]
Rubem Dantas - Percussion on [14,15]
Pepe de Lucía - Vocals on [15]
Tino Di Geraldo - Pandeiros on [17]
Ricardo Modrego - 2nd Acoustic Guitar on [1,2]
Jorge Pardo - Flute on [14,15], Saxophone on [14]
J. Carlos Rebato - Clapping on [14]
Pepe Sánchez - Spanish Dancer on [12]
Enrique Soto - Clapping on [14]

Knut Schotteldreier - Design

 C o m m e n t s ,   N o t e s


Jazz Club is a budget label that does bare-bones but well-compiled compilations from jazz greats across the spectrum of the music's history. Paco de Lucia is a case in point, though he's not immediately considered to be a jazz musician. Originally a flamenco player, he helped to expand that music, folding in its complex harmonics and fluid sense of phrase and understatement. He expanded jazz by weaving in flamenco's more complex rhythms, organic melodies, and timbral slips. This 18-cut collection details de Lucia's development from the beginning of his second decade as a leader in 1966 to his more experimental and expansive period through the late '90s when he had come full circle and returned to flamenco properly. de Lucia's music was always rooted in flamenco even at its most adventurous; that thread was always audible, and this set proves that in a fascinating way. The music here can be jarring in its brilliance at times, but it is always clearly delineated and its purpose is direct, full of nuance, beauty, and fiery precision, as well as plenty of soul. This is a great budget item for the uninitiated and a nice pick-up for the veteran who is looking for a new way to hear a favorite artist.

Thom Jurek - All Music Guide
 

 L y r i c s


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 M P 3   S a m p l e s


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