Manu Dibango - Percussion, Arranger, Keyboards, Saxophone, Vocals, Background Vocals
Salif Keita - Vocals
Ladysmith Black Mambazo - Vocals
Papa Wemba - Vocals
Peter Gabriel - Keyboards, Vocals
Geoffrey Oryema - Vocal
Ray Lema - Keyboards, Programming
Alex Brown - Background Vocals
Michael Fisher - Percussion
Paul Jackson, Jr. - Guitar
Manu Katche - Drums
Angélique Kidjo - Vocals
Touré Kunda - Background Vocals
Armand Sabal-Lecco - Bass
Jerry Bokilo Malekani - Guitar
Andre Manga - Bass, Bandleader
Francis Mbappe - Bass, Programming
Fred McFarlane - Keyboards
Dominic Miller - Guitar
Youssou N'Dour - Vocal
Sinéad O'Connor - Background Vocals
Ray Phiri - Vocal
Felix Sabal-Lecco - Drums
Assane Thiam - Percussion
Brice Wassy - Percussion, Drums
Tom Yoms - Background Vocals
Carl Glanville - Assistant Engineer
David Lewis - Trumpet
David Williams - Guitar
Moriba Koïta - N'Goni
Al Schmitt - Mixing
Paolo Salvatore - Session Coordinator, Assistant Executive Producer
George Acogny - Arranger, Programming, Loops, Executive Producer, Mixing
Peter Doell - Engineer
Jay Healy - Engineer
Bernie Grundman - Mastering
Jess Sutcliffe - Engineer
Antonio "Moogie" Canazio - Engineer
Alex Firla - Assistant Engineer
Liz Sroka - Assistant Engineer
Rod Beale - Programming, Engineer, Mixing
Nuit De Chine - Art Direction, Design
Christian Echaib - Assistant Engineer
Philippe Arnal - Assistant Engineer
" Die Pop-CD des Monats. Dibango bietet für Westafrika auf, was an
Afro-Musikern Rang und Namen hat. Die gehen, ob Ladysmith Black Mambazo
oder Trommler, Manu Katche, voll in federnder, pulsierender, funky
rockender Afro-Jazz-EthnoFusion auf."
C. Böhm in Audio 8/94
Among American audiences, Manu Dibango is best known for "Soul
Makossa," a highly infectious blend of African music, soul/funk and
jazz that became a major pop hit in the early 1970s. The African artist
revisited his signature tune on 1994's Wakafrica, which boasts an
all-star cast that includes Peter Gabriel as well as Haiti's Papa Wemba
and African heroes Ladysmith Black Mambazo, King Sunny Ade and Youssou
N'Dour. With such a stellar bunch of guests, Wakafrica should have been
outstanding instead of simply decent. But while it isn't the all-out
masterpiece it should have been, there's a lot that's enjoyable on this
CD, including the reggae-influenced "Emma," a remake of Gabriel's
"Biko" and the "Makossa"-ish jams "Wakafrika" and "Jingo." Though
likable enough, Dibango's new version of "Soul Makossa" falls short of
the excellence of the original -- but then, one couldn't realistically
expect him to improve on perfection.
Alex Henderson, All-Music Guide
Manu Dibango is a legitimate world music star. Born in Cameroon and now
living in Paris, Dibango has made some spotty records and some glorious
ones in his career. His latest, Wakafrika is an all-encompassing work
with involvement from African and non-African musicians alike. Granted,
the fact that an African-born artist is covering tracks by Peter
Gabriel ("Biko") and Paul Simon ("Homeless") will have some people
heralding the end of World Music as we know it. Still, Dibango and a
talented cast pull it off by making sure the grooves are loose and
steady. Scanning the list of musicians, Wakafrika reads like a all-star
jam at the World Music Hall Of Fame: Youssou N'Dour, Ray Lema, Geoffrey
Oryema, Salif Keita, Papa Wemba and Ladysmith Black Mambazo all turn in
sterling cameos, as do Gabriel, Manu Katch and Sinéad O'Connor.
The approach for everything is showy, often slick (lots of soul-style
horns and some drum programming), but even the stuff that runs the risk
of sounding cheesy comes off sounding festive. This is pop music, after
all, and the musicians here are simply coo cool and too good to churn
out something lame.
"Wakafrika" von Kamerun-Exilant Manu Dibango ist wohl das vielseitigste
afrikanische Album aller Zeiten. Wo sonst könnte man einen
nigerianischen Juju-Gitarristen (King Sunny Ade) im Team mit einem
kamerunischen Jazzsaxophonisten (Dibango) hören, wie sie ein
Stück eines Benin-Komponisten (Wally Badarou) intonieren? Die
Gästeliste nimmt kein Ende: Peter Gabriel im Remake von "Biko",
Ray Lema, Toure Kunda, Papa Wemba und Geoffrey Oryema schauen hie und
da rein. "Wakafrika", eine butterige französische Produktion, ist
nicht unbedingt ein schlechtes Album; Dibango ist ein geschmeidiger,
populärer Homogenisator jedweden Afrobeats. Aber diese CD ist so
vorhersehbar abwechslungsreich, daß es ihr vor lauter
hochproduzierter Politur an jeder eigenen Identität fehlt.
Richard Gehr, Amazon.de
Als 1972 sein Afro-Funk-Jazz-Mix Soul Makossa Discos und Charts
durcheinanderwirbelte, galt Manu Dibango, der stets sonnenbebrillte,
kahlköpfige Wahl-Pariser aus Kamerun, als afro-französisches
Pendant zu Isaac Hayes (Shaft). Mit 60 ist der Saxophonist, Keyboarder
und Bandleader polyglotter denn je. Aber natürlich ist es kein
Zufall, daß seine Cover-Silhouette den Schwarzen Kontinent
verkörpert. Dibango bietet für Wakafrika auf, was an
Afro-Musikern Rang und Namen hat. Die gehen, ob Ladysmith Black Mambazo
oder Trommler Manu Katché, voll in federnder, pulsierender,
funky rockender Afro-Jazz-Ethno-Fusion auf. Manu setzt beim Soul
Makossa-Remake die Akzente zu Youssou N'Dours Gesang stärker auf
fließenden Groove als auf Funk-Riffs, Miriam Makebas Pata Pata,
Paul Simons Homeless (mit Ray Phiri) oder das von Santana bekannte
Jingo (mit King Sunny Adé) werden ebenfalls zu neuen, feurigen
Diamanten geschliffen. Auch Biko, mit Peter Gabriel, Geoffrey Oryema
und Sinéad O'Connor, tut die Frischzellenkur gut. Wakafrika
("Afrika in Bewegung") ist weder zu exotisch noch zu populär banal
und ersetzt dank irrwitziger Musikalität und überbordender
Lebensfreude fast schon einen Urlaub.