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Depeche Mode: The Singles 81>85

 A l b u m   D e t a i l s

Artist: Depeche Mode
Title: The Singles 81>85
Released: 1998
Label: Mute Records Limited
Time: 69:16
Producer(s): See Artists ...
Appears with:
Category: Pop/Rock
Rating: ********.. (8/10)
Media type: CD
Purchase date:  2001.05.21
Price in €: 6,99
Web address: www.depechemode.com

 S o n g s ,   T r a c k s


[1] Dreaming of Me (Clarke) - 3:46
[2] New Life (Clarke) - 3:45
[3] Just Can't Get Enough (Clarke) - 3:44
[4] See You (Gore) - 3:57
[5] The Meaning of Love (Gore) - 3:05
[6] Leave in Silence (Gore) - 4:02
[7] Get the Balance Right! (Gore) - 3:15
[8] Everything Counts (Gore) - 3:59
[9] Love in Itself (Gore) - 4:00
[10] People Are People (Gore) - 3:46
[11] Master and Servant (Gore) - 3:47
[12] Blasphemous Rumours (Gore) - 5:09
[13] Somebody (Gore) - 4:22
[14] Shake the Disease (Gore) - 4:49
[15] It's Called a Heart (Gore) - 3:51
[16] Photographic [Some Bizarre Version] (Clarke) - 3:13
[17] Just Can't Get Enough [Schizo Mix] (Clarke) - 6:46

 A r t i s t s ,   P e r s o n n e l


VINCE CLARKE - Depeche Mode
ANDREW FLETCHER - Depeche Mode
DAVID GAHAN - Depeche Mode
MARTIN L. GORE - Depeche Mode
ALAN WILDER - Depeche Mode

GARETH JONES - Producer, Engineer
DANIEL MILLER - Producer
ERIC RADCLIFFE - Engineer
DAVE ALLEN - Engineer
JOHN FRYER - Engineer
ROLAND BROWN - Remastering
MIKE MARSH - Remastering
DAVID A. JONES - Design, Photo Treatment
MARTYN ATKINS - Design, Photo Treatment
RICK GUEST - Photography
ERIC WATSON - Photography

 C o m m e n t s ,   N o t e s


1999 CD Sire 47298
1985 CD Mute CDMUTEL1
1985 LP Mute 1
1999 CS Sire 47298
1999 CD EMI 846977
1998 CD Wea International 32086



Replacing the original Catching Up with Depeche Mode compilation, 81-85 subtracts two tracks — the lightweight curiosity "Flexible" and "Fly on the Windscreen," which surfaced to better effect on Black Celebration — and adds two, the full six-minute remix of "Just Can't Get Enough" and the original version of "Photographic," Depeche's recording debut on a 1980 compilation album. The overall collection remains the same, though, namely, a run through the peerless singles that kept the band on the charts in the U.K. and elsewhere, as well as building up their increasing cult following in America. It's an embarrassment of riches, from such bouncy early hits as "New Life," "Just Can't Enough," and "The Meaning of Love" to the increasingly heavier sound of "Everything Counts," "People Are People," and "Blasphemous Rumors." Nearly all the tracks appear in the original single mixes, some quite different from their album versions, others essentially the same (the one subtle difference in "Somebody" is an echoey percussion pattern buried in the mix, for instance). Two otherwise unavailable singles also appear here: "It's Called a Heart" is pleasant enough, but "Shake the Disease" is great, an obsessive love lyric matched to a wonderful, slow dance melody and an excellent pairing of Gahan's more aggressivNed Raggett, All-Music Guidee and Gore's gentler vocals. As an introduction to Depeche's brilliant knack for catchy tunes evolving over time into a more challenging but no less popular collection of songs, at once defining and expanding the boundaries of synth-pop, look no further.

Ned Raggett, All-Music Guide



Originally a product of Britain's New Romantic movement, Depeche Mode went on to become the quintessential electro-pop band of the 1980s; one of the first acts to establish a musical identity based completely around the use of synthesizers, the group began their existence as a bouncy dance-pop outfit but gradually developed a darker, more dramatic sound which ultimately positioned them as one of the most successful alternative bands of their era. The roots of Depeche Mode (French for "fast fashion") dated to 1976, when Basildon, England-based keyboardists Vince Clarke and Andrew Fletcher first teamed to form the group No Romance in China. The band proved short-lived, and by 1979 Clarke had formed French Look, another duo featuring guitarist/keyboardist Martin Gore; Fletcher soon signed on, and the group rechristened itself Composition of Sound. Initially, Clarke handled vocal chores, but in 1980 singer David Gahan was brought in to complete the lineup; after one final name change to Depeche Mode, the quartet jettisoned all instruments excluding their synthesizers, honing a slick, techno-based sound to showcase Clarke's catchy melodies. After building a following on the London club scene, Depeche Mode debuted in 1980 with "Photographic," a track included on the Some Bizzare Album label compilation. After signing to Mute Records, they issued "Dreaming of Me" in early 1981; while neither the single nor its follow-up "New Life" caused much of a stir, their third effort, "Just Can't Get Enough," became a Top Ten U.K. hit, and their 1981 debut LP Speak and Spell was also a success. Just as Depeche Mode appeared poised for a major commercial breakthrough, however, principal songwriter Clarke abruptly exited to form Yazoo with singer Alison Moyet, leaving the group's future in grave doubt. As Gore grabbed the band's songwriting reins, the remaining trio recruited keyboardist Alan Wilder to fill the technological void created by Clarke's departure; while 1982's A Broken Frame deviated only slightly from Depeche Mode's earlier work, Gore's ominous songs grew more assured and sophisticated by the time of 1983's Construction Time Again. Some Great Reward, issued the following year, was their artistic and commercial breakthrough, as Gore's dark, kinky preoccupations with spiritual doubt ("Blasphemous Rumours") and psychosexual manipulation ("Master and Servant") came to the fore; the egalitarian single "People Are People" was a major hit on both sides of the Atlantic, and typified the music's turn towards more industrial textures. 1986's atmospheric Black Celebration continued the trend towards grim melancholy, and further established the group as a major commercial force. After the superb single "Strangelove," Depeche Mode issued 1987's Music for the Masses; a subsequent sold-out tour yielded the 1989 double live set 101, as well as a concert film directed by the legendary D.A. Pennebaker. Still, despite an enormous fan base, the group was considered very much an underground cult phenomenon prior to the release of 1990's Violator, a Top Ten smash which spawned the hits "Enjoy the Silence," "Policy of Truth" and "Personal Jesus." With the alternative music boom of the early 1990s, Depeche Mode emerged as one of the world's most successful acts, and their 1993 LP Songs of Faith and Devotion entered the charts in the number one slot. However, at the peak of their success, the group began to unravel; first Wilder exited in 1995, and then Gahan was the subject of a failed suicide attempt. (He later entered a drug rehabilitation clinic to battle an addiction to heroin.) After a four-year layoff, Depeche Mode — continuing on as a trio — released 1997's Ultra, which featured the hits "Barrel of a Gun" and "It's No Good." The release of Singles '86-'98 was celebrated with a major tour.

Jason Ankeny, All-Music Guide



The question we have to ask is "Why?" Depeche Mode released The Singles, 86-98 because there was no comprehensive singles collection representing 1986 through 1998. But why release a singles compilation covering 1981 through 1985 when Catching Up with Depeche Mode already covers this turf? For one thing, the singles "Leave in Silence," "Everything Counts," and "People Are People," which were absent from Catching Up, are included here. All the songs are digitally remastered, but how much does digital enhancement really do to improve the sound of early-'80s synth-pop, which is so dated? Not much. However, it's natural to release a comprehensive singles collection that nicely coincides with 86-98. Both compilations are great for first-timers. And the two remixes on 81-85 ("Photographic [Some Bizarre Version]" and "Just Can't Get Enough [Schizo Mix]") will snag collectors. But maybe the answer has nothing to do with marketable packaging. DM have always fancied themselves as notorious. The liner notes for 81-85 include one negative review and one positive for each song. Perhaps as an attempt to fend off the specter of "where are they now?" Depeche Mode feel the need to remind us how controversial they are by reminding us how controversial they were.

Beth Bessmer, Amazon.com



Die frühen Achtziger waren auch die erste erfolgreiche Phase in der Karriere der Newcomer von Depeche Mode. Aus den neuesten Errungenschaften auf dem Keyboard-Sektor zauberte die Band Töne und Geräusche, aus denen sie schnell den Sound von Depeche Mode kreierten. Lange vor der oft zelebrierten, gitarrenunterstützten Schwere im zweiten Teil ihrer herausragenden Karriere, bieten sie zu dieser Zeit zunächst noch leichte Unterhaltung in klaren Arrangements und eingängigen Melodien. Die Reihenfolge der Titel ist chronologisch und zeichnet diese Entwicklung nach. Vince Clark (Yazoo, Erasure) verabschiedet sich bald, "New Life" oder "See You" wirken aus heutiger Sicht wie bessere Schlager. 1983, im dritten Erfolgsjahr, hat die Band dann zu ihrem Sound gefunden und bringt nun Hit auf Hit im unverkennbaren Stil, geprägt durch die Kompositionen von Martin Gore und die Stimme von Dave Gahan. Im CD-Booklet ist zu jeder Single auch in Auszügen die Meinung der Fachpresse zu lesen: "Depeche Mode wird zu einer wichtigen Band" heißt es in der Kritik zu "Blasphemous Rumours". Die in 15 Singles und zwei Remixe aufgeteilte Bilanz der frühen Jahre ist es sicherlich auch.

Wolfram Lumpe, Amazon.de



New old Mode release decent collection... still

In 1985, Depeche Mode's UK label Mute released an album of singles put out over the previous four years. 'Singles 81-85' comprised fifteen tunes released between February 1981 and September 1985. In North America, fans were treated to 'Catching Up With Depeche Mode', named because many of the tracks from 'Singles' weren't released as singles in either the US or Canada. 'Catching Up' also featured a number of tunes not featured on 'Singles 81-85'. Fast forward to 1991, and Sire, Depeche Mode's US label catches up with Depeche Mode by releasing 3 6-CD box sets comprising the band's first 18 singles. Fast, fast forward to 1999. To celebrate the release and success of Depeche's latest collection 'Singles 86>98', the band's remastered 'Singles 81-85' is reissued, and finally gets a North American release - 14 years later. The packaging has been changed and is now in the same graphical vein as 'Singles 86>98'. 'Singles 81-85' comes from a time when electronic music was still in its infancy. Earthy, warm, analogue tones permeated much of the output of bands like Gary Numan, Soft Cell and Depeche Mode. In hindsight, it's clear that the technology of the time was a hinderance. Having said that, many of the tracks from 81-85 are still great songs today - 'Somebody', 'Leave In Silence', 'Blasphemous Rumours', just to name a few. There's nary a 20-something that doesn't know the chorus to 1981's 'Just Can't Get Enough', or the song's opening keyboard riff. The disc's booklet is complete with recording information, chart history (UK only) and review snippets. For instance, on the subject of 'Just Can't Get Enough', Melody Maker's Patrick Humphries mustered 'I can, you will'. Of the reviews, perhaps the most intriguing comes from former Smash Hits journalist and current Pet Shop Boy Neil Tennant. '[1984's] Blasphemous Rumours, on the other hand is a routine stab of gloom in which God is given a severe ticking off'. For the reissue, Mute decided the sweeten the package a bit (as most UK fans would already have the album). The disc now comes with two bonus tracks, 'Photographic (Some Bizarre Version)' and 'Just Can't Get Enough (Schizo Mix)'. 'Photographic' is from a various artists compilation released before the band signed to Mute. An alternate version is on their debut album 'Speak & Spell'. The 'Just Can't Get Enough' remix is from the 12" single and one of the bonus tracks on the UK release of 'Speak & Spell'. 'Singles 81-85' is a competent package, thirteen years in the making. An excellent companion - musically and graphically - to the recently released 'Singles 86>98'.

By RICHARD JOHN -- JAM! Showbiz



It's always refreshing when an old school band looks at its earlier works and decides to make them sound better. Depeche Mode has released a single collection of songs titled The Singles 81>85. First of all, the songs do sound crisper and sharper. Every little digital bleep is heard and the vocals are both vibrant and seductively soothing. The album contains 17 songs, two of which are never-before-released remixes. The song book has point and counter point about each song. "I really laughed the first time it came on," said Roy Hay, Record Mirror critic of the song "People Are People." It's hard to laugh at the song now. It sounds as beautiful and harmonic as once it was believed to be. It seems a joke that Depeche Mode is calling on those reviewers that backed or disregarded them in the past. The band, now composed of David Gahan, Andrew Fletcher and Martin Gore, at one time also included Vince Clarke and Alan Wilder. The brains of its outfit has always been Gore. The two new releases are "Photographic (Some Bizarre Version)" and "Just Can't Get Enough (Schizo Mix)." Well, supposing it is a "schizo mix," it has good beats and lots of drum and bass to shake it up. Both mixes are reminicent of early synth pop and a touch of jungle here and there. On the whole, it has jumping beats and lively kicks for avid dance fanatics. There will be a follow-up to this album with the rest of its singles. Probably more insulting critical comments will follow in the creatively titled Singles 86>90. That's when people stopped listening to them at all. Maybe that comment will be in the next booklet.

Erica Warren
Western Herald Online - February 1999
 

 L y r i c s


DREAMING OF ME

Light switch, man switch
Film was broken only then
All the night, viewed tomorrow
Dancing with a distant friend

Filming and screening, I picture the scene
Filming and dreaming, dreaming of me

So we left, understanding
Clean cut, some were sounding fast
Talked of sad, I talked of war
I laughed and climbed the rising cast

Filming and screening, I picture the scene
Filming and dreaming, dreaming of me

Quickly, I remember
Viewed that sort of face before
Timing reason, understanding
Like Association Hall

Filming and screening, I picture the scene
Filming and dreaming, dreaming of me

Dreaming of me (Oooh, la la la ...)
Just dreaming of me
It's only me
Just me


NEW LIFE

I stand still stepping on the shady streets
And I watch that man to a stranger
You think you only know me when you turn on the light
Now the room is lit with danger

Complicating, circulating
New life, new life
Operating, generating
New life, new life

Transition to another place
So the time will pass more slowly
Your features fuse and your shadow's red
Like a film I've seen now show me

Complicating, circulating
New life, new life
Operating, generating
New life, new life

Your face is hidden and we're out of sight
And the road just leads to nowhere
The stranger in the door is the same as before
So the question answer's nowhere

Complicating, circulating
New life, new life
Operating, generating
New life, new life

I stand still stepping on the shady streets
And I watch that man to a stranger
Think you only know me when you turn on the light
Now the room is lit, red danger

Complicating, circulating
New life, new life
Operating, generating
New life, new life


JUST CAN'T GET ENOUGH

When I'm with you baby, I go out of my head
And I just can't get enough, I just can't get enough
All the things you do to me and everything you said
And I just can't get enough, I just can't get enough

We slip and slide as we fall in love
And I just can't seem to get enough, ahhh

We walk together, we're walking down the street
And I just can't get enough, I just can't get enough
Every time I think of you I know we have to meet
And I just can't get enough, I just can't get enough

It's getting hotter, it's our burning love
And I just can't seem to get enough, ahhh

And when it rains, you're shining down for me
And I just can't get enough, I just can't get enough
Just like a rainbow you know you set me free
And I just can't get enough, I just can't get enough

You're like an angel and you give me your love
And I just can't seem to get enough, ahhh


SEE YOU

All I want to do is see you again
Is that too much to ask for?
I just want to see your sweet smile
Smiled the way it was before

Well I'll try not to hold you
And I'll try not to kiss you
And I won't even touch you

All I want to do is see you
Don't you know that it's true?

I remember the days when we'd walk through the woods
And sit on a bench for a while
I treasure the way we used to laugh and play
And look in each others eyes

You can keep me at a distance if you don't trust my resistance
But I swear I won't touch you

All I want to do is see you
Don't you know that it's true?

Well I know five years is a long time
And that times change (oh that times change)
But I think that you will find
People are basically the same (basically the same)

If the water's still flowing, we can go for a swim
And do the things we used to do
And if I'm reluctant you can pull me in
And we can relive our youth

Oh but we'll stay friendly like sister and brother
Though I think I still love you
All I want to do is see you
Don't you know that it's true?


THE MEANING OF LOVE

I've read more than a hundred books
Seen love mentioned many thousand times
But despite all the places I've looked
It's still no clearer it's just not enough
I'm still no nearer the meaning of love

Noted down all my observations
Spent an evening watching television
Still I couldn't say with precision
Know it's a feeling and it comes from above
But what's the meaning, the meaning of love?

The meaning of love
Tell me the meaning of love

From the notes that I've made so far
Love seems something like wanting a scar
But I could be wrong, I'm just not sure you see,
I've never been in love before

Next I asked several friends of mine
If they could spare a few minutes of their time
Their look suggested that I'd lost my mind
Tell me the answer, my Lord high above
Tell me the meaning, the meaning of love

The meaning of love
Tell me the meaning of love

From the notes that I've made so far
Love seems something like wanting a scar
But I could be wrong, I'm just not sure you see,
I've never been in love before

Tell me the meaning of love


LEAVE IN SILENCE

I've told myself so many times before
But this time I think I mean it for sure
We have reached a full stop
Nothing's gonna save us from the big drop

Reached our natural conclusion
Outlived the illusion
I hate being in these situations
That call for diplomatic relations

If I only knew the answer
Or I thought we had a chance
Or I could stop this
I would stop this thing from spreading like a cancer

What can I say? (I don't want to play) anymore
What can I say? I'm heading for the door
I can't stand this emotional violence
Leave in silence

We've been running around in circles all year
Doing this and that and getting nowhere
This'll be the last time
(I think I said that last time)

If I only had a potion,
Some magical lotion
That could stop this, I would stop this
I would set the wheels in motion

What can I say? (I don't want to play) anymore
What can I say? I'm heading for the door
I can't stand this emotional violence
Leave in silence


GET THE BALANCE RIGHT!

There's more besides joyrides
Little house in the countryside
Understand, learn to demand,
Compromise, sometimes lie

Get the Balance right, get the balance right

Be responsible, respectable,
Stable but gullible
Concerned and caring, help the helpless
But always remain ultimately selfish

Get the balance right, get the balance right

You think you've got a hold of it all
You haven't got a hold at all
When you reach the top, get ready to drop
Prepare yourself for the fall, you're gonna fall
It's almost predictable

Don't take this way, don't take that way
Straight down the middle until next Thursday
Push to the left, back to the right
Twist and turn 'til you've got it right

Get the balance right


EVERYTHING COUNTS

The handshake
Seals the contract
From the contract
There's no turning back
The turning point
Of a career
In Korea, being insincere

The holiday
Was fun packed
The contract:
Still intact

The grabbing hands
Grab all they can
All for themselves
After all

It's a competitive world
Everything counts in large amounts

The graph
On the wall
Tells the story
Of it all
Picture it now
See just how
The lies and deceit
Gained a little more power

Confidence
Taken in
By a sun tan
And a grin

The grabbing hands
Grab all they can
All for themselves
After all

It's a competitive world
Everything counts in large amounts

The grabbing hands
Grab all they can
Everything counts in large amounts


LOVE IN ITSELF

All of these insurmountable tasks
That lay before me
All of the firsts and the definite lasts
That lay in store for me

There was a time
When all on my mind was love
Now I find that most of the time
Love's not enough in itself

Consequently, I've a tendency to be unhappy
You see the thoughts in my head
All the words that were said
All the blues and the reds get to me

There was a time
When all on my mind was love
Now I find that most of the time
Love's not enough in itself

All of these absurdities
That lay before us
All of the doubts and the certainties
That lay in store for us

There was a time
When all on my mind was love (love love love)
Now I find that most of the time
Love's not enough in itself


PEOPLE ARE PEOPLE

People are people so why should it be
You and I should get along so awfully

So we're different colours
And we're different creeds
And different people have different needs
It's obvious you hate me
Though I've done nothing wrong
I never even met you
So what could I have done

I can't understand
What makes a man
Hate another man
Help me understand

People are people so why should it be
You and I should get along so awfully

Help me understand

Now you're punching and you're kicking
And you're shouting at me
I'm relying on your common decency
So far it hasn't surfaced
But I'm sure it exists
It just takes a while to travel
From your head to your fist

I can't understand
What makes a man
Hate another man

Help me understand


MASTER AND SERVANT

There's a new game
We like to play you see
A game with added reality
You treat me like a dog
Get me down on my knees

We call it master and servant
We call it master and servant

It's a lot like life
This play between the sheets
With you on top and me underneath
Forget all about equality

Let's play master and servant
Let's play master and servant

It's a lot like life
And that's what's appealing
If you despise that throwaway feeling
From disposable fun
Then this is the one

Domination's the name of the game
In bed or in life
They're both just the same
Except in one you're fulfilled
At the end of the day

Let's play master and servant
Let's play master and servant

Let's play master and servant
Come on, master and servant


BLASPHEMOUS RUMOURS

Girl of sixteen, whole life ahead of her
Slashed her wrists, bored with life
Didn't succeed, thank the Lord
For small mercies

Fighting back the tears, mother reads the note again
Sixteen candles burn in her mind
She takes the blame, it's always the same
She goes down on her knees and prays

I don't want to start any blasphemous rumours
But I think that God's got a sick sense of humor
And when I die I expect to find Him laughing

Girl of eighteen, fell in love with everything
Found new life in Jesus Christ
Hit by a car, ended up
On a life support machine

Summer's day, as she passed away
Birds were singing in the summer sky
Then came the rain, and once again
A tear fell from her mother's eye

I don't want to start any blasphemous rumours
But I think that God's got a sick sense of humor
And when I die I expect to find Him laughing

Ssss....


SOMEBODY

I want somebody to share
Share the rest of my life
Share my innermost thoughts
Know my intimate details
Someone who'll stand by my side
And give me support
And in return
She'll get my support
She will listen to me
When I want to speak
About the world we live in
And life in general
Though my views may be wrong
They may even be perverted
She'll hear me out
And won't easily be converted
To my way of thinking
In fact she'll often disagree
But at the end of it all
She will understand me
Aaaahhhhh....

I want somebody who cares
For me passionately
With every thought and
With every breath
Someone who'll help me see things
In a different light
All the things I detest
I will almost like
I don't want to be tied
To anyone's strings
I'm carefully trying to steer clear of
Those things
But when I'm asleep
I want somebody
Who will put their arms around me
And kiss me tenderly
Though things like this
Make me sick
In a case like this
I'll get away with it
Aaaahhhhh....


SHAKE THE DISEASE

I'm not going down on my knees,
Begging you to adore me
Can't you see it's misery
And torture for me
When I'm misunderstood
Try as hard as you can, I've tried as hard as I could
To make you see
How important it is for me

Here is a plea
From my heart to you
Nobody knows me
As well as you do
You know how hard it is for me
To shake the disease
That takes hold of my tongue
In situations like these

Understand me

Some people have to be
Permanently together
Lovers devoted to
Each other forever
Now I've got things to do
And I've said before that I know you have too
When I'm not there
In spirit I'll be there

Here is a plea
From my heart to you
Nobody knows me
As well as you do
You know how hard it is for me
To shake the disease
That takes hold of my tongue
In situations like these.

Understand me


IT'S CALLED A HEART

There's something beating here inside my body
And it's called a heart
You know how easy it is to tear it apart
If I lend it to you, would you keep it safe for me
I'll lend it to you, will you treat it tenderly
There's something beating here inside my body
And it's called a heart

There's a sun shining in the sky
But that's not the reason why I'm feeling warm inside
The answer isn't classified- it's my heart
From the moment I started
I tried to be good about it
Yes I've tried my best
And more or less, I spoke from my heart

There's a lot to be learned
And you learn when your heart gets burned

There's something beating here inside my body
And it's called a heart
You know how easy it is to tear it apart
If I lend it to you, would you keep it safe for me
I'll lend it to you, will you treat it tenderly
There's something beating here inside my body
And it's called a heart

Hearts can never be owned
Hearts only come on loan
If I want it back
I will take it back
I'll take my heart

But I will try my best
And more or less
I will speak from my heart
Yes, I will speak from my heart
Speak from my heart

There's a lot to be learned
And you learn when your heart gets burned

There's something beating here inside my body
And it's called a heart
You know how easy it is to tear it apart
If I lend it to you, would you keep it safe for me
I'll lend it to you, will you treat it tenderly
There's something beating here inside my body
And it's called a heart


PHOTOGRAPHIC

[Some Bizarre Version]

A white house, a white room
The program of today
Lights on, switch on
Your eyes are far away

The map represents you
And the tape is your voice
Follow all along you
Till you recognize the choice

I take pictures
Photographic pictures

Bright light, dark room
Bright light, dark room

I said I'd write a letter
But I never got the time
And looking to the day
I mesmerize the light

The years I spend just thinking
Of a moment we both knew
A second passed like an empty room
It seems it can't be true

I take pictures
Photographic pictures

Bright light, dark room
Bright light, dark room


JUST CAN'T GET ENOUGH

[Schizo Mix]

When I'm with you baby, I go out of my head
And I just can't get enough, I just can't get enough
All the things you do to me and everything you said
And I just can't get enough, I just can't get enough

We slip and slide as we fall in love
And I just can't seem to get enough, ahhh

We walk together, we're walking down the street
And I just can't get enough, I just can't get enough
Every time I think of you I know we have to meet
And I just can't get enough, I just can't get enough

It's getting hotter, it's our burning love
And I just can't seem to get enough, ahhh

And when it rains, you're shining down for me
And I just can't get enough, I just can't get enough
Just like a rainbow you know you set me free
And I just can't get enough, I just can't get enough

You're like an angel and you give me your love
And I just can't seem to get enough, ahhh

 M P 3   S a m p l e s


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