CANNONBALL ADDERLEY - Alto Saxophone
RON CARTER - Bass
GEORGE COLEMAN - Tenor Saxophone
BILL EVANS - Piano
RED GARLAND - Piano
HERBIE HANCOCK - Piano
PHILLY JOE JONES - Drums
WYNTON KELLY - Piano
HANK MOBLEY - Tenor Saxophone
TONY WILLIAMS - Drums
JIMMY COBB - Drums
PAUL CHAMBERS - Bass
JOHN COLTRANE - Tenor Saxophone
TEO MACERO - Producer
IRVING TOWNSEND - Producer
GEORGE AVAKIAN - Producer
NEDRA OLDS-NEAL - Producer, Reissue Producer
MARK WILDER - Digital Mastering
SETH ROTHSTEIN - Project Director
HOWARD FRITZSON - Reissue Art Director
LEE FRIEDLANDER - Cover Photo
RENE ARSENAULT - Project Coordinator
ROB SCHWARZ - Digital Mastering
MARNI ELLIOTT - Packaging Manager
Like most jazz artists, Miles Davis isn't particularly well-served by a
Greatest Hits collection, since their brevity and haphazard sampling
tends to obscure the scope and depth of his artistry. Nevertheless,
Greatest Hits works better than expected, featuring such classics as
"All Blues," "Someday My Prince Will Come, ' "Walkin'," "E.S.P.,"
"'Round Midnight" and "So What." These tracks might not fully capture
the essence of $Miles' Columbia Records — and it doesn't
necessarily function as a good introductory sampler, since it's
presented out of chronological order and his music works better in the
context of its original session — but the music itself is
wonderful.