..:: audio-music dot info ::..


Main Page     The Desert Island     Copyright Notice
Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz


Foo Fighters: Echoes, Silence, Patience & Grace

 A l b u m   D e t a i l s


Label: RCA Records
Released: 2007.09.25
Time:
 51:12
Category: Pop/Rock
Producer(s): Gil Norton
Rating: ********.. (8/10)
Media type: CD
Web address: www.foofighters.com
Appears with:
Purchase date: 2008.05.20
Price in €: 5,99



 S o n g s ,   T r a c k s


[1] The Pretender (Foo Fighters) - 4:29
[2] Let It Die (Foo Fighters) - 4:05
[3] Erase/Replace (Foo Fighters) - 4:13
[4] Long Road to Ruin (Foo Fighters) - 3:44
[5] Come Alive (Foo Fighters) - 5:10
[6] Stranger Things Have Happened (Foo Fighters) - 5:21
[7] Cheer Up, Boys [Your Make Up Is Running] (Foo Fighters) - 3:41
[8] Summer's End (Foo Fighters) - 4:37
[9] Ballad of the Beaconsfield Miners (Foo Fighters) - 2:32
[10] Statues (Foo Fighters) - 3:47
[11] But, Honestly (Foo Fighters) - 4:35
[12] Home (Foo Fighters) - 4:53

 A r t i s t s ,   P e r s o n n e l


Dave Grohl - Guitar, Vocals
Taylor Hawkins - Drums, Background Vocals
Chris Shiftlett - Guitar
Nate Mendel - Bass

Drew Hester - Percussion
Rami Jaffee - Accordion, Keyboards
Kaki King - Guitar
Pat Smear - Guitar
Audrey Riley - Conductor, String Arrangements

Gil Norton - Producer
Adrian Bushby - Engineer
Rich Costey - Mixing
Brian Gardner - Mastering
John Lousteau - Assistant
Claudius Mittendorfer - Assistant
Jill Berliner - Representation
Lee Johnson - Management
Don Clark - Art Direction, Design
Laura Kleinhenz - Photography
Ashley Newton - A&R
Ben Watts - Photography

 C o m m e n t s ,   N o t e s

2007 CD RCA 711516
2007 LP RCA 8869711516
2007 CD RCA 88697115162

Sixth album from probably the most recognizable and popularband in American rock follows 2005's double set 'In Your Honour' and 2006's unplugged live effort 'Skin And Bones'. This release features a strong 70s stadium rock influence and sees the band letting rip and rocking out, with occasional moments of calm which highlight the depth and maturity of DaveGrohl's songwriting. Recorded with Gil Norton, who producedtheir breakout album 'The Colour And The Shape', it includes the single 'The Pretender'.

UK pressing of the 2007 album from Dave Grohl and his Foo fighting friends features one bonus track: 'One And For All' (Demo). Produced by Gil Norton, who last worked with the band on 1997's double-platinum The Colour and The Shape, Dave Grohl, bassist Nate Mendel, drummer Taylor Hawkins and guitarist Chris Shiflett have crafted a 12-track milestone that showcases and reconciles the band's every strength and sensibility in the most complex and confident Foo Fighters album to date. Columbia.

Having commemorated their tenth anniversary with a year-plus run commencing with In Your Honor (a double album the New York Times called an "unexpected magnum opus"), sold out rock arena shows and a toned down intimate theater trek, and a headlining gig at London's Hyde Park for a crowd of 85,000, the question looms larger than any in the Foo Fighters' career to date: What do they do for an encore?!? The answer comes in the form of "The Pretender," the first single from the band's sixth studio album Echoes, Silence, Patience & Grace, out on Roswell/RCA. Produced by Gil Norton, who last worked with the band on 1997's double-platinum The Colour and The Shape (recently reissued in deluxe 10th anniversary form), Dave Grohl, bassist Nate Mendel, drummer Taylor Hawkins and guitarist Chris Shiflett have crafted a 12-track milestone that showcases and reconciles the band's every strength and sensibility in the most complex and confident Foo Fighters album to date.



It's not quite right to say that the Foo Fighters only have one sound, but why does it always feel like the group constantly mines the same sonic vein? Even on 2007's Echoes, Silence, Patience & Grace - their sixth album and first with producer Gil Norton since their second, 1997's The Colour and the Shape - the Foos feel familiar, although the group spends some palpable energy weaving together the two sides of their personality that they went out of their way to separate on 2005's In Your Honor, where they divided the set into a disc of electric rockers and a disc of acoustic introspection. Here, the Foos gently slide from side to side, easing from delicate fingerpicked folk (including "Ballad of the Beaconsfield Miners," an instrumental duet between Dave Grohl and guitarist Kaki King) to the surging, muscular hard rockers that have been the group's modern rock radio signature. Echoes never lingers too long in either camp, as it's sequenced with a savvy professionalism that only veteran rockers have. That sense of craft is evident in all the songs, whether it's the subtly sly suite of the opening "The Pretender" - after a slow build, it crashes into a crushing riff into a chorus, building to a typically insistent chorus before taking a slightly surprising bluesy boogie detour on the bridge - or the sweet melodic folk-rock "Summer's End," a song as warm and hazy as an August evening. "Summer's End" is one of the unassailable highlights here, and all the rest of the truly memorable tunes on Echoes share its same, strong melodic bent, particularly "Statues," a wide-open, colorful anthem that feels as if it's been resurrected from a late-'70s AOR playlist. These songs place the melody at the forefront and also have a lighter feel than the rockers, which are now suffering from a dogged sobriety. For whatever reason, Dave Grohl has chosen to funnel all of his humor out of the Foo Fighters' music and into their videos or into his myriad side projects. When Grohl wants to rock for fun, he runs off and forms a metal band like Probot, or he'll tour with Queens of the Stone Age or record with Juliette Lewis. When it comes to his own band, he plays it too straight, as almost every rocker on Echoes - with the notable exception of "Cheer Up Boys (Your Make Up Is Running)," a song that has a riff as nimble as those on the Foos' debut - is clenched and closed-off, sounding tight and powerful but falling far short of being invigorating. They sound a little labored, especially when compared to the almost effortlessly engaging melodies of the softer songs, the cuts that feel different than the now overly familiar Foo signature sound. And since those cavernous, accomplished rockers are so towering, they wind up overshadowing everything else on Echoes, which may ultimately be the reason why each Foo Fighters album feels kind of the same: Grohl and his band have grown subtly in other areas, but they haven't pushed the sound that came to define them; they've only recycled it. Since this is a sound that's somber, not frivolous, the Foos can sometimes feel like a bit of a chore if they lean too heavily in one direction - as they do here, where despite the conscious blend of acoustic and electric tunes, the rockers weigh down Echoes more than they should, enough to make this seem like just another Foo Fighters album instead of the consolidation of strengths that it was intended to be.

Stephen Thomas Erlewine - All Music Guide



In 1997, Foo Fighters teamed with alt-rock production cornerstone Gil Norton to make their best album, The Colour and the Shape. Ten years later, they've regrouped with Norton for a disc that's more sophisticated and diverse, if a tad less rockin'. The curveballs include "Stranger Things Have Happened," a solo soul-searcher where leader Dave Grohl's accompanied by just his acoustic guitar and a ticking metronome, and "Ballad of the Beaconsfield Miners," an acoustic guitar duet for Grohl and guest virtuoso Kaki King. Plus "Summers End" tickles the Foos' classic-rock fetish with a dead-on Crosby, Stills, Nash & Young arrangement. There's still enough of the intense, snarling power-pop that's Foo Fighters' longtime forte. "The Pretender," "Erase/Replace," and "Long Road to Ruin" combine sheer thrust, zeal, and melody like no other group currently on the charts. Yet the finale, "Home," makes its clear that this is a changed band - or, at least, that Grohl's a changed man. With only his piano for company, Grohl's pleading voice reveals fragile layers of insecurity and loneliness as he sings "all I want is to be home." Seems this rock & roll road warrior's mellowed some, albeit without compromising Foo Fighters' vitality.

Ted Drozdowski - Amazon.com



Zehn Jahre nach dem grandiosen The Colour And The Shape schließt sich für Dave Grohl der Kreis. Er ist wieder beim Grunge angekommen, hat darüber hinaus aber noch viel, viel mehr zu bieten. Nach dem gewaltsamen Ende von Nirvana brauchte Grohl lange, um sich von seiner Vergangenheit und dem übermächtigen Schatten Kurt Cobains zu emanzipieren. Mit jedem neuen Album gelang es ihm, etwas weiter aus der Grunge-Schublade herauszuklettern, und nicht zuletzt dank seiner herausragenden kompositorischen Fähigkeiten rocken seine Foo Fighters mittlerweile in ihrer ganz eigenen, originellen Nische. Heute kann es sich der Mastermind leisten, wieder in Revieren zu wildern, in die er jahrelang keinen Fuß mehr zu setzen wagte. Echoes, Silence, Patience & Grace enthält einige raue, ruppige Adrenalinausbrüche, die an In Utero oder die heftigeren The Colour And The Shape-Songs erinnern, davon abgesehen brechen die Foo Fighters aber auch zu neuen Ufern auf. Man entwickelt das Rock/Unplugged-Konzept von In Your Honor weiter, verzahnt kammermusikalische Sanftheiten mit brachialem Rock und experimentiert sogar mit Folk- und Country-Elementen, ohne sich je dabei zu verheben. Eine reife Leistung einer reifen Band!

Michael Rensen - Amazon.de



Dave Grohl’s sixth album fronting post-grunge rockers Foo Fighters finds him softening his game somewhat, although not in the manner of 2005’s In Your Honour, which countered the Foos’ stadium metal moves with a second disc of acoustic songs. Rather, Echoes, Silence, Patience and Grace sees Grohl taking cues from his beloved Led Zeppelin, penning a record that incorporates muscular rock shapes with piano ballads ("Statues"), picked acoustic moments ("Come Alive") and free-wheeling, classic-tinged jams like "Summer’s End" - a song about romantic dalliances in the "sweet Virginia countryside". While it’s undoubtedly a mature sort of record for the Foo Fighters, however, that’s not to say that their edge has been blunted. With the band reunited with producer Gil Norton, whose skill for quiet/loud dynamics did a lot for 1997’s The Colour and the Shape, tracks like "The Pretender" and "Erase/Replace" are muscular, dynamic rockers that balance subtle, atmospheric moments with epic bursts of rage. The track "Cheer up Boys (Your Make-Up Is Running)", meanwhile, feels like a jibe at the emo hordes who’ve tried, but failed, to dislodge Grohl’s crown. It’s the sound of a band growing into middle age gracefully.

Louis Pattison - Amazon.co.uk



Every so often, a modern-day CD that reverberates with the conviction and artistry of bygone days comes along to blow a jaded mind or two. Case in point: Echoes, Silence, Patience & Grace. Grade: A

Tom Sinclair - Entertainment Weekly



"Grohl has been a model of steady efficiency....'Summer's End' is a breezy blast of California country rock..."

Spin (p.122) - 3 stars out of 5



"Each of these tracks makes the case for Foo Fighters' horizons successfully expanding....Similarly, there's a sophistication to the arrangements here, musical and vocal, not previously hinted at."

Q (p.87) - 4 stars out of 5



"[T]he excellent 'Summer's End' is easy on the ear, easier still on the brain..."

Uncut (p.88) - 3 stars out of 5



"[T]he Foo Fighters have managed to recapture the magic ingredient which magical music really needs - the art of sounding effortless."

Kerrang Magazine (p.46)



Ranked #12 in Q's "The 50 Best Albums Of 2007" - "[A] big, brash effort that hollered all the way back to the cheap seats without sacrificing its humanity."

Q (Magazine) (p.84)



This is an anthology of strong new songs by a great bunch of bands, all calling themselves Foo Fighters. You get the speed-of-light Foos in "The Pretender," the glam-candy Fighters in "Long Road to Ruin," the Southern-rock stompers who butt in with "Summers End" and the goth folkies on "Stranger Things Have Happened." Singer-guitarist and ex-Nirvana drummer Dave Grohl used to spread this variety across whole albums - the one-man power pop of 1995's Foo Fighters; the real-band slam of '97's The Colour and the Shape; the unplugged CD in the 2005 set In Your Honor. He has finally figured out how to make one record out of all that leeway.

There are bumps - "Stranger Things" isn't strange enough (drums and fuzz would have helped) - and a disappointing finish: "Home," which is just Grohl on vocals, piano and too much melodrama. Grohl, guitarist Chris Shiflett, bassist Nate Mendel and drummer Taylor Hawkins make the same points about loss, defiance and rescue better earlier: in the machine-gun-guitar stutter of "Erase/Replace" (Grohl writes riffs like a drummer) and the shape-shifting "Let It Die," which starts with cautious acoustic questioning ("In too deep and out of time/Why'd you have to go and let it die?"), then blows up into a full-metal cross-examination.

And there is "Ballad of the Beaconsfield Miners," a fingerpicking ballet with guest guitarist Kaki King that sounds like it dropped in from an old Takoma Records anthology. Grohl wrote the instrumental after meeting a survivor of a 2006 mine collapse in Tasmania (while trapped underground, the miner asked for an iPod loaded with Foo songs to keep him company) and swore to record it. The track makes no sense, even in this eclecticism - except that Grohl is a man of his word.

DAVID FRICKE - Oct 4, 2007
Rolling Stone
 

 L y r i c s


The Pretender

Keep you in the dark
You know they all pretend
Keep you in the dark
And so it all began

Send in your skeletons
Sing as their bones go marching in... again
The need you buried deep
The secrets that you keep are at the ready
Are you ready?
I'm finished making sense
Done pleading ignorance
That whole defense

Spinning infinity, boy
The wheel is spinning me
It's never-ending, never-ending
Same old story

What if I say I'm not like the others?
What if I say I'm not just another one of your plays?
You're the pretender
What if I say that I'll never surrender?

What if I say I'm not like the others?
What if I say I'm not just another one of your plays?
You're the pretender
What if I say that I'll never surrender?

In time or so i'm told
I'm just another soul for sale... oh, well
The page is out of print
We are not permanent
We're temporary, temporary
Same old story

What if I say I'm not like the others?
What if I say I'm not just another one of your plays?
You're the pretender
What if I say that I'll never surrender?

What if I say I'm not like the others?
What if I say I'm not just another one of your plays?
You're the pretender
What if I say that I'll never surrender?

I'm the voice inside your head
You refuse to hear
I'm the face that you have to face
Mirrored in your stare
I'm what's left, I'm what's right
I'm the enemy
I'm the hand that will take you down
Bring you to your knees

So who are you?
Yeah, who are you?
Yeah, who are you?
Yeah, who are you?

Keep you in the dark
You know they all pretend

What if I say I'm not like the others?
What if I say I'm not just another one of your plays?
You're the pretender
What if I say that I'll never surrender?

What if I say I'm not like the others?
What if I say I'm not just another one of your plays?
You're the pretender
What if I say that I'll never surrender?

What if I say I'm not like the others?
(Keep you in the dark)
What if I say I'm not just another one of your plays?
(You know they all... pretend)
You're the pretender
What if I say that I'll never surrender?

What if I say I'm not like the others?
(Keep you in the dark)
What if I say I'm not just another one of your plays?
(You know they all... pretend)
You're the pretender
What if I say that I'll never surrender?

So who are you?
Yeah, who are you?
Yeah, who are you?


Let It Die

A heart of gold
But it lost it's pride
Beautiful veins
And bloodshot eyes
I see your face
In another light

Why'd you have to go
And let it die
Why'd you have to go
And let it die
Why'd you have to go
And let it die
In too deep
And out of time
Why'd you have to go
And let it die

A simple man
And his blushing bride
(Why'd you have to go)
(And let it die)
Intravenous
Intertwined
(Why'd you have to go)
(And let it die)
Hearts gone cold
Your hands were tied
(Why'd you have to go)
(And let it die)

Why'd you have to go
And let it die
(Why'd you have to go)
(And let it die)
Why'd you have to go
And let it die
In too deep
And out of time
Why'd you have to go
And let it die

Do you ever think of me
You're so considerate
Did you ever think of me
Oh so considerate

In too deep
And lost in time
Why'd you have to go
And let it die
Beautiful veins
And bloodshot eyes
Why'd you have to go
And let it die
Hearts gone cold
And hands are tied
Why'd you have to go
And let it die
Why'd you have to go
And let it die

Do you ever think of me
You're so considerate
Did you think of me
Oh so considerate

In too deep
And lost in time
Why'd you have to go
And let it die
Beautiful veins
And bloodshot eyes
Why'd you have to go
And let it die
Hearts gone cold
And hands are tied
Why'd you have to go
And let it die
Why'd you have to go
And let this die
Why'd you have to go
And let this die
Why'd you have to go
And let this die
Why'd you have to go
And let this die
Why'd you have to go
And let it die


Erase/Replace

Attention
Pay attention
No mention
A sickest array
A mission
An admission
Ignition
Detonate

Oh no don't talk about it
No please don't talk about it
Oh no don't talk about it
Not one more word about it
Oh no don't think about it
No please don't think about it
Oh please don't think about it
It goes away

We made these promises
You made these promises
Erase
Replace
Erase
Replace
We'll make more promises
We'll wait for promises
Erase
Replace
Erase
Replace

A vision
Division
Revision
Recognate
An action
A reaction
Distraction
Question the fate

Oh no don't talk about it
No please don't talk about it
Oh no don't talk about it
It goes away

We made these promises
You made these promises
Erase
Replace
Erase
Replace
We'll make more promises
We'll wait for promises
Erase
Replace
Erase
Replace

Oh, oh, oh, oh, oh, oh

Erase
Replace
Erase
Replace


Long Road To Ruin

hey now don't make a sound
Say have you heard the news today?
One flag was taken down
To raise another in it's place

A heavy cross you bear
A stubborn heart remains unchanged
No home, no life, no love
No stranger singing in your name

Maybe the season
The colors change in the valley skies
Dear God I've sealed my fate
Running through hell
Heaven can wait

Long road to ruin
There in your eyes
Under the cold streetlights
No tomorrow
No dead-end in sight

Let's say we take this town
No king or queen of any state
Get up to shut it down
Open the streets and raise the gates

I know a wall to scale
I know a field without a name
Head on without a care
Before it's way too late

Maybe the season
The colors change in the valley skies
Oh God I've sealed my fate
Running through hell
Heaven can wait

Long road to ruin
There in your eyes
Under the cold streetlights
No tomorrow
No dead-end

Long road to ruin
There in your eyes
Under the cold streetlights
No tomorrow
No dead-end in sight

For every piece to fall in place
Forever gone without a trace
Your horizon takes its shape
No turning back, don't turn that page

Come now, I'm leaving here tonight
Come now, let's leave it all behind
Is that the price you pay
Running through hell
Heaven can wait

Solo

Long road to ruin
There in your eyes
Under the cold streetlights
No tomorrow
No dead ends

Long road to ruin
There in your eyes
Under the cold streetlights
No tomorrow
No dead ends

Long road to ruin
There in your eyes
Under the cold streetlights
No tomorrow
No dead end in sight


Come Alive

Seems like only yesterday
Life belonged to runaways
Nothing here to see
No looking back
Every sound monotone
Every color monochrome
Light began to fade
Into the black

Such a simple animal
Sterilized with alcohol
I could hardly
Feel me anymore

Desperate and meaningless
All filled up with emptiness
Felt like everything
Was said and done

I lay there in the dark
And I close my eyes
You saved me the day
You came alive

Still I tried to find my way
Spinning hours into days
Burning like a flame
Behind my eyes

Drowning it out
Drinking it in
Crown the king of suffering
Prisoner, slave to the disguise

Disappear the only thing
Bittersweet surrendering
Knew that it was time
To say goodbye

I lay there in the dark
And I close my eyes
You saved me the day
You came alive
No reason left
Me to survive
You saved me
The day you came alive

Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive

Come alive
Come alive
Come alive
Come alive
(Come alive)
(Come alive)
(Come alive)
(Come alive)

I lay there in the dark
And I close my eyes
You saved me the day
You came alive

Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive

Nothing wrong to give
I can finally live
Come alive
You're laughing at me
I can finally breathe
Come alive

Lay me down in the dark
Open my eyes
You saved me
The day you came alive

Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive
Come alive


Stranger Things Have Happened

Goddamn this dusty room
This hazy afternoon
I'm breathing in this silence
Like never before

This feeling that I get
This one last cigarette
As I lay awake
And wait for you to come through the door

Oh maybe maybe maybe
I can share it with you
I behave I behave I behave
So I can share it with you

You were not alone
Dear loneliness
You forgot
But I remembered this
Oh stranger stranger
Stranger things have happened, I know

I'm not alone
Dear loneliness
I forgot
That I remembered this
Oh stranger stranger
Stranger things have happened, I know
Oh, oh
Oh, oh

We'll dream about somewhere
Our smoke will fill the air
As I lay awake and wait
For you to walk out that door
I can change I can change I can change
But who do you want me to be
I'm the same I'm the same I'm the same
What do you want me to be

You were not alone
Dear loneliness
You forgot
But I remembered this
Oh stranger stranger
Stranger things have happened, I know
Oh, oh
Oh, oh

I'm not alone
Dear loneliness
I forgot
That I remembered this
You were not alone
Dear loneliness
You forgot
But I remembered this
Oh stranger stranger
Stranger things have happened, I know

I'm not alone
Dear loneliness
I forgot
That I remember this
Oh stranger stranger
Stranger things have happened, I know
Oh, oh
Oh, oh


Cheer Up, Boys (Your Make Up Is Running)

It was meant to be
But all along it never meant a thing
Never stopped to ask you why
You didn't pass me by
Did you see me when your life
Flashed before your eyes
Was it just that i wasn't hard enough,
Hard enough on you

Stop using my
Confusion
Wait, wait

There's a world out there
(There's a world out there)
Don't you deny me
(Don't you deny me)
Give me one last wish
(Give me one last wish)
There's a world out there
(There's a world out there)

Elementary
I solved them all
All your mysteries
Settle down and in good time
We can solve all mine
Tell me lies or tell me when
Tell me off again
I will let you know
When I've had enough,
Had enough of you

Stop using my
Confusion
Wait, wait

There's a world out there
(There's a world out there)
Don't you deny me
(Don't you deny me)
Give me one last wish
(Give me one last wish)
There's a world out there
(There's a world out there)

I know you've got your reasons
Hey lets call it even
Turn out all the lights and go to bed
Still I get this feeling
No one will believe me
When I let these ghosts outside my head

There's a world out there
(There's a world out there)
Don't you deny me
(Don't you deny me)
Give me one last wish
(Give me one last wish)
Don't you deny me
(Don't you deny me)
There's a world out there
(There's a world out there)
Don't you deny me
(Don't you deny me)
Give me one last wish
(Give me one last wish)
There's a world out there
Don't you deny me


Summer's End

Early morning without warning
Woke me with a scare
I had that dream again
That the sun was dead
Make me warm or take me home
It's so cold in here
Can't we meet somewhere
Is it winter there?
Is it winter there?
This winter

Meet me in the summer time
We can move the air
Sweet Virginia countryside
I will meet you there
Bloody lips and cherry wine
Moonshine in your hair
Just keep staring at the sun
Pray for summer's end

Come on over brave my storm
Ocean's overhead
Come inside my friend
Getting bad out there
Every moment we have stolen
All we had to share
No one wanted this
But you know I did
You know I did
This moment


Ballad Of The Beaconsfield Miners

Instrumental


Statues

You and I were two old and tortured souls
Repaired by a love of broken things
In a life, just some bodies growing old
No fear of the end, of anything

We're just ordinary people, you and me
Time will turn us into statues, eventually

We got by, though we never needed much
A sliver of hope, no diamond rings
We got high, it was heaven it was hell
Flying over them, with broken wings

We're just ordinary people, you and me
Time will turn us into statues, eventually
Oh, just two ordinary people, you and me
Time will turn us into statues, eventually

Our bones forever in stone
Monuments of life
To dust, as everything must
We fade away in time, oh

We're just ordinary people, you and me
Time will turn us into statues, eventually
Oh, just two ordinary people, you and me
Oh, time will turn us into statues, eventually


But, Honestly

Where you off to with that head of yours
Is there somewhere you should be
Was it something that I said the time I held you down
And told you it's not you, it's only me, baby

Don't take what I don't mean
(Give me back my piece of mind)
Don't say what I don't mean
(Give me back my precious time)
No way you'll silence me
You'll see

What you up to now your mirrors gone
Is there someone you should be
Did you think I was just fooling 'round with you
But honestly
But honestly
But honestly

Don't take what I don't mean
(Give me back my piece of mind)
Don't say what I don't mean
(Give me back my precious time)
No way you'll silence me
(Give me back my piece of mind)
Nowhere to hide from me
You'll see

And tonight I thank the stars
As I count my lucky scars
For everything you've given me
And all the words I gave to you
Something borrowed something blue
If you want them back
I'll give it to you
Give it to you
Give it to you
Give it to you
Give it to you
Give it to you
Give it to you
I'll give it to you
I'll give it to you
Give it to you
Give it to you
I'll give it to you
I'll give it to you
Give it to you
Give it to you
I'll give it to you

I don't want one thing that I gave to you
I don't want one thing that I gave to you
I don't want one thing that I gave to you
I don't want one thing that I gave to you
I don't want one thing that I gave to you
I don't want one thing that I gave to you
I don't want one thing that I gave to you
I don't want one thing that I gave to you


Home

wish i were with you i couldn't stay
every direction leads me away
pray for tomorrow, but for today
all i want, is to be home

stand in the mirror, you look the same
just looking for shelter, from cold and from pain
someone to cover, safe from the rain
all i want, is to be home

echoes and silence, patience and grace
all of these moments i'll never replace
No fear of my heart absence of faith
all i want, is to be home

all i want, is to be home

people i've loved, have no regrets
some might remember, some might forget
some of them livin', some of them dead
all i want, is to be home
 

 M P 3   S a m p l e s


Currently no Samples available!