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Edie Brickell: Edie Brickell

 A l b u m   D e t a i l s


Label: Racecarlotta Records
Released: 2011.01.11
Time:
 42:45
Category: Alternative Rock
Producer(s): David Boyle
Rating: *******... (7/10)
Media type: CD
Web address: ediebrickell.com
Appears with:
Purchase date: 2012
Price in €: 1,00





 S o n g s ,   T r a c k s


[1] Give It Another Day (Brickell) - 4:18
[2] Pill (Brickell) - 3:48
[3] Been So Good (Brickell) - 4:17
[4] Always (Brickell) - 2:58
[5] 2 O'clock in the Morning (Brickell) - 5:01
[6] On the Avenue (Brickell) - 4:38
[7] Waiting for Me (Brickell) - 3:25
[8] You Come Back (Brickell) - 5:57
[9] It Takes Love (Brickell) - 3:19
[10] Bad Way (Boyle/Brickell/Sexton) - 5:04

 A r t i s t s ,   P e r s o n n e l


Edie Brickell - Composer, Guitar, Vocals

Charlie Sexton - Clavinet, Composer, Double Bass, 12 String Acoustic, Acoustic & Electric Guitar, Mellotron, Organ, Percussion, Piano, Producer, Vocals
David Boyle - Chamberlin, Composer, Keyboards, Piano, Sampling, Wurlitzer
Carter Albrecht - Organ, Piano, Vocals, Wurlitzer
J.J. Johnson - Drums
Dave Monsey - Bass Guitar
Dave Palmer - Grand Piano
Jim Oblon - Drum Programming, Drums, Dumbek

Brad Bell - Assistant
Brian Schuble - Engineer
Dave McNair - Engineer
Kyle Crusham - Editing, Engineer
Jared Tuten - Editing, Engineer
Kevin Porter - Mixing Assistant
Anthony Aquilato - Crew
Michael Kaye - Crew
Jerry Wortman - Crew
Amy Beth McNeely - Package Design

 C o m m e n t s ,   N o t e s


2011 CD Racecarlotta Records 5386



Things are going pretty well in the life of 44-year-old singer/songwriter Edie Brickell, by the evidence of her self-titled third solo album, her first such release since 2003's Volcano (which was, in turn, her first in nine years), though in the interim she reunited with New Bohemians in 2006 and teamed up with her stepson Harper Simon in the Heavy Circles in 2008, both associations resulting in CDs. Brickell has written and arranged a set of ten peppy songs with catchy melodies and choruses, played in a sunshine pop/classic rock style that suggests the music of her childhood; lead-off track "Give It Another Day" sounds like it could have scaled the hit parade of 1967 with ease. In her lyrics, Brickell reflects on friendship and contentment, with only minor difficulties. Would it be a problem if the platonic friend she finds so amenable in "2 O'Clock in the Morning" turned amorous? Will her friends who want her to go out on the town in "Waiting for Me" be disturbed that she'd rather say at home on the sofa with the one she loves? These don't seem like big problems in an otherwise happy life, and even if other troubles rear their heads, "they got a pill for that," she notes in "Pills." She may wake up to both a bedbug and a disturbing phone call in the closing song "Bad Way," but she is determined to persevere. That she will never seems in doubt, especially because of her spirited vocals, which retain a bit of a Texas twang even after years in New York, as well as the charming, slightly goofy phrasing that has always made her such an engaging vocalist. The album, its tracks recorded over a period of years when inspiration hit, has both spontaneity and a slick feel, since it is the work of pop professionals, none so assured as the title artist herself.

William Ruhlmann - All Music Guide



Celebrated songwriter and musician Edie Brickell will release two new albums this January on her own independent label, racecarLOTTA Records. The first, Edie Brickell, is out January 11. Coinciding with these releases, Brickell will perform a special show with Iron & Wine on January 29 at Radio City Music Hall. Produced by Charlie Sexton, Brickell began writing her self-titled solo album during her 2003 tour in support of Volcano. The solo record was then put hold to focus on The Gaddabouts, a new project featuring Steve Gadd, Pino Palladino and Andy Fairweather-Low. Both conceived of and developed throughout the past decade, the two resulting projects were only coincidentally finished at the same time. Of the synchronicity, Brickell notes, ''it's like a horse race; both projects are kicking in the stall and I gotta let 'em run.'

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