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Creed: Full Circle

 A l b u m   D e t a i l s


Label: Wind-Up Records
Released: 2009.10.27
Time:
 54:32
Category: Hard-Rock
Producer(s): Howard Benson
Rating: ******.... (6/10)
Media type: CD
Web address: www.creed.com
Appears with:
Purchase date: 2009.11.01
Price in €: 2,00





 S o n g s ,   T r a c k s


[1] Overcome (Creed) - 3:47
[2] Bread of Shame (Creed) - 3:56
[3] A Thousand Faces (Creed) - 4:54
[4] Suddenly (Creed) - 3:31
[5] Rain (Creed) - 3:28
[6] Away in Silence (Creed) - 4:40
[7] Fear (Creed) - 4:05
[8] On My Sleeve (Creed) - 4:14
[9] Full Circle (Creed) - 4:08
[10] Time (Creed) - 5:55
[11] Good Fight (Creed) - 3:55
[12] The Song You Sing (Creed) - 4:08

 A r t i s t s ,   P e r s o n n e l


Howard Benson - Keyboards, Programming, Producer
Scott Phillips - Drums
Scott Stapp - Vocals
Mark Tremonti - Guitar
Brian Marshall - Bass

Mike Plotnikoff - Engineer
Andrew Schubert - Engineer
Hatsukazu "Hatch" Inagaki - Engineer
Nik Karpen - Assistant Engineer
Keith Armstrong - Assistant Engineer
Jeremy Underwood - Assistant Engineer
Chris Lord-Alge - Mixing
Paul DeCarli - Digital Editing
Ted Jensen - Mastering
Tony Adams - Drum Technician
Howard Benson - Programming, Producer
Mike Mongillo - Product Manager
Daniel Tremonti - Art Conception
Jim Cooperman - Music Business Affairs
Marc VanGool - Guitar Techician
Ian Keith - Guitar Techician
Kim Youngberg - Music Business Affairs
Diana Meltzer - A&R
Paul Natkin - Photography
Daniel Tremonti - Photography, Package Design, Art Conception
Gregg Wattenberg - Production Supervisor, A&R

 C o m m e n t s ,   N o t e s

2009 CD Wind-Up 6015013187
2009 CD Wind Up 4567312

Recorded at Sparky Dark Studio, Calabasas, CA; Bay 7 Studios; Valley Village.

Getting right back to where they started from, Creed reunites for Full Circle, putting all tensions - including whatever unpleasantry existed with their long-departed original bassist Brian Marshall - to rest and cutting their first album in eight years. Full Circle is a none-too-subtle allusion to how they're getting back to their beginnings, but this bears some subtle differences, particularly in how Creed sounds heavier yet more open than they did in the past. There's more air within the ballads, more skill in their attack, a looseness to their playing that allows them to take a stab at white-boy blues on the title track. "Full Circle" is one of several songs built on prominent acoustic guitar, an indication of the greater color palette here than on earlier albums like Human Clay.

Stephen Thomas Erlewine - All Music Guide
 

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