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Abba: Arrival

 A l b u m   D e t a i l s


Label: Polar Music Internatioal A.B.
Released: 1976.10.11
Time:
42:11
Category: Disco
Producer(s): See Artists ...
Rating: *********. (9/10)
Media type: CD
Web address: www.abbasite.com
Appears with:
Purchase date: 2007.11.1
Price in €: 9,99





 S o n g s ,   T r a c k s


[1] When I Kissed the Teacher (B.Andersson/B.Ulvaeus) - 3:02
[2] Dancing Queen (B.Andersson/S.Andresson/B.Ulvaeus) - 3:51
[3] My Love, My Life (B.Andersson/S.Andresson/B.Ulvaeus) - 3:51
[4] Dum Dum Diddle (B.Andersson/B.Ulvaeus) - 2:53
[5] Knowing Me, Knowing You (B.Andersson/S.Andresson/B.Ulvaeus) - 4:01
[6] Money, Money, Money (B.Andersson/B.Ulvaeus) - 3:06
[7] That's Me (B.Andersson/S.Andresson/B.Ulvaeus) - 3:15
[8] Why Did It Have to Be Me? (B.Andersson/B.Ulvaeus) - 3:21
[9] Tiger (B.Andersson/B.Ulvaeus) - 2:55
[10] Arrival (B.Andersson/B.Ulvaeus) - 3:01

Bonus Tracks:
[11] Fernando (B.Andersson/S.Andresson/B.Ulvaeus) - 4:12
[12] Happy Hawaii (B.Andersson/S.Andresson/B.Ulvaeus) - 4:25

 A r t i s t s ,   P e r s o n n e l


Benny Andersson - Synthesizer, Piano, Accordion, Arranger, Chimes, Keyboards, Marimba, Vocals, Producer
Björn Ulvaeus - Acoustic & Electric Guitar, Arranger, Vocals, Producer
Agnetha Faltskog - Vocals
Anni-Frid Lyngstad (Frida) - Vocals

Ola Brunkert - Strings, Drums
Lars Carlsson - Horn, Saxophone
Anders Dahl - Arranger, String Arrangements
Malando Gassama - Percussion, Rhythm
Anders Glenmark - Electric Guitar
Rutger Gunnarsson - Bass, String Arrangements
Roger Palm - Strings, Drums
Sven-Olof Walldoff - Arranger
Janne Schaffer - Electric Guitar
Lasse Wellander - Acoustic & Electric Guitar

Michael B. Tretow - Engineer, Remastering (2001)
Jon Astley - Remastering (2001)
Rune Soderqvist - Photography, Cover Design
Ola Lager - Photography, Cover Design
Jeanett Andersson - Re-issue project coordination
Marko Söderström - Re-issue project coordination
Carl Magnus Palm - Liner Notes

 C o m m e n t s ,   N o t e s


1976 LP Polar POLS 272
1976 LP Atlantic LP-19115
1976 CS Atlantic CS-19115
1984 LP Nautilus NR-20
1995 CD Polygram 821319
1995 CS Polygram 821319
1997 CD Polydor 5391572
1999 CD Polygram 547132
1999 LP Atlantic 18207
2001 CD Universal Music 549 953-2
2004 LP Divine Recordings 198
2007 LP Universal Music 9016

Arrival was first relased in Sweden as Polar POLS 272 on October 11, 1976. Recording session began in August 1975 and continued untill September 1976. The album was recorded at Metronome and Glen Studios in Stockholm, Sweden.

24-bit digital remaster with new liner notes, complete lyrics and two bonus tracks: 'Fernando' (US Remix 1974) and 'Happy Hawaii' (Swedish Version).



Widely considered the Swedish foursome's first classic album - and historically important as the first to use the now-famous mirror-B logo - 1976's ARRIVAL contains three huge hit singles, the dramatic "Money Money Money", the downcast "Knowing Me, Knowing You" and quite possibly the band's finest four minutes, the absolutely perfect pop classic "Dancing Queen", a combination of Spectorian grandeur, McCartneyesque melody and the indescribable vocals of Agnetha Faltskog and Anni-Frid Lyngstad. The rest of ABBA's fourth album is strikingly consistent and accomplished, opening with the sly, bouncy"When I Kissed the Teacher" and closing with the atmospheric title track, making room in between for the three excellent singles and five other substantial pop tunes. Although three LPs and a greatest-hits compilation preceded it, ARRIVAL is aptly titled, as this album announces the band's move beyond bubblegum.



At the height of their success, ABBA were second only to Volvo as Sweden's biggest export earners. Arrival (1977) sees the quartet just finding their stride, after a year of relative obscurity which followed the success of "Waterloo," their 1973 Eurovision Song Contest winner. Like their '70s peers ELO, ABBA knew the value of tunes, tunes, tunes. Arrival's hits include the glistening, full-on sheen of "Knowing Me, Knowing You," the irrepressible, piano-led disco stomp of "Dancing Queen," and the almost Cabaret-esque sarcasm of "Money, Money, Money"--all three cowritten by manager and mentor Stig Anderson. The album ends, meanwhile, on an almost Celtic theme with the soaring, wordless title track. Arrival is superconfident and superpolished, and was an unstoppably chartbound record of its moment.

Everett True - Amazon.com essential recording



Was hat uns "Arrival", das legendäre Hubschrauber-Cover-Album des schwedischen Seventies-Popwunders ABBA, heute noch zu sagen? Dass unsterbliche Herz-Schmerz-Melodien wie "Dancing Queen" auch nach dem 2.176sten Hören immer noch ergreifend klingen? Dass weniger bekannte Balladen wie "My Love, my life" die Jazz-Hippie-Vergangenheit des Songwriter-Duos Benny Andersson und Bjorn Ulvaeus (die beiden Bs im Bandnamen!) freilegen? Dass im Jahre 1976 vier Welthits mit jeweils rund drei Minuten 50 Sekunden Spiellänge mal eben auf einer Platte rausgehauen wurden? Dass ABBA mehr sind als nur Spaßmucke auf der Fun-Party? Man ahnt es schon: Die Wiederentdeckung 2006 bedeutet ein bisschen was von all dem. 30 Jahre "Arrival" mit zehn Original- und fünf weiteren Bonus-Tracks (darunter die spanische Version von "Fernando"!) dokumentiert ähnlich wie die frühen Motown-Aufnahmen eine naive, ungebrochene Pop-Faszination, die schwedisch-unverkrampft zwischen den Stilen schwebt und einfach nur heiter und schön sein will. Oder - wie auf der DVD-Dokumentation zu bewundern - was man damals unter "schön" verstanden hat. Etwa Glitzerblaue Kosaken-Hosenzüge. Die seinerzeit oft gestellte Frage: Dürfen ABBA das überhaupt, dieses traumwandlerische Plündern der Pophistorie, stellt sich nach drei Jahrzehnten nicht mehr. ABBA sind selbst Pophistorie geworden. Nicht nur das Londoner Sampling-Art-Duo Timelords (alias KLF) setzte ABBA mit ihren verbotenen Remixen bereits Ende der Achtziger ein Denkmal im Dance-Underground. Die auf der DVD zusammengefasste Dokumentation aus der Prä-Video-Ära liefert dann gar ein Stück Zeitgeschichte: So war das damals, als sich Schweden aufmachte, eine vitale Exportnation für Pop aller Art zu werden.

pure.de



ABBA's fourth album appeared after the group had arrived as major stars shows the quartet at the absolute top of their game. In addition to "Dancing Queen," which is probably their best-known hit (a number one single on both sides of the Atlantic), the record was filled with brilliant material, including the spirited "When I Kissed the Teacher"; the dramatic, achingly beautiful "Knowing Me, Knowing You" (yet a further hit); the pounding "Money, Money, Money" (still another hit off the album); and the playful "That's Me." Arrival was reissued in October of 2001 in a 24-bit digital transfer, in a handsome gatefold package with two bonus tracks added on. The upgraded sound puts the piano on "Dancing Queen" practically in the room with the listener, and the rhythm guitars by Björn Ulvaeus and Lasse Wellander on "Knowing Me, Knowing You," "When I Kissed the Teacher," and "Dum Dum Diddle" are up very close. The other big beneficiaries are Rutger Gunnarsson's muscular bass playing throughout the album, which never sounded sharper or more effective, and Benny Andersson's keyboards everywhere, which have real presence. Wellander's power chords over the chorus of "Knowing Me, Knowing You" are some of those dramatic musical effects that this group played for maximum effect, which gave their music a raw power that their detractors usually overlooked; in the new edition, it's impossible to ignore. What's more, the sheer impact of the bass drums behind the choruses on "Tiger" will be pretty impressive to any noise freaks. And all of the voices are in very sharp relief; every iota of richness is now on display. So one can now fully appreciate what Frida Lyngstad was hearing when she found the playback of the backing track on "Dancing Queen" beautiful enough to cry over the first time she heard it. The two bonus cuts are both choice additions: the lost B-side, "Happy Hawaii," is a soaring, rocking dance number that got left off the album, and the chronologically related single "Fernando" had been recorded during the making of the LP but not included on it in most of the world. The latter is a profoundly beautiful song that, with its use of flutes and a folk-like melody, is a sort of disco-era follow-up to Simon & Garfunkel's "El Condor Pasa."

Bruce Eder - All Music Guide


As I write, "Dancing Queen," the single from this album, is shing-a-linging its way up the charts, and Abba seems on the verge of completing the conquest of their last great frontier: America. At last, the Homogenizers will rule the land of the Heterogeneous. England, Europe and Australia have been collectively nuts for Abba for about five years. In this country, though the Swedish foursome has had a steady run of successful singles since "Waterloo" in 1974, they haven't provoked the clamor of a phenomenon. Arrival could do just that, since it's the smoothest, purest and, in this sense, most radical Abba album yet. Even more than their three previous American releases, Arrival is Muzak mesmerizing in its modality. By reducing their already vapid lyrics to utter irrelevance, lead singers Anni-Frid Lyngstad and Agnetha Fältskog are liberated to matter on in their shrill voices without regard to emotion or expression, and the language barrier is broken. Songwriters Benny Andersson and Bjöln Ulvaeus are indeed apt students of the American white pop hook, but their expansion of the hook to envelop the entire song into a single narcotic hug—as on Arrival's "Dancing Queen," "Dum Dum Diddle" and "Money, Money, Money"—is perhaps the most infuriating thing about this cheery group. Since they are so cheery and determinedly inoffensive, however, one cannot really hate them. The strongest emotion a dissenter can muster is resentment that these charming twerps will attract enough attention to help obscure the achievements of adventurous artists.

KEN TUCKER - Rolling Stone (RS 236)
  

 L y r i c s


When I Kissed The Teacher

Everybody screamed when I kissed the teacher
And they must have thought they dreamed when I kissed the teacher
All my friends at school
They had never seen the teacher blush, he looked like a fool
Nearly petrified 'cos he was taken by surprise
When I kissed the teacher
Couldn't quite believe his eyes, when I kissed the teacher
My whole class went wild
As I held my breath, the world stood still, but then he just smiled
I was in the seventh heaven when I kissed the teacher

One of these days
Gonna tell him I dream of him every night
One of these days
Gonna show him I care, gonna teach him a lesson alright

I was in a trance when I kissed the teacher
Suddenly I took the chance when I kissed the teacher
Leaning over me, he was trying to explain the laws of geometry
And I couldn't help it, I just had to kiss the teacher

One of these days
Gonna tell him I dream of him every night
One of these days
Gonna show him I care, gonna teach him a lesson alright

What a crazy day, when I kissed the teacher
All my sense had flown away when I kissed the teacher
My whole class went wild
As I held my breath, the world stood still, but then he just smiled
I was in the seventh heaven when I kissed the teacher

(I wanna hug, hug, hug him)
When I kissed the teacher
(I wanna hug, hug him)
When I kissed the teacher
(I wanna hug, hug, hug him)
When I kissed the teacher
(I wanna hug, hug him)
When I kissed the teacher
(I wanna hug, hug, hug him)


Dancing Queen

You can dance, you can jive, having the time of your life
Ooo.. see that girl, watch that scene, diggin the Dancing Queen

Friday night and the lights are low
Looking out for the place to go
Where they play the right music, getting in the swing
You come in to look for a king
Anybody could be that guy
Night is young and the music's high
With a bit of rock music, everything is fine
You're in the mood for a dance
And when you get the chance

You are the Dancing Queen, young and sweet, only seventeen
Dancing Queen, feel the beat from the tambourine oh yeah
You can dance, you can jive, having the time of your life
Ooo see that girl, watch that scene, diggin the Dancing Queen

You're a teaser, you turn 'em on
Leave 'em burning and then you're gone
Looking out for another, anyone will do
You're in the mood for a dance [bum bum bum]
And when you get the chance

You are the Dancing Queen, young and sweet, only seventeen
Dancing Queen, feel the beat from the tambourine oh yaaa
You can dance, you can jive, having the time of your life
Ooo.. see that girl, watch that scene, dig in the Dancing Queen

Diggin the Dancing Queen


My Love, My Life

I've seen it on your face
Tells me more than any worn-out old phrase
So now we'll go separate ways
Never again we two
Never again, nothing I can do

Like an image passing by, my love, my life
In the mirror of your eyes, my love, my life
I can see it all so clearly
(See it all so clearly)
Answer me sincerely
(Answer me sincerely)
Was it a dream, a lie
Like reflections of your mind, my love, my life
Are the words you try to find, my love, my life
But I know I don't possess you
So go away, God bless you
You are still my love and my life
Still my one and only

I've watched you look away
Tell me is it really so hard to say
Oh, this has been my longest day
Sitting here close to you
Knowing that maybe tonight we're through

Like an image passing by, my love, my life
In the mirror of your eyes, my love, my life
I can see it all so clearly
(See it all so clearly)
Answer me sincerely
(Answer me sincerely)
Was it a dream, a lie
Like reflections of your mind, my love, my life
Are the words you try to find, my love, my life
But I know I don't possess you
So go away, God bless you
You are still my love and my life
Yes I know I don't possess you
So go away, God bless you
You are still my love and my life
Still my one and only


Dum Dum Diddle

I can hear how you work, practicing hard
Playing night and day, woah-oh
And it sounds better now
Yes, you improve every time you play, woah-oh
But it's bad
You're so sad
And you're only smiling
When you play your violin

Dum-dum-diddle, to be your fiddle
To be so near you and not just hear you
Dum-dum-diddle, to be your fiddle
I think then maybe you'd see me, baby
You'd be mine
And we'd be together all the time
Wish I was, dum-dum-diddle, your darling fiddle
But I think you don't know that I exist
I'm the quiet kind, woah-oh
From the day when I first listened to you
You've been on my mind, woah-oh
You don't care
It's not fair
And you're only smiling
When you play your violin

Dum-dum-diddle, to be your fiddle
To be so near you and not just hear you
Dum-dum-diddle, to be your fiddle
I think then maybe you'd see me, baby
You'd be mine
And we'd be together all the time
Dum-dum-diddle, to be your fiddle
To be so near you and not just hear you
Dum-dum-diddle, to be your fiddle
I think then maybe you'd see me, baby
You'd be mine
And we'd be together all the time
Wish I was, dum-dum-diddle, your darling fiddle


Knowing Me, Knowing You

No more carefree laughter
Silence ever after
Walking through an empty house, tears in my eyes
Here is where the story ends, this is goodbye

Knowing me, knowing you
There is nothing we can do
Knowing me, knowing you
We just have to face it, this time we're through
(This time we're through, this time we're through
This time we're through, we're really through)
Breaking up is never easy, I know but I have to go
(I have to go this time
I have to go, this time I know)
Knowing me, knowing you
It's the best I can do

Mem'ries (mem'ries), good days (good days), bad days (bad days)
They'll be (they'll be), with me (with me) always (always)
In these old familiar rooms children would play
Now there's only emptiness, nothing to say

Knowing me, knowing you
There is nothing we can do
Knowing me, knowing you
We just have to face it, this time we're through
(This time we're through, this time we're through
This time we're through, we're really through)
Breaking up is never easy, I know but I have to go
(I have to go this time
I have to go, this time I know)
Knowing me, knowing you
It's the best I can do


Money, Money, Money

I work all night, I work all day, to pay the bills I have to pay
Ain't it sad
And still there never seems to be a single penny left for me
That's too bad
In my dreams I have a plan
If I got me a wealthy man
I wouldn't have to work at all, I'd fool around and have a ball

Money, money, money
Must be funny
In the rich man's world
Money, money, money
Always sunny
In the rich man's world
Aha-ahaaa
All the things I could do
If I had a little money
It's a rich man's world

A man like that is hard to find but I can't get him off my mind
Ain't it sad
And if he happens to be free I bet he wouldn't fancy me
That's too bad
So I must leave, I'll have to go
To Las Vegas or Monaco
And win a fortune in a game, my life will never be the same

Money, money, money
Must be funny
In the rich man's world
Money, money, money
Always sunny
In the rich man's world
Aha-ahaaa
All the things I could do
If I had a little money
It's a rich man's world

Money, money, money
Must be funny
In the rich man's world
Money, money, money
Always sunny
In the rich man's world
Aha-ahaaa
All the things I could do
If I had a little money
It's a rich man's world

It's a rich man's world


That's Me

Are you sure you wanna hear more
What if I ain't worth the while
Not the style you'd be lookin' for
If I'm sweet tonight
Things look different in the morning light
I'm jealous and I'm proud
If you hurt my feelings I'll cry out loud
I'm Carrie not-the-kind-of-girl-you'd-marry
That's me

Are you sure you wanna hear more
Would I be the one you seek
Mild and meek like the girl next door
Don't you realise
I may be an angel in disguise
It's lonely to be free
But I'm not a man's toy, I'll never be
I'm Carrie not-the-kind-of-girl-you'd-marry
That's me

I don't believe in fairy-tales
Sweet nothings in my ear
But I do believe in sympathy
That's me, you see

Are you sure you wanna hear more
Won't you have a drink with me
Just to see you're not really sore
I can't help my ways
I'm just not the girl to hide my face
I'm Carrie not-the-kind-of-girl-you'd-marry
That's me

There's a special love
Like an eagle flying with a dove
I'll find it in the end
If I keep on searchin', but until then
I'm Carrie not-the-kind-of-girl-you'd-marry
That's me
   

Why Did It Have To Be Me

When you were lonely, you needed a man
Someone to lean on, well I understand
It's only natural
But why did it have to be me
Nights can be empty, nights can be cold
So you were looking for someone to hold
That's only natural
But why did it have to be me

I was so lonesome, I was blue
I couldn't help it, it had to be you and I
Always thought you knew the reason why
I only wanted a little love affair
Now I can see you are beginning to care
But baby, believe me
It's better to forget me

Men are the toys in the game that you play
When you get tired, you throw them away
That's only natural
But why did it have to be me
Falling in love with a woman like you
Happens so quickly, there's nothing to do
It's only natural
But why did it have to be me

I was so lonesome, I was blue
I couldn't help it, it had to be you and I
Always thought you knew the reason why
I only wanted a little love affair
Now I can see you are beginning to care
But baby, believe me
It's better to forget me


Tiger

The city is a jungle, you better take care
Never walk alone after midnight
If you don't believe it you better beware
Of me

I am behind you, I always find you, I am the tiger
People who fear me never go near me, I am the tiger

The city is a nightmare, a horrible dream
Some of us will dream it forever
Look around the corner and try not to scream
It's me

I am behind you, I always find you, I am the tiger
People who fear me never go near me, I am the tiger

Yellow eyes are glowing like the neon lights
Yellow eyes, the spotlights of the city nights

I am behind you, I always find you, I am the tiger
People who fear me never go near me, I am the tiger

The city is a prison, you never escape
You're forever trapped in the alleys
Look into the shadows and you'll see the shape
Of me

I am behind you, I'll always find you, I am the tiger
People who fear me never go near me, I am the tiger

Yellow eyes are glowing like the neon lights
Yellow eyes, the spotlights of the city nights

I am behind you, I'll always find you, I am the tiger
People who fear me never go near me, I am the tiger
And if I meet you, what if I eat you, I am the tiger
I am behind you, I'll always find you, I am the tiger
Tiger, tiger, tiger!


Arrival

Instrumental

Ahhh, Ahhh, Ahhh


Fernando

Can you hear the drums Fernando?
I remember long ago another starry night like this
In the firelight Fernando
You were humming to yourself and softly strumming your guitar
I could hear the distant drums
And sounds of bugle calls were coming from afar
They were closer now Fernando
Every hour every minute seemed to last eternally
I was so afraid Fernando
We were young and full of life and none of us prepared to die
And I'm not ashamed to say
The roar of guns and cannons almost made me cry
There was something in the air that night
The stars were bright, Fernando
They were shining there for you and me
For liberty, Fernando
Though I never thought that we could lose
There's no regret
If I had to do the same again
I would, my friend, Fernando
Now we're old and grey Fernando
And since many years I haven't seen a rifle in your hand
Can you hear the drums Fernando?
Do you still recall the frightful night we crossed the Rio Grande?
I can see it in your eyes
How proud you were to fight for freedom in this land
There was something in the air that night
The stars were bright, Fernando
They were shining there for you and me
For liberty, Fernando
Though I never thought that we could lose
There's no regret
If I had to do the same again
I would, my friend, Fernando
There was something in the air that night
The stars were bright, Fernando
They were shining there for you and me
For liberty, Fernando
Though I never thought that we could lose
There's no regret
If I had to do the same again
I would, my friend, Fernando
Yes, if I had to do the same again
I would, my friend, Fernando...


Happy Hawaii

Early this morning I drove in the rain
Out to the airport to get on the plane
Hey Honolulu, we're going to happy Hawaii
Alice has been there, she said it was fun
Swimming and surfing, enjoying the sun
Hey Honololu, we're going to happy Hawaii

After all I've had to go through
I'm making no plans (making no plans oh-ooh)
But I, but I believe love gives me a second chance

Guess I've been working a little too hard
Need a vacation, I'll send you a card
From Honolulu, a greeting from happy Hawaii

It's so exciting, why should I pretend
In a few hours the plane will descend
Hey Honolulu, we're going to happy Hawaii
I can imagine the beach and the sand
Walking with someone and holding his hand
Hey Honolulu, we're going to happy Hawaii

After all I've had to go through
I'm making no plans (making no plans oh-ooh)
But I, but I believe love gives me a second chance, mmm

I've got a feeling the dream will come true
Somebody's waiting and I'll forget you
Hey Honolulu, we're going to happy Hawaii
 

 M P 3   S a m p l e s


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