[1] Saturday Nite (J.Kincaid/S.Law/L.Hamblin/M.Gaye) - 4:55
[2] Dream Come True (A.Levy/S.Bartholomew) - 4:52
[3] Never Stop (J.Kincaid) - 4:25
[4] Stay This Way (J.Wellman) - 4:13
[5] Dream on Dreamer (N.Davenport/D.Austin) - 4:01
[6] Back To Love (J.Kincaid) - 4:37
[7] Midnight At The Oasis (D.Nichtern) - 4:20
[8] BNH (A.Levy/S.Bartholomew/J.Kincaid/L.Gordon/J.Wellman) - 5:54
[9] You Are The Universe (A.Levy/S.Garrett) - 5:10
[10] Forever (J.Kincaid) - 5:11
[11] Shelter (J.Kincaid) - 6:10
[12] Sometimes (J.Kincaid) - 4:31
[13] Spend Some Time (A.Levy/A.Cheung) - 3:56
[14] You've Got A Friend (C.King) - 4:41
[15] Close To You (A.Levy/S.Bartholomew/J.Kincaid/N.Davenport) - 4:32
[16] Gimme One Of Those (A.Levy/S.Bartholomew/J.Kincaid/L.Gordon/J.Wellman) - 3:42
[17] Apparently Nothing (M.Nelson/C.Anderson) - 2:30
[18] Try My Love (L.Hamblin/S.Law/J.Kincaid/S.Bartholomew/A.Levy) - 3:44
Jan Kincaid - Keyboards, Percussion, Drums, Producer, Mixing
Andrew Levy - Bass, Producer, Mixing
Simon Bartholomew - Guitar, Producer, Mixing
Carleen Anderson - Vocals, Producer, Mixing
Simon Law - Producer, Mixing
Lee Hamblin - Producer, Mixing
Ian Green - Producer, Additional Mix and Production, Vocal Arrangement
Martin Schmelze - Engineer
Ian McGuire - Original Recording
Phil Bodger - Mixing
Mark "Spike" Stent - Mixing
David Morales - Re-Mixing
Henry Binns - Programming
YoYo - Engineer
Michael Ross - Executive Producer
Eric Satrafin - Management
Pete Craigie - Mix Engineer
Tony Salter - Programming
Rick Guest - Photography
Matt Cook - Art direction
18 track 'best of' retrospective for this amazing English acid jazz
outfit, including three new recordings with their new vocalist Carleen
Anderson. Also features 12 U.K. top 40 hits, including 'Saturday
Night', 'Dream Come True', 'Never Stop', 'Midnight At The Oasis' and
'You Are The Universe'. 1999 release. Featuring 11 tracks that don't
appear on the US version!
Includes 12 Top 40 Hit Singles and Three New Tracks with New Singer Carleen Anderson.
Pioneers of the London acid-jazz scene, the Brand New Heavies
translated their love for the funk grooves of the 1970s into a
sophisticated sound which carried the torch for classic soul in an era
dominated by hip-hop. Formed in 1985 by drummer/keyboardist Jan
Kincaid, guitarist Simon Bartholomew and bassist/keyboardist Andrew
Levy — longtime school friends from the London suburb of Ealing
— the Brand New Heavies was originally an instrumental unit
inspired by the James Brown and Meters records its members heard while
clubbing the "rare groove" scene in vogue at the moment. The trio soon
began recording their own music, gaining enormous exposure when their
demo tracks were spun at the influential Cat in the Hat Club.
Eventually adding a brass section, the Brand New Heavies built a cult
following throughout the London club circuit, surviving the shift which
saw the rare groove scene fade in the wake of acid house. After an
earlier recording deal with Cooltempo yielded the single "Got to Give,"
the Heavies — now including vocalist Jay Ella Ruth — signed
with the fledgling indie label Acid Jazz; recorded on a budget of just
£8000, the group's self-titled LP appeared in 1990 to strong
critical acclaim, resulting in a licensing deal with the American
company Delicious Vinyl. With Ruth now out of the band, Delicious Vinyl
hand-picked N'dea Davenport as her successor, insisting the Heavies
re-record tracks from their debut for their first US effort, also an
eponymous release which appeared in 1992.
After scoring at home with "Dream Come True" and "Stay This Way," the
single "Never Stop" soon landed on the American R&B charts, with
the Heavies the first British group to accomplish such a feat with a
debut single since Soul II Soul several years earlier; a subsequent New
York performance augmented by rappers Q-Tip (A Tribe Called Quest) and
MC Serch (3rd Bass) inspired the group to begin absorbing hip-hop, and
that summer they cut Heavy Rhyme Experience: Vol 1, an album including
guest appearances by rappers including Main Source, Gang Starr, Grand
Puba and the Pharcyde. 1994's Brother Sister, which went platinum in
Britain, was Davenport's last recording with the Heavies before
beginning a solo career; she was replaced by singer Siedah Garrett in
time for 1997's Shelter. Two years later the group reappeared with a
British best-of album entitled Trunk Funk: The Best of the Brand New
Heavies; the title was recycled the following year for an American
compilation, Trunk Funk Classics 1991-2000, which featured a new song
recorded with Davenport.
www.gqmagazine.co.uk Jason Ankeny, All-Music Guide
Arg, die Engländer und ihre Selbstkasteiung durch sklavische
Spezialistenkennerschaftsumsetzung. Was soll man •99 zu einer Band
von Northern Soul entwachsenen Neo-Mods mitteilen, die einen schon
Anfang der 90er mit ihrer kleinbürgerlichen Note für
Note-Nachzeichnung der Tower of Power- bis Chaka Khan-Lektion ein
Loblied auf Ian Levine anstimmen liess, der sich aus der Northern-Ecke
zumindest in HiNRG-Untiefen wagte? Fans als Handwerker, die verleiden
einem noch die Freude an Maria Muldaurs ""Midnight at the Oasis"".
Warum das heute der Nachprüfung bedürfen soll, ist mir
rätselhaft, da fällt wohl selbst Michael Reinboth nichts mehr
zu ein. Drei neue Tracks? Die kann raussuchen, wer sich auch die neue
Jamiroquai gekauft hat.
The Brand New Heavies have knocked out the hits over the years, like
the deliciously danceable Dream On dreamer, the lusciously louche
Midnight At The Oasis and the euphoric and uplifting You Are The
Universe. Indeed a good bit of Trunk Funk is more familiar and funky
then the band's somewhat shadowy chart profile would seem to suggest to
the pop pundit. Mind you, that might be because some of it sounds much
like some of the rest of it; ie. something like Jamiroquai and M People
stuck in a musical food processor with Soul II Soul. But this is
delicious listening: all the grooves are smooth and the vocals are
sweet as a dream. Indeed, it would be a toe-tapping tribute to the
band, were it not for the fact that it also heralds the dawning of a
brand new Heavies, now fronted by the mighty, magical Carleen Anderson,
who lends her lungs to the recent single Saturday Nite, the bass-heavy
carnival of Try My Love and a rather pointless rerun of the Young
Disciples' Apparently Nothing (which Anderson sung much better seven
years earlier). What the future holds for the Heavies is anyone's
guess, but the past has yielded plenty already.
www.virgin.net
THE BRAND NEW HEAVIES - THE BRAND NEW SINGER
The Brand New Heavies have a new lead vocalist to join their ranks; none other than Carleen Anderson.
The Brand New Heavies continue their tradition that started in 1989
when the band recruited local girl Jay Ella Ruth (TBNH) to their ranks,
followed by N'Dea Davenport (Brother Sister) from New Orleans, then
Siedah Garrett (Shelter), singer/ songwriter based in Los Angeles,
joined the band in 1996.
The band found a new lead vocalist on their own doorstep; the original Acid Jazz Queen Carleen Anderson.
Originally from the U.S.A., Carleen - the daughter of the legendary
Vicki Anderson and step-daughter of Bobby Bird, both members of the
James Brown Revue since the early sixties - settled in the U.K. in 1991
when she joined The Young Disciples for their hugely influential self
titled album.
The band are currently working on a new album due for release in the
new year. In the meantime The Brand New Heavies are set to release a
new single entitled "Saturday Night'' due for release this September
13th.
September 27th sees the release of the album 'Trunk Funk'. The Best of
The Brand New Heavies', an album featuring 3 new tracks plus hits like
Dream on Dreamer, Midnight At the Oasis, Stay This Way, Back to Love,
Never Stop and many many more.
unofficial web site http://www.webpro.se/bnh/
They may trade-in their vocalists seemingly every album, yet Brand New
Heavies have stuck firmly to what they know - how to make successful
funk records. As far back as 1987, the core of BNH (Kincaid, Levy and
Bartholomew) began assembling the foundation stones of their formulaic
sound that would lead to successive platinum records. Whether its
powerful overtures of N’Dea Davenport on Brother, Sister or
Siedah Garret at the mike on Shelter, the seamless transition of BNH
personnel failed to affect the classic funk sound that made them such a
worldwide success. Don’t be put off because Trunk Funk...the best
of is a ‘greatest hits’ album, it draws the cream of the
crop from BNH’s five previous albums and three samples from their
seventh album due early next year. With former Young Disciple, Carleen
Anderson now a fully-fledged ‘Heavy’, BNH have begun a new
chapter, and started by stripping down and remodelling Apparently
Nothing (ahhh…not again), penning the down-tempo Try My Love and
the ultimate going out record Saturday Nite. Put simply, Trunk
Funk…the best of is BNH at their finest, from the toe-tapping
Dream on Dreamer to funk classics Midnight at the Oasis and Sometimes,
each singer’s input demonstrates not only their magical talent
and influence but the songwriting talent at the heart of BNH.