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Jethro Tull: A

 A l b u m   D e t a i l s


Label: Chrysalis Records
Released: 1980.08.26
Time:
 42:33
Category: Progressive Rock
Producer(s): Ian Anderson
Rating:
Media type: CD
Web address: www.j-tull.com
Appears with: Ian Anderson, Martin Barre
Purchase date: 1988.10.20
Price in €: 14,99





 S o n g s ,   T r a c k s


[1] Crossfire (I.Anderson) - 3:51
[2] Flyingdale Flyer (I.Anderson) - 4:27
[3] Working John, Working Joe (I.Anderson) - 5:01
[4] Black Sunday (I.Anderson) - 6:33
[5] Protect and Survive (I.Anderson) - 3:32
[6] Batteries Not Included (I.Anderson) - 3:47
[7] Uniform (I.Anderson) - 3:30
[8] 4.W.D. [Low Ratio] (I.Anderson) - 3:37
[9] The Pine Marten's Jig (I.Anderson) - 3:23
[10] And Further On (I.Anderson) - 4:19

 A r t i s t s ,   P e r s o n n e l


IAN ANDERSON - Lead Vocals, Flute, Arranger
MARTIN BARRE - Guitar, Arranger
DAVE PEGG - Bass, Arranger
MARK CRANEY - Drums, Arranger

EDDIE JOBSON - Keyboards, Electric Violin, Additional Musical Material
JIM ANDERSON - Vocals

ROBIN BLACK - Engineer
JOHN SHAW - Cover Photo

 C o m m e n t s ,   N o t e s


1980 LP Chrysalis 1301
1990 CS Chrysalis 21301
1990 CD Chrysalis 21301
1991 CS Alliance 21301
1995 CD Chrysalis F2-21301
1995 CS Chrysalis F4-21301
1996 CD Alliance 21301



Released September, 1980. Ian Anderson started this project as a solo album, using Tull guitarist Martin Barre and Bassist Dave Pegg, Eddie Jobson (formerly of Roxy Music) on violin and keyboards, and drummer Mark Craney (who'd worked with Jean-Luc Ponty). Recorded in a few weeks, this obviously wasn't a solo effort, so the band became Jethro Tull's ninth line-up when the "A" album was declared to be an official Tull album before its release. Jobson stayed in the band long enough to do the tour. Interestingly, the music Ian recorded for this 'solo' album was much more electronic in nature than any of Tull's earlier work. "A" charted at No. 25 in the UK and No. 30 in the US.

J-Tull.com



Eigentlich hatte Jethro-Tull-Kopf Ian Anderson vorgehabt, A ('80) als Soloalbum zu veröffentlichen, nicht zuletzt auf Drängen der Plattenfirma erklärte er sich aber schlussendlich dazu bereit, die Scheibe unter dem deutlich gewinnträchtigeren Namen seiner Band herauszubringen.
Warum Anderson Probleme damit hatte, die Songs unter bewährter Flagge segeln zu lassen, erkennt man schon nach dem ersten Hördurchlauf: Statt lupenreinem Folkprog mit vielen archaischen Sounds wagt sich Anderson diesmal auch an elektronische Klänge heran, die seinen Kompositionen ein deutlich anderes Flair verleihen. Schlecht klingen Nummern wie "Fylingdale Flyer" oder "Crossfire" keineswegs, die mächtige Tull-Magie will sich allerdings nicht so recht entfalten. Lediglich Andersons Timbre und Martin Barres unverkennbare Gitarrenlicks machen A zu einem echten Tull-Album. Wer an Tull-Alben aus den späten 70ern oder frühen 80ern interessiert ist, sollte sich besser an Stormwatch ('79) oder Broadsword And The Beast ('82) halten.

Michael Rensen - Amazon.de



Gone are the longtime Anderson image of the vagabond/sage (the group are clad in white jumpsuits on the cover) -- also gone is the historical immersion of their music, and anything resembling Dickensian, much less Elizabethan sensibilities. And nearly gone was Jethro Tull itself, for A started life as an Ian Anderson solo project but ended up as a Jethro Tull release, probably for commercial reasons. The difference is probably too subtle for most people to comprehend anyway. It is more reflective than Tull's usual work, but lacks the sudden, loud hard rock explosions that punctuate most of the group's albums. The death of bassist John Glascock in late 1979, and the departure of Anderson's longtime friend John Evans after the release of Stormwatch, as well as the exit of arranger/keyboard player David Palmer, led to some major line-up shifts-- Fairport Convention's Dave Pegg's taking over Glascock's spot and the addition of Eddie Jobson, ex- Roxy Music/ King Crimson violinist/keyboardman, all seem to have removed some of Anderson's impetus, at least for a time, for keeping the group going in the studio. What finally emerged is the first Tull record not to feature Anderson's acoustic guitar, yet it also has a more balanced sound than any of their prior records. Jobson's arrangements are leaner and more muscular than Palmer's, giving the music a stripped down sound, a sort of hard folk-rock (reminiscent of Steeleye Span's All Around My Hat), augmented by synthesizer and electric violin, somewhat updated Anderson's music, and moved him into the "art-rock" category. Released in the midst of the punk/new wave boom in the United States, it didn't do too much for anyone's career, although it probably maintained Anderson's credibility better than any traditional Tull album would have.

Bruce Eder - All Music Guide
 

 L y r i c s


Crossfire

Spring light in a hazy May
and a man with a gun at the door
Someone's crawling on the roof above -
all the media here for the show
I've been waiting for our friends to come
Like spiders down ropes to free-fall
A thirty round clip for a visiting card -
admit one to the embassy ball
Caught in the crossfire on Princes Gate Avenue
In go the windows and out go the lights
Call me a doctor. Fetch me a policeman
I'm down on the floor in one hell of a fight

I'm just a soul with an innocent face -
a regular boy dressed in blue
conducting myself in a proper way
as befitting the job that I do
They came down on me like a ton of bricks
Swept off my feet, knocked about
There's nothing for it but to sit and wait
for the hard men to get me out

Calm reason floats from the street below
and the slow fuse burns through the night
Everyone's tried to talk it through
but they can't seem to get the deal right
Somewhere there are Brownings in a two-hand hold -
cocked and locked, one up the spout
There's nothing for it but to sit and wait
for the hard men to get me out


Fylingdale Flyer

Through clear skies tracking lightly from far down the line
No fanfare, just a blip on the screen
No quick conclusions now - everything will be fine
Short-circuit glitsch and not what it seems
Fylingdale Flyer - you're only half way there
Green screen liar -
for a second or so we were running scared
On late shift, feeling drowsy eyes glued to the display
Dead cert alert, lit match to the straw
One last quick game of bowls - we can still win the day
Fail-safe; forget the things that you saw

They checked the systems through and they read A-o.k.
Some tiny fuse has probably blown
Sit back; relax and soon it will just go away
Keep your hands off that red telephone


Working John, Working Joe

When I was a young man (as all good tales begin)
I was taught to hold out my hand
And for my pay I worked an honest day
and took what pittance I could win
Now I'm a working John and I'm a working Joe
and I'm doing what I know
for God and the Economy
Big brother watches over me
And the state protects and feeds me
And my conscience never leaves me
And I'm loyal to the unions
who protect me at all levels
And as I grew, the winds of fortune blew
and the bank smiled down upon me
And mortgaged to the hilt I threw
the breeze of caution behind me
Now I'm a working John and I'm a working Joe
and I'm good at what I know
And God and the Economy
have blessed me with equality
Now I'm equal to the best of you
And better than the rest of you
who would criticise my success
in times of national unrest

Now I own my horseless carriage
in its central-heated garage
And I commute eighty miles a day -
up at seven to make it pay
I direct ten limited companies
with seeming consummate expertise
two ulcers and a heart disease
a trembling feeling in both knees -
I'm a working John and I'm a working Joe


Black Sunday

Tomorrow is the one day I would change for a Monday
with freezing rains melting and no trains running
and sad eyes passing in windows flimsy
and my seat rocking from legs not quite matching
Got passport, credit cards, a plane that I'm catching
Black Sunday falls one day too soon
The taxi that takes me will be moving too quickly
My suitcases simply too full for the closing
of pants, shirts and kisses all packed in a hurry
Two best-selling paper backs chosen at random -
no sign of sales-persons to whom I might hand them
Black Sunday falls one day too soon

And down at the airport are probably waiting
a few thousand passengers, overbooked seating
Time long suspended in transit-lounge traumas -
connections broken and Special Branch waiting
conspicuously standing in holiday clothing
Black Sunday falls one day too soon

Pick up my feet and kick off my lethargy
Down to the gate with the old mood upon me
Get out and chase the small immortality
born in the minute of my next returning
Impatient feet tapping and cigarette burning
Homecoming one day too soon

And back at the house there's a grey sky a-tumbling
Milk bottles piling on door steps a-crumbling
Curtains all drawn and cold water plumbing
Notepaper scribbles I read unbelieving
Saying how sorry, how sad was the leaving
...one day too soon


Protect And Survive

They said protect and you'll survive -
(but our postman didn't call)
8lbs. of over-pressure wave seemed to glue him to the wall
They said protect and you'll survive
E.M.P. took out the radio -
(and our milk-man didn't call)
Flash blinded by the pretty lights,
didn't see his bottles fall
or feel the warm black rain arrive

Big friendly cloud builds in the West
(and our dust-men haven't called)
They left the dual carriageway at a hundred miles an hour -
a tail wind chasing them away

And in deep shelters lurk below, sub-regional control
who sympathise but cannot help
to mend your body or your soul
Self-appointed guadians of the race with egg upon their face
When steady sirens sing all-clear they pop up,
find nobody here

And so I watch two new suns spin -
(our paper man doesn't call)
Burnt shadow printed on the road - now there's nothing there at all
They said protect and you'll survive


Batteries Not Included

Six o'clock in the morning
Wake up by the bed
There sits a Japanese toy
And I like it
See the name on the wrapping
Can't read yet but I know
it's made for me (lucky boy)
And I want it
Lights that flash, wheels that go round
Digital display
Fresh silicon chips to enjoy
And I need them
(Where's the batteries?)
Sitting silent and empty
Wish I could breathe life
in my new friend who's terribly still
And I like him
Just like me. P'rhaps he's hungry.
Six volts make him smile
And twelve volts would probably kill
How I like him
Daddy, where's the batteries
I can't find my batteries
(There's no batteries)
Seven o'clock in the morning
They find me by the bed
with my friend the Japanese toy
I am with him
Mummy, Daddy - can't see you,
hear you. Batteries not
included in this little boy
(Where's my batteries?)


Uniform

See black, see yellow with little notebooks drawn
See grey stripes bowling down the street
Silver streaks and T-shirts so precisely torn
Strange foreign chaps in white bed-sheets -
Uniforms
See golden halo'd men of high renown
prance to the politicians' beat
Well tailored in unswerving elegance
with shoes by Gucci on their feet -
Uniforms

How do you know who the hell you are?
Wake up each day under a different star
Dressed to the nines, meet yourself going home
like a clone, smartly dressed in your pressed uniform

White battle dress on green pitch, proud eleven
Beneath the swelling box so neat
the teeming millions of the future fly -
the spinning cricket ball to cheat
They're all uniform


4.W.D. (Low Ratio)

Met a man just the other day -
said his name was Jim. Boy, won't you take a look!
Got a car for you - it's a real steal
Cleaned it right down - new brakes, clutch and here's the hook
Yes, it's a 4.W.D. (low ratio)
Cash to Jim. I took it home
through the deep mud. Plugged happy as a boy in sand
Fitted wide tyres, spotlight, a winch as well
and some brush bars up front to complete the plan
Now it's really a 4.W.D. (low ratio)

Take you down to the edge of town
Where the road stops, we start to hold the ground
Well, I'm blessed! Got traction in a special way
Hold the roll bar, slide back, feel me pull it round
Let me show you my 4.W.D. (low ratio)


The Pine Marten's Jig

Instrumental


And Further On

We saw the heavens break and all the world go down to sleep
and rocks on mossy banks drip acid rain from craggy steeps
Saw fiery angels kiss the dawn
Wish you goodbye till further on
Will you still be there further on?
And troubled dynasties, like legions lost, have blown away
Hounds hard upon their heels call to their quarry - wait and play
Before the last faint light has gone
Wish you goodbye till further on
Will you still be there further on?

The angry waves grow high - cut icy teeth on northern shores
Brave fires that flicker, cough - give way to winds
through broken doors
And with the last line almost drawn - wish you goodbye till further on
Will you still be there further on?

 M P 3   S a m p l e s


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