A remarkable technician and a highly influential tenor saxophonist (the biggest influence on other tenors since Wayne Shorter),
Michael Brecker
(Born: Mar 29, 1949 in Philadelphia, PA) took a long time before
getting around to recording his first solo album. He spent much of his
career as a top-notch studio player who often appeared backing pop
singers, leading some jazz listeners to overlook his very strong
improvising skills.
Brecker originally started on clarinet and alto before switching to
tenor in high school. Early on, he played with rock and
R&B-oriented bands. In 1969, he moved to New York, and soon joined
Dreams, an early fusion group. Brecker was with Horace Silver during
1973-1974, gigged with Billy Cobham, and then co-led the Brecker
Brothers (a commercially successful funk group) with his brother,
trumpeter Randy Brecker, for most of the 1970s. He was with Steps
(later Steps Ahead) in the early '80s, doubled on an EWI (electronic
wind instrument), and made a countless number of studio sessions during
the 1970s and '80s, popping up practically everywhere (including with
James Taylor, Yoko Ono, and Paul Simon).
With the release of his first album as a leader in 1987 (when he was
already 38), Brecker started appearing more often in challenging jazz
settings. He recorded additional sets as a leader (in 1988 and 1990),
teamed up with McCoy Tyner on one of 1995's most rewarding jazz
recordings, and toured with a reunited Brecker Brothers band. Two
Blocks From the Edge followed in 1998, and a year later, Brecker
returned with Time Is of the Essence. Nearness of You: The Ballad Book
was released in spring 2001.
* * *
Randy Brecker
is essentially a fine hard bop trumpet soloist, but one versatile
enough to fit into nearly any setting, including in the pop world, funk
bands, and electronic fusion.
He studied classical trumpet and attended Indiana University. Brecker
was with Blood, Sweat & Tears in 1967, and spent 1968-1969 playing
with Horace Silver's quintet. He also appeared with the big bands of
Clark Terry, Duke Pearson, Frank Foster, and the Thad Jones/Mel Lewis
orchestra.
After playing with the early fusion group Dreams in 1969, he worked
with Larry Coryell's Eleventh House and Billy Cobham, in addition to
keeping very busy with studio work. He teamed up with Michael Brecker
in the popular funk-oriented Brecker Brothers (1974-1979); in the 1980s
often collaborated with his wife, pianist/vocalist Eliane Elias; and in
the '90s toured with the reunited Brecker Brothers. But Randy Brecker
still sounds best when in a freewheeling bebop combo, and fortunately
he occasionally records in that type of spontaneous setting.
Scott Yanow, All-Music Guide