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The Four Tops'
one of longevity and togetherness: these Motown legends teamed
up in high school and spent over four decades without a single
personnel change. In between, they became one of the top-tier acts on a
label with no shortage of talent, ranking with the Temptations and the
Supremes as Motown's most consistent hitmakers. Where many other
R&B vocal groups spotlighted a tenor-range lead singer, the Four
Tops were fronted by deep-voiced Levi Stubbs, who never cut a solo
record outside of the group. Stubbs had all the grit of a pleading,
wailing, gospel-trained soul belter, but at the same time, the Tops'
creamy harmonies were smooth enough for Motown's radio-friendly
pop-soul productions. From 1964-1967, the Four Tops recorded some of
the Holland-Dozier-Holland team's greatest compositions, including
"Reach Out, I'll Be There," "I Can't Help Myself (Sugar Pie, Honey
Bunch)," "Standing in the Shadows of Love," "Bernadette," and "Baby I
Need Your Loving." The group's fortunes took a downturn when their
chief source of material left the label, but they enjoyed a renaissance
in the early '70s, which saw them switching to the ABC-Dunhill imprint.
Regardless of commercial fortunes, they kept on performing and touring,
scoring the occasional comeback hit.
The Four Tops began life in 1953 (some accounts say 1954), when all
of the members were attending Detroit-area high schools. Levi Stubbs and Abdul "Duke" Fakir went to Pershing,
and met Northern students Renaldo
"Obie" Benson and Lawrence
at a friend's birthday party, where the quartet first sang together.
Sensing an immediate chemistry, they began rehearsing together and
dubbed themselves the Four Aims. Payton's cousin Roquel Davis, a
budding songwriter who sometimes sang with the group during its early
days, helped them get an audition with Chess Records in 1956. Although
Chess was more interested in Davis, who went on to become Berry Gordy's
songwriting partner, they also signed the Four Aims, who became the
Four Tops to avoid confusion with the Ames Brothers. The Four Tops'
lone Chess single, "Kiss Me Baby," was an unequivocal flop, and the
group moved on to similarly brief stints at Red Top and Riverside. They
signed with Columbia in 1960 and were steered in a more upscale
supper-club direction, singing jazz and pop standards. This too failed
to break them, although they did tour with Billy Eckstine during this
In 1963, the Four Tops signed with longtime friend Berry Gordy's new
label, specifically the jazz-oriented Workshop subsidiary. They
completed a debut LP, to be called Breaking Through, but Gordy scrapped
it and switched their style back to R&B, placing them on Motown
with the Holland-Dozier-Holland songwriting team. After a full decade
in existence, the Four Tops finally notched their first hit in 1964
with "Baby I Need Your Loving," which just missed the pop Top Ten.
Early 1965 brought the follow-up ballad hit "Ask the Lonely," and from
then on there was no stopping them. "I Can't Help Myself (Sugar Pie,
Honey Bunch)" went all the way to number one that spring, and the
follow-up "It's the Same Old Song" reached the Top Five. The hits
continued into 1966, with "Something About You" "Shake Me, Wake Me
(When It's Over)," and "Loving You Is Sweeter Than Ever" all coming in
succession. The fall of 1966 brought the group's masterpiece in the
form of the virtual soul symphony "Reach Out, I'll Be There"; not only
did it become their second number one pop hit, it also wound up ranking
as the creative peak of the group's career and one of Motown's finest
singles ever. During this period, the Tops also earned a reputation as
one of Motown's best live acts, having previously honed their
performances for years before hitting the big time.
The Four Tops kicked off 1967 with the dramatic Top Ten smash
"Standing in the Shadows of Love," which was followed by the Top Five
"Bernadette." "7-Rooms of Gloom" and "You Keep Running Away" reached
the Top 20, but toward the end of the year, Holland-Dozier-Holland left
Motown over a financial dispute, which didn't bode well for the Four
Tops' impressive hit streak. Their next two hits, 1968's "Walk Away
Renee" and "If I Were a Carpenter," were both covers of well-known
recent songs (by the Left Banke and Tim Hardin, respectively), and
while both made the Top 20, they heralded a rough couple of years where
top-drawer material was in short supply. They enjoyed a resurgence in
1970 under producer Frank Wilson, who helmed a hit cover of the Tommy
Edwards pop standard "It's All in the Game" and a ballad co-written by
Smokey Robinson, "Still Water (Love)." The Tops also recorded with the
post-Diana Ross Supremes, scoring a duet hit with a cover of "River
Deep-Mountain High" in 1971.
When Motown moved its headquarters to Los Angeles in 1972, the Four
Tops parted ways with the company, choosing to remain in their hometown
of Detroit. They signed with ABC-Dunhill and were teamed with
producers/songwriters Dennis Lambert and Brian Potter, who did their
best to re-create the group's trademark Motown sound. The immediate
result was "Keeper of the Castle," the Four Tops' first Top Ten hit in
several years. They followed it in early 1973 with "Ain't No Woman
(Like the One I've Got)," a gold-selling smash that proved to be their
final Top Five pop hit. That year they also recorded the theme song to
the film Shaft in Africa, "Are You Man Enough." Several more R&B
chart hits followed over the next few years, with the last being 1976's
"Catfish"; after a final ABC album in 1978, the Tops largely
disappeared from sight before resurfacing on Casablanca in 1981.
Incredibly, their first single, "When She Was My Girl," went all the
way to number one on the R&B charts, just missing the pop Top Ten.
The accompanying album, Tonight!, became their last to hit the Top 40.
The Four Tops rejoined Motown in 1983, the year of the company's 25th anniversary, and toured extensively with the Temptations. They also recorded a couple albums of new material that failed to sell well, and wound up leaving Motown amid confusion over proper musical direction. Meanwhile, Levi Stubbs provided the voice for Audrey the man-eating plant in the film version of Little Shop of Horrors. The Four Tops next caught on with Arista, where in 1988 they scored their last Top 40 pop hit, the aptly titled "Indestructible." The Four Tops were inducted into the Rock and Roll Hall of Fame in 1990, and continued to tour the oldies circuit. In 1997, Lawrence Payton passed away due to cancer of the liver, which proved to be the only thing that could break up the Four Tops. After some consideration, the remaining members hired Theo Peoples to take Payton's place on tour
Steve Huey, All Music Guide
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