Gary Burton
first showed off his vibraphone technique with George Shearing and Stan
Getz, often playing with four mallets instead of the usual two. Burton
brings a fluid sense of Swing to often "left of the mainstream" musical
ideas, making him a forward-thinking Post Bop artist who builds on the
past, often to startling effect. He has recorded some great sides with
Chick Corea, but we recommend Departure (1997), where his recording of
the Frazier theme returns the song to its shimmering, George
Shearing-style roots. Like his fellow vibes master, Bobby Hutcherson,
Burton keeps experimenting while pleasing audiences - making him a
shining light in modern mainstream jazz.
* * *
One
of the two great vibraphonists to emerge in the 1960s (along with Bobby
Hutcherson),
Gary Burton's remarkable four-mallet technique (best
displayed on an unaccompanied version of "No More Blues" from 1971) can
make him sound like two or three players at once. He recorded in a wide
variety of settings and always sounds distinctive. Self-taught on
vibes, Burton made his recording debut with country guitarist Hank
Garland when he was 17, started recording regularly for RCA in 1961,
and toured with George Shearing's quintet in 1963. He gained some fame
while with Stan Getz's piano-less quartet during 1964-1966, and then
put together his own groups. In 1967, with guitarist Larry Coryell, he
led one of the early "fusion" bands; Coryell would later be succeeded
by Sam Brown, Mick Goodrick, John Scofield, Jerry Hahn, and Pat
Metheny. Burton recorded duet sets with Chick Corea (they also toured
extensively), Ralph Towner, Steve Swallow, and Paul Bley, and
collaborated on an album apiece with Stephane Grappelli and Keith
Jarrett. Among his sidemen in the late '70s and '80s were Makoto Ozone,
Tiger Okoshi, and Tommy Smith. Very active as an educator at Berklee
since joining its faculty in 1971, Burton (who teamed up with Eddie
Daniels in the early '90s for an interesting Benny Goodman/Lionel
Hampton tribute tour and recording) remained a prominent stylist. He
recorded during different periods of his career extensively for RCA,
Atlantic, ECM, GRP, and Concord, releasing Like Minds through the
latter in 1998. Two years later, Libertango, his tribute to tango
master Astor Piazzolla, arrived. The very personal composition For
Hamp, Red, Bags, and Cal was issued in 2001and in 2002 he explored
classical music with a duet album Virtuosi recorded with pianist Makoto
Ozone. 2004 found Burton back on more familiar ground with the release
of Generations a bop-influenced quartet album for longtime label Concord
Official Site:
www.garyburton.com
Scott Yanow, All Music Guide